{"id":312,"date":"2009-08-13T14:10:25","date_gmt":"2009-08-13T14:10:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=312"},"modified":"2009-08-13T14:10:25","modified_gmt":"2009-08-13T14:10:25","slug":"apropos_of_something","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2009\/08\/apropos_of_something\/","title":{"rendered":"Apropos of something"},"content":{"rendered":"<p>I have this thing about those <a href=\"http:\/\/www.tide.com\/en-US\/product\/tide-to-go.jspx\">Tide stain pens<\/a>.&nbsp; I see them on the TV and think nothing of it, but then I&#8217;ll inevitably be in a Duane Reade later that week, a line of them will be hanging by the paper towels, and I&#8217;ll think, &#8220;Yes! That is exactly what I need.&#8221; Then I&#8217;ll use it maybe once, lose it, and start the cycle anew the next month. <\/p>\n<p>My point is that I don&#8217;t hop on the interweb while the commercial is on and order one right then. I have to see it on TV, probably see it in a print ad, maybe see someone using one in real life, and then see the physical product in the store, at which point the $3.99 is spent. This is one reason I don&#8217;t think traditional advertising for physical classical CDs works anymore. You may see a television or print ad, and you may even think the CD looks interesting, but if you never see that album in the proverbial flesh you probably won&#8217;t buy it. And you&#8217;re not going to see it in the flesh\/(plastic), because there Are No Record Stores Left and The Book Sellers Don&#8217;t Care.<\/p>\n<p>Last Friday, I went down to South Street Seaport to see the cute and good Norwegian band <a href=\"http:\/\/www.myspace.com\/casiokids\">Casiokids<\/a>. Because the performance was in a touristy area, because it was a Friday night, and because the concert was outdoors, a lot of people stopped to listen who had probably never heard of Casiokids. Perhaps they were in the neighborhood enjoying the culinary delights of the Pizzeria Uno, <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"PizzeriaUno.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/PizzeriaUno.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"533\" width=\"400\" \/><\/span>&#8230;or perhaps they were chillin&#8217; on the parked pirate ship. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"PirateShip.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/PirateShip.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"300\" width=\"400\" \/><\/span>Either way, they were not there for The Norwegians, but many, I&#8217;m sure, were pleased to encounter a new band. <\/p>\n<p>Unfortunately, if they missed the band&#8217;s verbal introduction, they had no way of knowing who the musicians were. There were no signs, no banners&nbsp; &#8211; nothing that said &#8220;Casiokids&#8221; from the band or from <a href=\"http:\/\/www.rivertorivernyc.com\/events\/eventDetail.php?eventID=2927\"><i>River to River<\/i><\/a>, the presenting organization.&nbsp; This led me to think back on the outdoor concerts I&#8217;ve seen this summer and saw last summer. The SummerStage concerts in Central Park are well advertised, but there&#8217;s no signage around the park, where you can certainly hear the concerts, about whose music you&#8217;re hearing. Maybe you won&#8217;t go into the bandshell area, but if you passively hear or see something you like, it would be great to know what it is. <\/p>\n<p>The only time I&#8217;ve seen a band with a sign was at<i> All Points West<\/i> last year, when the band <a href=\"http:\/\/www.myspace.com\/canseidesersexy\">CSS<\/a> brought their own. Even walking around that same festival this year, I didn&#8217;t know what bands were playing unless I looked at the schedule and locations on my phone. The CSS sign from last year was also their logo, and it&#8217;s very clearly still in my mind today. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"CSS.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/CSS.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"300\" width=\"400\" \/><\/span>My point about the Tide stain pens and Casiokids is that we sometimes encounter things we like in the physical world. In music, however, we&#8217;re often prepared by advertisements to encounter physical things (like CDs) and we never do, or we encounter the physical (outdoor concerts) and are never told what we&#8217;re encountering. The Tide pen wins, then, because it both prepares us and we encounter it in our natural lives. <\/p>\n<p><i>Update, 11:45pm: As irony would have it, I did see fairly good signage at the <a href=\"http:\/\/www.yeasayer.net\/\">Yeasayer<\/a> concert tonight. Granted, I only saw one sign, but I least it was in full view of street traffic, clearly directed people to the concert on the pier, and told passersby what they were hearing. My friend and I wanted to check out The Highline at night, so we left before the encores. You could still hear the concert from The Highline, so it is too bad there weren&#8217;t signs there. But again, the presenter &#8211; <a href=\"http:\/\/riverrocksnyc.com\/\">River Rocks<\/a> &#8211; certainly gets more credit than All Points West, SummerStage or River to River. <\/p>\n<p><\/i><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"RiverRocksSign.jpg\" src=\"http:\/\/www.artsjournal.com\/lifesapitch\/RiverRocksSign.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"533\" width=\"400\" \/><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have this thing about those Tide stain pens.&nbsp; I see them on the TV and think nothing of it, but then I&#8217;ll inevitably be in a Duane Reade later that week, a line of them will be hanging by the paper towels, and I&#8217;ll think, &#8220;Yes! That is exactly what I need.&#8221; Then I&#8217;ll [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-312","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=312"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/312\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}