{"id":658,"date":"2011-06-09T10:29:59","date_gmt":"2011-06-09T14:29:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/?p=658"},"modified":"2011-06-09T10:29:59","modified_gmt":"2011-06-09T14:29:59","slug":"something-to-like","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2011\/06\/something-to-like\/","title":{"rendered":"Something to &#8220;like&#8221;"},"content":{"rendered":"<p>The <a title=\"ENO\" href=\"http:\/\/www.eno.org\/home.php\">English National Opera<\/a> has released a trailer for Nico Muhly&#8217;s upcoming opera, <em>Two Boys. <\/em>Unlike the unmitigated disaster that is the New York Phil&#8217;s current <em>The Cunning Little Vixen<\/em> campaign (see <a title=\"last blog post\" href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2011\/06\/the-un-cunning-little-marketing-campaign\/\">previous blog post<\/a>), the ENO&#8217;s video is clever, teasing and actually meaningful. And I&#8217;ll be damned: they&#8217;re actually playing the composer&#8217;s music in it!<\/p>\n<p><object width=\"560\" height=\"349\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/aDycZH0CA4I?version=3&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"349\" src=\"http:\/\/www.youtube.com\/v\/aDycZH0CA4I?version=3&amp;hl=en_US&amp;rel=0\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>Now let&#8217;s check in with Vix. Did I ever think the New York Philharmonic would send me a video with bras in it? No I did not.<\/p>\n<p><object width=\"425\" height=\"349\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/3pFkmqeTzXU?version=3&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed type=\"application\/x-shockwave-flash\" width=\"425\" height=\"349\" src=\"http:\/\/www.youtube.com\/v\/3pFkmqeTzXU?version=3&amp;hl=en_US&amp;rel=0\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p><object width=\"425\" height=\"349\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/Ti9mcoFntC0?version=3&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed type=\"application\/x-shockwave-flash\" width=\"425\" height=\"349\" src=\"http:\/\/www.youtube.com\/v\/Ti9mcoFntC0?version=3&amp;hl=en_US&amp;rel=0\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The English National Opera has released a trailer for Nico Muhly&#8217;s upcoming opera, Two Boys. Unlike the unmitigated disaster that is the New York Phil&#8217;s current The Cunning Little Vixen campaign (see previous blog post), the ENO&#8217;s video is clever, teasing and actually meaningful. And I&#8217;ll be damned: they&#8217;re actually playing the composer&#8217;s music in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":661,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-658","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=658"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/658\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media\/661"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}