{"id":373,"date":"2009-11-17T18:22:39","date_gmt":"2009-11-17T18:22:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=373"},"modified":"2009-11-17T18:22:39","modified_gmt":"2009-11-17T18:22:39","slug":"and_then_one_night_margo_chann","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2009\/11\/and_then_one_night_margo_chann\/","title":{"rendered":"“And then one night, Margo Channing came to play in ‘Remembrance’ and I went to see it.”"},"content":{"rendered":"

I’ll be stepping in for someone on an OPERA America “Making Connections”<\/a> panel tomorrow night, Shock of the Day being that the panel is on social media. My co-panelists are Brian Dickie<\/a>, General Director of Chicago Opera Theater, and Erik Gensler<\/a>, president of Capacity Interactive, both of whom are Famous on the Interweb. <\/p>\n

Here’s the information:<\/p>\n

When:<\/strong> 6:00 p.m. to 7:00 p.m., followed by a reception that I won’t be at because I’ll be at **DREAMGIRLS**<\/i> at the Apollo.
\nWhere:<\/strong> 330 Seventh Avenue, 16th floor (at 29th Street)
\nFees:<\/strong> $5 for members\/$10 for non-members (pre-registration),  $10 for members\/$15 for non-members (at the door)<\/p>\n

I figure my photo will be on the OPERA America website between Joyce DiDonato’s and John Conklin’s some time on Thursday. <\/span><\/font><\/font><\/font><\/span><\/font><\/font><\/font>
\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

I’ll be stepping in for someone on an OPERA America “Making Connections” panel tomorrow night, Shock of the Day being that the panel is on social media. My co-panelists are Brian Dickie, General Director of Chicago Opera Theater, and Erik Gensler, president of Capacity Interactive, both of whom are Famous on the Interweb. Here’s the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-373","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=373"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/373\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}