{"id":407,"date":"2010-01-21T14:22:29","date_gmt":"2010-01-21T14:22:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=407"},"modified":"2010-01-21T14:22:29","modified_gmt":"2010-01-21T14:22:29","slug":"the_representative_from_dc","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2010\/01\/the_representative_from_dc\/","title":{"rendered":"The Representative from D.C."},"content":{"rendered":"<p>Anne Midgette weighs in on the discussion over on her blog <i><a href=\"http:\/\/voices.washingtonpost.com\/the-classical-beat\/\">The Classical Beat<\/a>:<\/p>\n<p><\/i><\/p>\n<blockquote><p>I do think it&#8217;s unfortunate, though, when there&#8217;s no sense of a<br \/>\nperson behind the playing. Classical music can suffer from a sense of<br \/>\nentitlement: there&#8217;s an idea that the music is so great it&#8217;s enough<br \/>\njust to play it, and everyone should be in awe. Yes: the music is that<br \/>\ngreat. That&#8217;s precisely why the performer has to work so hard to delve<br \/>\ninto it, to bring it across, to make it more than merely notes executed<br \/>\nwell. (The same thing, incidentally, holds true of reviews: in an ideal<br \/>\nworld they should be more than merely obedient reports.) As for the<br \/>\nextra-musical aspect: historically, audiences have always been hugely<br \/>\ninterested in the figure of the performer on a personal level. To say<br \/>\nthat this aspect should be off-limits, or is not relevant, is to draw<br \/>\nan artificial boundary.<\/p>\n<p>But how far, in our age of media saturation, do you go? Are people in Washington this month going to be more likely to go hear <a href=\"http:\/\/www.wpas.org\/tickets\/eventholder\/jeremydenkpiano.aspx?location=homepage-promotion\" target=\"new\">Jeremy Denk<\/a> if they read <a href=\"http:\/\/jeremydenk.net\/blog\/\" target-=\"\" new=\"\">his blog<\/a> (they should!), or <a href=\"http:\/\/www.fairfaxsymphony.org\/AugustinHadelich.shtml\" target=\"new\">Augustin Hadelich<\/a> if they know he was badly burned in a house fire when he was in his teens, or <a href=\"http:\/\/www.vocalartssociety.org\/roster\/20100130schwanewilms.htm\" target=\"new\">Anne Schwanewilms<\/a> if they know that she was involved in the story of <a href=\"http:\/\/nymag.com\/daily\/entertainment\/2008\/06\/deborah_voigt_faces_the_little.html\" target=\"new\">Deborah Voigt and the little black dress<\/a>?<br \/>\nEven more to the point, for marketers: How do you distinguish Garrick<br \/>\nOhlsson from Emanuel Ax in the season brochure in a way that would help<br \/>\na first-time ticket buyer to understand which of the two he might<br \/>\nrather hear? (That question is usually answered, in practice, with the<br \/>\negregious overuse of terms like &#8220;great,&#8221; or &#8220;leading pianist of his<br \/>\ngeneration.&#8221;)&nbsp;<\/p><\/blockquote>\n<p>Click <a href=\"http:\/\/voices.washingtonpost.com\/the-classical-beat\/2010\/01\/because_youre_special.html\">here<\/a> for Anne&#8217;s entire Smart-and-Good-As-Always post.&nbsp;<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anne Midgette weighs in on the discussion over on her blog The Classical Beat: I do think it&#8217;s unfortunate, though, when there&#8217;s no sense of a person behind the playing. Classical music can suffer from a sense of entitlement: there&#8217;s an idea that the music is so great it&#8217;s enough just to play it, and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9,8],"tags":[],"class_list":{"0":"post-407","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"category-prdebate","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=407"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/407\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}