{"id":356,"date":"2009-10-20T20:20:57","date_gmt":"2009-10-20T20:20:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=356"},"modified":"2009-10-20T20:20:57","modified_gmt":"2009-10-20T20:20:57","slug":"carnegie_hall_quotables","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2009\/10\/carnegie_hall_quotables\/","title":{"rendered":"Carnegie Hall Quotables"},"content":{"rendered":"

Knowing my penchant for quotes<\/a>, my friend Abigail sent this over this afternoon from Bloomberg News<\/a>: <\/i><\/p>\n

\n

[Clive] Gillinson<\/a>, who came from the London Symphony Orchestra in
\n2005, made less in 2007-08 than two other New York performing-
\narts leaders with more complex tasks. Lincoln Center<\/a> President
\nReynold Levy<\/a> made $1.1 million to oversee a 16-acre complex that
\nhouses 12 resident companies. Metropolitan Opera<\/a> General Manager
\nPeter Gelb<\/a> earned $1.5 million to produce 219 opera
\nperformances…<\/p>\n

Gillinson oversees management, raises money and develops
\n“artistic concepts” <\/b>for concerts, according to the hall. <\/p>\n<\/blockquote>\n

I guess the writer doesn’t consider that a legit part of the job? Or like, he does it in the way David Letterman apparently “developed” “artistic” “concepts”?<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

Knowing my penchant for quotes, my friend Abigail sent this over this afternoon from Bloomberg News: [Clive] Gillinson, who came from the London Symphony Orchestra in 2005, made less in 2007-08 than two other New York performing- arts leaders with more complex tasks. Lincoln Center President Reynold Levy made $1.1 million to oversee a 16-acre […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-356","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=356"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/356\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}