{"id":339,"date":"2009-10-02T12:00:00","date_gmt":"2009-10-02T12:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=339"},"modified":"2009-10-02T12:00:00","modified_gmt":"2009-10-02T12:00:00","slug":"hey_look_me_over","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2009\/10\/hey_look_me_over\/","title":{"rendered":"Hey, look me over"},"content":{"rendered":"<p>ArtsJournal editor <a href=\"http:\/\/www.artsjournal.com\/diacritical\/\">Douglas McLennan<\/a> has been working overtime on the National Summit on Arts Journalism. The presentations are today and they are cleverly being live-streamed on the interweb. There are few things funnier than Summits on the Future of Anything after which press clippings are mailed out, so I&#8217;m glad the carpet matches the drapes, as it were, of this enterprise. Speakers include Doug, natch, <strong><\/strong>Executive Producer of NPR Music Anya Grundmann, Director and CEO of the Indianapolis Museum of Art&nbsp; (and more importantly, Dartmouth College alumnus) Maxwell Anderson, and Seth Schiesel from the <i>New York Times<\/i>, who I strangely enough read all the time even though I&#8217;ve never owned a video game system. <\/p>\n<p>You can read more about the summit <a href=\"http:\/\/najp.org\/summit\/\">here<\/a> and watch the proceedings below, now:<\/p>\n<p><strong><\/strong> <strong><\/strong><br \/>\n<object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" id=\"utv150969\" height=\"320\" width=\"400\"><param name=\"flashvars\" value=\"autoplay=false&amp;brand=embed&amp;cid=1470782\" \/><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"movie\" value=\"http:\/\/www.ustream.tv\/flash\/live\/1\/1470782\" \/><embed flashvars=\"autoplay=false&amp;brand=embed&amp;cid=1470782\" allowfullscreen=\"true\" allowscriptaccess=\"always\" id=\"utv150969\" name=\"utv_n_233276\" src=\"http:\/\/www.ustream.tv\/flash\/live\/1\/1470782\" type=\"application\/x-shockwave-flash\" height=\"320\" width=\"400\"><\/object><a href=\"http:\/\/www.ustream.tv\/\" style=\"padding: 2px 0px 4px; background: rgb(255, 255, 255) none repeat scroll 0% 0%; width: 400px; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; display: block; color: rgb(0, 0, 0); font-weight: normal; font-size: 10px; text-decoration: underline; text-align: center;\" target=\"_blank\">Live video by Ustream<\/a><\/p>\n<p>Alternatively\/Additionally, you can follow the live web-chat here:<embed type=\"application\/x-shockwave-flash\" flashvars=\"channelId=1470782&amp;brandId=1&amp;channel=#a-national-summit-on-arts-jo&amp;server=chat1.ustream.tv\" pluginspage=\"http:\/\/www.adobe.com\/go\/getflashplayer\" src=\"http:\/\/www.ustream.tv\/flash\/irc.swf\" allowfullscreen=\"true\" height=\"266\" width=\"563\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ArtsJournal editor Douglas McLennan has been working overtime on the National Summit on Arts Journalism. The presentations are today and they are cleverly being live-streamed on the interweb. There are few things funnier than Summits on the Future of Anything after which press clippings are mailed out, so I&#8217;m glad the carpet matches the drapes, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-339","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=339"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/339\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}