{"id":538,"date":"2010-10-19T15:26:33","date_gmt":"2010-10-19T15:26:33","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=538"},"modified":"2010-10-19T15:26:33","modified_gmt":"2010-10-19T15:26:33","slug":"in_which_i_am_indirectly_schoo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2010\/10\/in_which_i_am_indirectly_schoo\/","title":{"rendered":"In which I am indirectly schooled by a 3-year-old I don&#8217;t know"},"content":{"rendered":"<p>Not one hour and twenty minutes after I sent out a press release about Polish conductor Krzysztof Urba\u0144ski being appointed as the next music director of the Indianapolis Symphony Orchestra, did my friend Cage send me this:<\/p>\n<p><\/p>\n<div align=\"center\"><font face=\"Verdana, Helvetica, Arial\"><span style=\"font-size: 12px;\"><\/span><\/font><object height=\"385\" width=\"480\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/0REJ-lCGiKU?fs=1&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/0REJ-lCGiKU?fs=1&amp;hl=en_US&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"385\" width=\"480\"><\/object><\/p>\n<div align=\"left\">I particularly like minute 1:41, when Jonathan begins the ever-popular <i>Flashdance<\/i> jog-in-place technique, utilized with the greatest precision by the world&#8217;s greatest maestros. <\/p>\n<\/div>\n<\/div>\n<p><object height=\"385\" width=\"480\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/6Vx4J_NtNPk?fs=1&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><\/object><\/p>\n<div align=\"center\"><object height=\"385\" width=\"480\"><embed src=\"http:\/\/www.youtube.com\/v\/6Vx4J_NtNPk?fs=1&amp;hl=en_US&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"385\" width=\"480\"><\/object><\/p>\n<div align=\"left\"><object height=\"385\" width=\"480\"><\/object>Krzysztof turned 28 on Sunday, making him the youngest music director in the country. I thought I had that story locked down until I saw our friend Jonathan&#8217;s video. I now fear Krzysztof&#8217;s reign as youngest MD will be short-lived, so long as Jonathan can get the nose-picking under control (at 2:04). <br \/><object height=\"385\" width=\"480\"><\/object><\/div>\n<p><object height=\"385\" width=\"480\"><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Not one hour and twenty minutes after I sent out a press release about Polish conductor Krzysztof Urba\u0144ski being appointed as the next music director of the Indianapolis Symphony Orchestra, did my friend Cage send me this: I particularly like minute 1:41, when Jonathan begins the ever-popular Flashdance jog-in-place technique, utilized with the greatest precision [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-538","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=538"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/538\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}