{"id":318,"date":"2009-08-19T12:37:57","date_gmt":"2009-08-19T12:37:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=318"},"modified":"2009-08-19T12:37:57","modified_gmt":"2009-08-19T12:37:57","slug":"how_do_you_know_youre_at_carne","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2009\/08\/how_do_you_know_youre_at_carne\/","title":{"rendered":"How do you know you&#8217;re at Carnegie Hall once you&#8217;ve gotten there?"},"content":{"rendered":"<p>I was en route to Molyvos last night and, even though I was extremely late and exceedingly hot, I stopped to look at the striking, massive images lining <a href=\"http:\/\/www.carnegiehall.org\/SiteCode\/Intro.aspx\">Carnegie Hall<\/a>&#8216;s 7th avenue wall. Just one other thing in the four years I&#8217;ve lived in New York (two of which were spent working <i>next to<\/i> Carnegie Hall) has stopped me outside that building, and that was when I was inexplicably, over-the-top attracted to one of Thomas Ad<span lang=\"EN-US\">\u00e8<\/span>s&#8217; press photos. Oh, here it is:<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"ThomasAdes.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/ThomasAdes.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"425\" width=\"400\" \/><\/span>(I sleep with a copy under my pillow every night.) <\/p>\n<p>Carnegie has been running a &#8220;How do <i>you <\/i>get to Carnegie Hall?&#8221; ad campaign around the city this summer (most notably on subway platform walls), and frankly I&#8217;m thrilled to see them hemorrhaging money on such a worthy endeavor. The ads are eye-catching, contemporary and aesthetically appealing while not compromising Carnegie&#8217;s existing image and what the institution stands for. Now, they&#8217;ve blown up the performance shots used in the campaign for the 7th avenue Zankel wall, and it really looks fantastic. Wallking by the building, you actually get a sense of what goes on in there, which is as it should be. Great things <i>do<\/i> go on in there! Great things that are not so much expressed by press shots of pianists in front of their pianos.&nbsp; It&#8217;s not <a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2008\/07\/how-do-you-get-people-to-carne.html\">TV screens or music<\/a>, but I&#8217;ll take it. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"Carnegie1.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/Carnegie1.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"300\" width=\"400\" \/><\/span><br \/><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"Carnegie2.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/Carnegie2.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"300\" width=\"400\" \/><\/span>From the Hilton Corridor of Penn Station:<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"CarnegieSubwayPosters.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/CarnegieSubwayPosters.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"533\" width=\"400\" \/><\/span> <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>I was en route to Molyvos last night and, even though I was extremely late and exceedingly hot, I stopped to look at the striking, massive images lining Carnegie Hall&#8216;s 7th avenue wall. Just one other thing in the four years I&#8217;ve lived in New York (two of which were spent working next to Carnegie [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-318","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=318"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/318\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}