{"id":902,"date":"2012-02-27T13:55:37","date_gmt":"2012-02-27T18:55:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/?p=902"},"modified":"2012-02-27T14:54:31","modified_gmt":"2012-02-27T19:54:31","slug":"nice-is-different-than-good","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2012\/02\/nice-is-different-than-good\/","title":{"rendered":"&#8220;Nice is different than good&#8221;"},"content":{"rendered":"<p>Lin-Manuel Miranda, who was truly excellent in the recent City Center production of <em>Merrily We Roll Along<\/em>, started a series of Tweets that are continuing to this moment of Sondheim lower back tattoos (<a title=\"Twitter\" href=\"https:\/\/twitter.com\/#!\/search\/%23sondheimlowerbacktattoo\" target=\"_blank\">#sondheimlowerbacktattoo<\/a>). This started when Miranda Tweeted back at <del>theater publicist<\/del><em> [I&#8217;ve since been corrected on Twitter &#8211; &#8220;Theater Publicist-in-the-making&#8221;&#8230;well congrats or I&#8217;m sorry, <a title=\"Twitter\" href=\"https:\/\/twitter.com\/#!\/mrtylermartins\" target=\"_blank\">@mrtylermartins<\/a>, You&#8217;ve Arrived!]<\/em> Tyler Martins&#8217;s suggestion of a Sondheim tramp stamp:<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/02\/nice-is-different-than-good\/screen-shot-2012-02-27-at-12-59-20-pm\/\" rel=\"attachment wp-att-903\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-903\" title=\"Screen shot 2012-02-27 at 12.59.20 PM\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-12.59.20-PM.png\" alt=\"\" width=\"522\" height=\"355\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-12.59.20-PM.png 522w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-12.59.20-PM-300x204.png 300w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><\/a><\/p>\n<p>You can read all the potential Sondheim lower back tattoos <a title=\"Sondheim Lower Back Tattoo\" href=\"https:\/\/twitter.com\/#!\/search\/%23SondheimLowerBacktattoo?q=%23SondheimLowerBacktattoo\" target=\"_blank\">here<\/a>.<\/p>\n<p>My favorites are from Betty Buckley (!!),<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/02\/nice-is-different-than-good\/screen-shot-2012-02-27-at-12-58-40-pm\/\" rel=\"attachment wp-att-904\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-904\" title=\"Screen shot 2012-02-27 at 12.58.40 PM\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-12.58.40-PM.png\" alt=\"\" width=\"518\" height=\"79\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-12.58.40-PM.png 518w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-12.58.40-PM-300x45.png 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><\/a><\/p>\n<p>Josh Charles, <em>The Good Wife<\/em> star and Jeremy Geffen&#8211;Carnegie Hall Director of Artistic Programming&#8211;doppelg\u00e4nger:<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/02\/nice-is-different-than-good\/screen-shot-2012-02-27-at-1-03-21-pm\/\" rel=\"attachment wp-att-905\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-905\" title=\"Screen shot 2012-02-27 at 1.03.21 PM\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-1.03.21-PM.png\" alt=\"\" width=\"517\" height=\"74\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-1.03.21-PM.png 517w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-1.03.21-PM-300x42.png 300w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><\/a>&#8230;and Laura Benanti,<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/02\/nice-is-different-than-good\/screen-shot-2012-02-27-at-1-28-33-pm\/\" rel=\"attachment wp-att-906\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-906\" title=\"Screen shot 2012-02-27 at 1.28.33 PM\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-1.28.33-PM.png\" alt=\"\" width=\"520\" height=\"96\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-1.28.33-PM.png 520w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/Screen-shot-2012-02-27-at-1.28.33-PM-300x55.png 300w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/p>\n<p>Would that I were the lucky girl who got to explain tramp stamps to Stephen Sondheim.<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/02\/nice-is-different-than-good\/moveontattoo\/\" rel=\"attachment wp-att-907\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-907\" title=\"MoveOnTattoo\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/MoveOnTattoo.jpg\" alt=\"\" width=\"400\" height=\"314\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/MoveOnTattoo.jpg 400w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/02\/MoveOnTattoo-300x235.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lin-Manuel Miranda, who was truly excellent in the recent City Center production of Merrily We Roll Along, started a series of Tweets that are continuing to this moment of Sondheim lower back tattoos (#sondheimlowerbacktattoo). This started when Miranda Tweeted back at theater publicist [I&#8217;ve since been corrected on Twitter &#8211; &#8220;Theater Publicist-in-the-making&#8221;&#8230;well congrats or I&#8217;m [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":907,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-902","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=902"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/902\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media\/907"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}