{"id":568,"date":"2011-02-24T23:35:36","date_gmt":"2011-02-24T23:35:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=568"},"modified":"2011-02-24T23:35:36","modified_gmt":"2011-02-24T23:35:36","slug":"i_wanna_be_loved","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2011\/02\/i_wanna_be_loved\/","title":{"rendered":"I wanna be loved by you"},"content":{"rendered":"<p>A week or so ago, I blogged about video and physical previews of new works and unknown performers. Why do we expect people to spend money on classical music they&#8217;ve never heard, <a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2011\/02\/free-samples.html\">I wondered<\/a>, if most other things in our lives offer us some kind of product sample? You know, like ice cream. <\/p>\n<p>Soon after I wrote that post, I came across this trailer for the Royal Opera House&#8217;s production of <i><a href=\"http:\/\/www.roh.org.uk\/whatson\/production.aspx?pid=13802\">Anna Nicole<\/a> <\/i>[yes, Smith: that&#8217;s the one!]. My first thought was, &#8220;Fantastic! Look at the cool thing they made for the &#8216;MTV Generation&#8217;!&#8221; It&#8217;s professional, stylish, and catchy. It was probably expensive, and it&#8217;s certainly refreshing to see a company investing in creative marketing. Let&#8217;s take a gander together:<\/p>\n<p> <iframe loading=\"lazy\" title=\"YouTube video player\" src=\"http:\/\/www.youtube.com\/embed\/BE8UxXaxLj8?rel=0\" allowfullscreen=\"\" frameborder=\"0\" height=\"349\" width=\"560\"><\/iframe><\/p>\n<p>The problem, of course, is that this is neither a trailer for a movie, nor is it music video for the (uncredited) Scissor Sisters-esque ditty playing in the background. The YouTube page has the disclaimer:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"RoyalOperaHouseDisclaimer.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/RoyalOperaHouseDisclaimer.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"167\" width=\"500\" \/>If it were a music video, it would include <i>the actual music. <\/i>It&#8217;s appealing, but it&#8217;s not what you&#8217;re potentially paying money to see, or additionally, to hear. Was there nothing captivating enough in composer Mark-Anthony Turnage&#8217;s score to use for this? Similarly, did they think professionally-shot production footage wouldn&#8217;t sell tickets? Compare the above with the Metropolitan Opera&#8217;s trailers:<\/p>\n<p><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"270\" width=\"480\"><param name=\"movie\" value=\"http:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1&amp;isUI=1\" \/><param name=\"bgcolor\" value=\"#FFFFFF\" \/><param name=\"flashVars\" value=\"videoId=795366754001&amp;playerID=610237632001&amp;playerKey=AQ~~,AAAAjh5TC7k~,K2aUOQDXqSqeu2vT4WaBxU4_8mDdKF-p&amp;domain=embed&amp;dynamicStreaming=true\" \/><param name=\"base\" value=\"http:\/\/admin.brightcove.com\" \/><param name=\"seamlesstabbing\" value=\"false\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"swLiveConnect\" value=\"true\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><\/object><\/p>\n<div align=\"center\"><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"270\" width=\"480\"><embed src=\"http:\/\/c.brightcove.com\/services\/viewer\/federated_f9?isVid=1&amp;isUI=1\" bgcolor=\"#FFFFFF\" flashvars=\"videoId=795366754001&amp;playerID=610237632001&amp;playerKey=AQ~~,AAAAjh5TC7k~,K2aUOQDXqSqeu2vT4WaBxU4_8mDdKF-p&amp;domain=embed&amp;dynamicStreaming=true\" base=\"http:\/\/admin.brightcove.com\" name=\"flashObj\" seamlesstabbing=\"false\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" swliveconnect=\"true\" pluginspage=\"http:\/\/www.macromedia.com\/shockwave\/download\/index.cgi?P1_Prod_Version=ShockwaveFlash\" height=\"270\" width=\"480\"><\/object><\/p>\n<div align=\"left\"><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"270\" width=\"480\"><\/object>Here&#8217;s the footage that the Royal Opera House released to the press, via <i><a href=\"http:\/\/jezebel.com\/#%215764235\/scenes-from-anna-nicole-the-opera\">Jezebel<\/a> <\/i>and the <i>Associated Press:<\/i><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"270\" width=\"480\"><br \/><\/object><\/div>\n<p><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"270\" width=\"480\"><\/object><\/p>\n<div align=\"left\"><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"270\" width=\"480\"><\/object><br \/><object id=\"flashObj\" classid=\"clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,47,0\" height=\"270\" width=\"480\"><\/object><\/div>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"http:\/\/www.youtube.com\/embed\/vG0g1Jrl7Yo?rel=0\" allowfullscreen=\"\" frameborder=\"0\" height=\"349\" width=\"560\"><\/iframe><\/p>\n<p>So the <i>Anna Nicole<\/i> trailer includes none of the production footage and none of the music. Is this false advertising or effective marketing? Clothes don&#8217;t look the same on me as they do on the mannequin or the model in the ads; why should we expect truth in advertising from opera alone? <\/p>\n<p>I&#8217;ve said it before and I&#8217;ll say it again, I love that iPad ads&#8211;print and television&#8211;simply show what the device can do, without a gimmick or a hot person in sight:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"http:\/\/www.youtube.com\/embed\/q9KTnsGsd_0?rel=0\" allowfullscreen=\"\" frameborder=\"0\" height=\"349\" width=\"560\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"http:\/\/www.youtube.com\/embed\/JP8wKtFA4Io?rel=0\" allowfullscreen=\"\" frameborder=\"0\" height=\"349\" width=\"560\"><\/iframe><\/p>\n<p>And of course, that one Google ad did the same:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"http:\/\/www.youtube.com\/embed\/tQ4unnMgiSQ?rel=0\" allowfullscreen=\"\" frameborder=\"0\" height=\"349\" width=\"560\"><\/iframe><\/p>\n<p>So how much truth do we want in our advertising, readers? Clothes on a mannequin or (elegantly done) reality? <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A week or so ago, I blogged about video and physical previews of new works and unknown performers. Why do we expect people to spend money on classical music they&#8217;ve never heard, I wondered, if most other things in our lives offer us some kind of product sample? You know, like ice cream. Soon after [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-568","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=568"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/568\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}