{"id":505,"date":"2010-08-07T16:34:03","date_gmt":"2010-08-07T16:34:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=505"},"modified":"2010-08-07T16:34:03","modified_gmt":"2010-08-07T16:34:03","slug":"lifes_a_pitch_the_even_more_in","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2010\/08\/lifes_a_pitch_the_even_more_in\/","title":{"rendered":"&#8216;Life&#8217;s a Pitch&#8217;, the even more insufferable than usual edition"},"content":{"rendered":"<p>I&#8217;ll be reporting from <a href=\"http:\/\/www.bso.org\/bso\/index.jsp?id=bcat5240070\">Tanglewood<\/a> this week, where I am setting up shop to see Hahn Solo tonight, in addition to my two favorite-st pianists (other than Helene, obviously), Richard Goode (last night) and Pierre-Laurent Aimard (Tuesday night). My friend Alisa Weilerstein is playing Friday (the 13th &#8211; awesome), and Jean-Yves Thibaudet, whose <a href=\"http:\/\/itunes.apple.com\/us\/album\/gershwin-rhapsody-in-blue\/id358027332\">Gershwin album<\/a> I worked on this spring, performs Sunday. How nice of the Boston Symphony Orchestra to schedule everyone I wanted to see this summer in the same week. Except for <a href=\"http:\/\/jeremydenk.net\/\">Jeremy<\/a>. If you&#8217;re reading. <\/p>\n<p>Here&#8217;s scene from last night:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"TanglewoodPicnic.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/TanglewoodPicnic.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"375\" width=\"500\" \/> <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ll be reporting from Tanglewood this week, where I am setting up shop to see Hahn Solo tonight, in addition to my two favorite-st pianists (other than Helene, obviously), Richard Goode (last night) and Pierre-Laurent Aimard (Tuesday night). My friend Alisa Weilerstein is playing Friday (the 13th &#8211; awesome), and Jean-Yves Thibaudet, whose Gershwin album [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-505","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=505"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/505\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}