{"id":63,"date":"2008-08-21T10:55:27","date_gmt":"2008-08-21T10:55:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=63"},"modified":"2008-08-21T10:55:27","modified_gmt":"2008-08-21T10:55:27","slug":"vote_for_hilary","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2008\/08\/vote_for_hilary\/","title":{"rendered":"Vote for Hilary!"},"content":{"rendered":"

That’s right, folks – she’s still in the race.<\/p>\n

Cast your vote here<\/a>. <\/p>\n

Clearly, Hilary is the best artist for the job. Yes we can<\/a>.<\/p>\n

I wonder if there will be a borderline-racist New Yorker <\/i>cover, with Dudamel as a cartoon Che Guevera<\/a> and Natalie Dessay as Marie Antoinette<\/a>. <\/p>\n

Maybe Murray Perahia’s camp will run TV ads about Rolando Villazon’s “celebrity status”, and Anna Netrebko will respond<\/a>. <\/p>\n

Will Angela Merkel let Paul Lewis give a speech in front of the Brandenburg Gate, or will that make him look too much like J.F.K.? <\/p>\n

And the real question on everyone’s mind: will Ivan Fischer will choose Gerald Finley or Marc-Andrew Hamelin as his running mate. Finley might get him the diction vote, but would the choice of Hamelin mean a The Rest is Noise<\/i><\/a> endorsement??<\/p>\n

I can’t wait for the Olympics to end so the media can finally turn its attention to the real campaign at hand: Gramophone Artist of the Year<\/b>.
<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

That’s right, folks – she’s still in the race. Cast your vote here. Clearly, Hilary is the best artist for the job. Yes we can. I wonder if there will be a borderline-racist New Yorker cover, with Dudamel as a cartoon Che Guevera and Natalie Dessay as Marie Antoinette. Maybe Murray Perahia’s camp will run […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-63","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/63\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=63"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=63"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}