{"id":579,"date":"2011-04-11T08:40:17","date_gmt":"2011-04-11T08:40:17","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=579"},"modified":"2011-04-11T08:40:17","modified_gmt":"2011-04-11T08:40:17","slug":"nothing_happens_melisande_dies","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2011\/04\/nothing_happens_melisande_dies\/","title":{"rendered":"“Nothing happens; Melisande dies.”"},"content":{"rendered":"
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In T minus 20 minutes, this year’s #OperaPlot<\/a> begins again. The contest, started by blogger The Omniscient Mussel<\/a><\/i> (yes, we know that sounds like a stripper name but she’s not), is in its third year. Of #OperaPlot’s inception, Miss Mussel told The Guardian<\/a>:<\/i><\/div>\n


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I started this contest a month ago on a whim. I was writing programme
\nnotes for the RNCM and tweeted that I was having trouble with word
\ncreep… one of those mundane details Twitter disparagers claim not to
\nbe interested in. @pattyoboe, an oboist blogger from California
\nsuggested I should tweet the notes. That seemed impractical but then I
\nthought, what about opera? Tweets are the perfect antidote to
\nconvoluted plot summaries…so I launched the contest with a single
\nTweet. I only had about 50 followers at the time but word got out and
\nby the time the contest ended three days later, the whole world (ok, the
\nwhole opera world) knew about it.<\/p><\/blockquote>\n

This year’s esteemed judge is a familiar face ’round these parts: LIfe A Pitch<\/i>‘s Favorite Alberich, Eric Owens. He’ll be reading your Tweets in his free time while singing with the Chicago Symphony <\/i>here and in Chicago. Maybe Riccardo Muti can lend a hand. Here’s Eric introducing the contest:<\/div>\n<\/div>\n

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