{"id":472,"date":"2010-05-24T13:19:27","date_gmt":"2010-05-24T13:19:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=472"},"modified":"2010-05-24T13:19:27","modified_gmt":"2010-05-24T13:19:27","slug":"staple_your_bacon_to_the_table","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2010\/05\/staple_your_bacon_to_the_table\/","title":{"rendered":"Staple your bacon to the table&#8230;"},"content":{"rendered":"<p>&#8230;we&#8217;re talking about Sir Georg Solti on <i>Letterman. <\/p>\n<p><\/i>We&#8217;re also talking about <i>WQXR<\/i> (#($)!_@!), Daniel Barenboim, Alan Gilbert, Riccardo Muti, and the origins of the word &#8220;Philharmonic.&#8221; <\/p>\n<p>And then we&#8217;re talking about Avery Fisher Hall, Lincoln Center, Carnegie Hall, discussions about the Philharmonic <i>moving <\/i>to Carnegie Hall, Carnegie Hall&#8217;s RESTORATION, the Philharmonic&#8217;s PROGRAMMING, young artists&#8217; careers&#8230;it just goes on and on. And on. If I wasn&#8217;t currently on hold with The Death Trap That Is Verizon about my non-existent voicemail for going on 47 minutes now, I would think this was a dream. <\/p>\n<p>Thanks to living<i> 30 Rock <\/i>Wiki and sometimes concert pianist <a href=\"http:\/\/www.jonathanbiss.com\/\">Jonathan<\/a> for sending. <\/p>\n<p>The eye-rubbing\/pinching-yourself part starts at minute 4:50:<\/p>\n<p> <object height=\"340\" width=\"560\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/MHeFaDIs3Ac&amp;hl=en_US&amp;fs=1&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/MHeFaDIs3Ac&amp;hl=en_US&amp;fs=1&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"340\" width=\"560\">&#8230;and continues here:<\/object><object height=\"340\" width=\"560\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/1NU1uY5Hvbw&amp;hl=en_US&amp;fs=1&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/1NU1uY5Hvbw&amp;hl=en_US&amp;fs=1&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"340\" width=\"560\"><\/object><\/p>\n<p>I&#8217;m told the head of the LA Philharmonic press department handed Alec Baldwin a LA Phil tour t-shirt backstage at the Thibaudet\/Dudamel concert Thursday, to which I say, <\/p>\n<p>Paws off, &#8220;L&#8221; &#8220;A&#8221;, this one&#8217;s ours. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;we&#8217;re talking about Sir Georg Solti on Letterman. We&#8217;re also talking about WQXR (#($)!_@!), Daniel Barenboim, Alan Gilbert, Riccardo Muti, and the origins of the word &#8220;Philharmonic.&#8221; And then we&#8217;re talking about Avery Fisher Hall, Lincoln Center, Carnegie Hall, discussions about the Philharmonic moving to Carnegie Hall, Carnegie Hall&#8217;s RESTORATION, the Philharmonic&#8217;s PROGRAMMING, young artists&#8217; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-472","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=472"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/472\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}