{"id":53,"date":"2008-08-07T23:54:23","date_gmt":"2008-08-07T23:54:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=53"},"modified":"2008-08-07T23:54:23","modified_gmt":"2008-08-07T23:54:23","slug":"publicist_prediction","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2008\/08\/publicist_prediction\/","title":{"rendered":"Publicist prediction"},"content":{"rendered":"<p>If The Public Theatre&#8217;s opening night of <i><a href=\"http:\/\/www.publictheater.org\/content\/view\/126\/219\/\">Hair<\/a> <\/i>doesn&#8217;t make it onto the cover of <i><a href=\"http:\/\/nytimes.com\/\">The New York Times<\/a> <\/i>tomorrow, free publicity for everyone reading.<\/p>\n<p>The last minute and a half was truly the most remarkable thing I&#8217;ve ever seen on a stage, through no fault (?) of the production&#8217;s own.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If The Public Theatre&#8217;s opening night of Hair doesn&#8217;t make it onto the cover of The New York Times tomorrow, free publicity for everyone reading. The last minute and a half was truly the most remarkable thing I&#8217;ve ever seen on a stage, through no fault (?) of the production&#8217;s own.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-53","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/53\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=53"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=53"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}