{"id":390,"date":"2010-01-07T21:07:35","date_gmt":"2010-01-07T21:07:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=390"},"modified":"2010-01-07T21:07:35","modified_gmt":"2010-01-07T21:07:35","slug":"2010_pitchy_nominees","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2010\/01\/2010_pitchy_nominees\/","title":{"rendered":"2009 Pitchy Nominees, even though it&#8217;s 2010"},"content":{"rendered":"<p>Sorry, team: I&#8217;ve been a bad, bad blogger. <a href=\"http:\/\/www3.timeoutny.com\/newyork\/thevolume\/2010\/01\/qa-with-eric-owens-how-dj-jazzy-jeff-influenced-this-classical-singer\/\">This<\/a>, <a href=\"http:\/\/www.metoperafamily.org\/metopera\/season\/production.aspx?id=10407\">this<\/a> and <a href=\"http:\/\/lepoissonrouge.com\/events\/view\/868\">this<\/a> are to blame, but if I didn&#8217;t have a day (&#8221;&nbsp; &#8220;) job, I wouldn&#8217;t have anything to blog about. <i>Life&#8217;s a Pitch<\/i> would be exclusively devoted to the last season of <i>Lost <\/i>and my ill-fated attempts at hot yoga, and no one needs that. <\/p>\n<p>I still want you to vote for the <b>Best of PR and Marketing\/Classical Music edition in 2009<\/b>! It&#8217;s not too late; you loved 2009!<\/p>\n<p>Alright, so the nominees are&#8230;<br \/>&nbsp;<\/p>\n<p><b><font style=\"font-size: 1.25em;\">Best Publicity Move<\/font><\/b><br \/>Joyce DiDonato <a href=\"http:\/\/www.nytimes.com\/2009\/07\/08\/arts\/music\/08opera.html\">literally breaks a leg<\/a>.<\/p>\n<p><a href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/d\/gustavo_dudamel\/index.html\">Gustavo Dudamel<\/a>&#8230;I don&#8217;t know, gets up in the morning? <\/p>\n<p>Bands-the-cool-kids-like <a href=\"http:\/\/stereogum.com\/archives\/photo\/grizzly_bearfinal_fantasy_with_the_brooklyn_philha_055641.html\">play with American orchestras<\/a>. <\/p>\n<p><b><br \/><font style=\"font-size: 1.25em;\">Best Review<\/font><\/b><br \/>Alex Ross <a href=\"http:\/\/www.newyorker.com\/arts\/critics\/musical\/2009\/10\/05\/091005crmu_music_ross\">pulls no punches<\/a> with The Met&#8217;s new <i>Tosca<\/i> in <i>The New Yorker<\/i>.<\/p>\n<p>Jeremy Eichler <a href=\"http:\/\/www.boston.com\/ae\/music\/articles\/2009\/10\/31\/in_levines_absence_maazel_places_firm_chilly_stamp_on_beethoven\/\">defines what&#8217;s bad about Lorin Maazel<\/a> in <i>The Boston Globe.<\/i><\/p>\n<p>Murray Perahia makes the <i>LA Times&#8217;<\/i> Mark Swed <a href=\"http:\/\/latimesblogs.latimes.com\/culturemonster\/2009\/10\/murray-perahia-makes-his-disney-hall-recital-debut.html\">want to wash his hands<\/a> (in a good way). <\/p>\n<p><b><br \/><font style=\"font-size: 1.25em;\">Best Feature Story<\/font><br \/><\/b>Jeremy Eichler packs up his CDs and <a href=\"http:\/\/www.boston.com\/ae\/music\/articles\/2009\/12\/13\/what_a_collector_loses_and_gains_in_the_age_of_music_downloading\/\">wonders what&#8217;s become of The Record Collection<\/a>. <\/p>\n<p>Justin Davidson explains the <a href=\"http:\/\/nymag.com\/arts\/classicaldance\/classical\/features\/55659\/\">Ring Cycle<\/a> that does not involve Gollum in <i>New York Magazine.<\/i><\/p>\n<p>Reigning &#8216;Best Publicity Move&#8217; champ, blogger and&#8230;what&#8217;s the other thing?&#8230;oh, <i>pianist<\/i> Jeremy Denk nerds out <a href=\"http:\/\/jeremydenk.net\/blog\/2009\/12\/18\/whose-brahms\/\">with Brahms and Graphs<\/a>. <\/p>\n<p><b><font style=\"font-size: 1.25em;\">Best Album Art<\/font><\/b><br \/>Cecilia Bartoli&#8217;s <i><a href=\"http:\/\/www.amazon.com\/Cecilia-Bartoli-Sacrificium\/dp\/B002GYGSXG\">Sacrificium<\/a><\/i> makes men across the globe cross their legs. <i>(Conflict of Interest Alert:&nbsp; I worked on this album, but it was nominated several times by other people.)<br \/><\/i><img loading=\"lazy\" decoding=\"async\" alt=\"Sacrificium.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/Sacrificium.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" height=\"173\" width=\"200\" \/><\/p>\n<p><font class=\"gryname\">Mitsuko Uchida and The Cleveland Orchestra&#8217;s <\/font><font class=\"gryname\"><i><a href=\"http:\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=227900\">Mozart: Piano Concertos 23 &amp; 24<\/a> <\/i>uses a real rather than posed performance photo.<br \/><\/font><img loading=\"lazy\" decoding=\"async\" alt=\"Uchida.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/Uchida.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" height=\"200\" width=\"200\" \/><br \/><font class=\"gryname\"><\/p>\n<p><\/font><\/p>\n<p>Stile Antico&#8217;s <a href=\"http:\/\/www.amazon.com\/Song-Songs-Hybr-Stile-Antico\/dp\/B001NZA02O\"><i>Song of Songs<\/i><\/a>, is just beautiful and elegant. <br \/><img loading=\"lazy\" decoding=\"async\" alt=\"SongOfSongs.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/SongOfSongs.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" height=\"179\" width=\"200\" \/> <\/p>\n<p><font face=\"Palatino\"><span style=\"font-size: 12px;\"> <\/span><\/font><!--EndFragment--><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><\/span>&nbsp;<br \/><b><font style=\"font-size: 1.25em;\"><\/p>\n<p><\/font><\/b><\/p>\n<p><b><font style=\"font-size: 1.25em;\"><br \/>Best Advertisement<br \/><\/font><\/b>The Gustavo Dudamel <a href=\"http:\/\/gizmodo.com\/5367318\/bravo-gustavo-iphone-app-conductors-baton-hero\">iPhone app<\/a>.<\/p>\n<p>The New York Philharmonic <a href=\"http:\/\/nyphil.org\/buy\/eStore\/itunesPass.cfm\">iTunes pass<\/a>.<\/p>\n<p>The movie theater previews for The Metropolitan Opera <a href=\"http:\/\/www.metoperafamily.org\/metopera\/broadcast\/hd_events_current.aspx\">HD broadcasts<\/a>.&nbsp; <\/p>\n<p><b><font style=\"font-size: 1.25em;\"><br \/><\/font><\/b><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><\/span><b><font style=\"font-size: 1.25em;\">Best New (in 2009) Music Blog<\/font><\/b> <br \/>John Adams,<i> <a href=\"http:\/\/www.earbox.com\/posts\">Hell Mouth<\/a><\/i><\/p>\n<p>Anne Midgette, <a href=\"http:\/\/voices.washingtonpost.com\/the-classical-beat\/\"><i>The Classical Beat<\/i><\/a><\/p>\n<p>Anonymous, <a href=\"http:\/\/www.properdiscord.com\/\"><i>Proper Discord<\/i><\/a><i><br \/><\/i><b><\/p>\n<p><font style=\"font-size: 1.25em;\">Overall Best Moment in Publicity and Marketing in 2009<\/font><\/b><i><br \/><\/i>Everyone hates the Met&#8217;s <a href=\"http:\/\/www.metoperafamily.org\/metopera\/season\/production.aspx?id=10372\">new production of <i>Tosca<\/i><\/a> so much that they can&#8217;t stop talking about it.&nbsp; <\/p>\n<p>The LA Philharmonic <a href=\"http:\/\/www.nytimes.com\/2009\/11\/13\/arts\/music\/13dudamel.html\">actually spends money<\/a> on marketing.<\/p>\n<p>Everyone is told journalism and classical music are dying and yet fantastic new music blogs pop up each week.&nbsp; <br \/>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2010\/01\/2010-pitchy-nominees.html#comments\">VOTE<\/a> early and often. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sorry, team: I&#8217;ve been a bad, bad blogger. This, this and this are to blame, but if I didn&#8217;t have a day (&#8221;&nbsp; &#8220;) job, I wouldn&#8217;t have anything to blog about. Life&#8217;s a Pitch would be exclusively devoted to the last season of Lost and my ill-fated attempts at hot yoga, and no one [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-390","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=390"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/390\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}