{"id":30,"date":"2008-07-16T16:05:56","date_gmt":"2008-07-16T16:05:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=30"},"modified":"2008-07-16T16:05:56","modified_gmt":"2008-07-16T16:05:56","slug":"critical_mass","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2008\/07\/critical_mass\/","title":{"rendered":"Critical Mass"},"content":{"rendered":"<p>ArtsJournal&#8217;s own Douglas McLennan on the past and future of, well, arts journalism, as told to <a href=\"http:\/\/crosscut.com\/arts-beat\/15700\/The+founder+of+ArtsJournal+talks+about+arts+and+new+media\/\">Crosscut Seattle<\/a>:<\/p>\n<blockquote>\n<p><b>Where are we now in arts journalism? Newspapers have been dropping critics right and left.<\/b><\/p>\n<p>Newspapers<br \/>\nhave not been the newspapers that I remember for quite a number of<br \/>\nyears now. The day of many competing papers and views in a city is<br \/>\ngone. But the classic newspaper model was not built on a mass-media<br \/>\nvehicle. It was a collection niches. People don&#8217;t buy a newspaper<br \/>\nbecause of its coverage of city hall. They buy it for the comics<br \/>\nsection or the crossword puzzle, etc. After they get through their<br \/>\nfavorite thing, they will read the city hall coverage. But the genius<br \/>\nof this model is that none of the niche contents can support<br \/>\nthemselves, but if you aggregated them altogether, then you have enough<br \/>\nreaders and enough revenue to sell to advertisers.<\/p>\n<p>In<br \/>\nthe &#8217;60s, &#8217;70s, and &#8217;80s, the newspapers increasingly looked to TV as<br \/>\nthe mass media model. The mass market mentality is not niches at all.<br \/>\nIt is not excellence of product as the key to success. The mass market<br \/>\nstrategy is to find the place in the middle so that what you produce<br \/>\nappeals to the most people. Editors I worked with at newspapers told me<br \/>\nto write at an eighth grade reading level &#8212; the mythical, average,<br \/>\nmass-market consumer. As soon as you do that, and when you assume that<br \/>\nevery person ought to be able to read every story in a newspaper, then<br \/>\nyou are not talking to those who are interested in the niches. Then the<br \/>\nclassical music reviews in a given city are not intended for people who<br \/>\nknow a lot about classical music. They are pitched to those who don&#8217;t<br \/>\nknow much. So you end up getting this content that isn&#8217;t very good. It<br \/>\nisn&#8217;t very satisfying to the audience that ought to be your core<br \/>\naudience, and you get this erosion of leadership of arts coverage.<br \/>\nThere are lots of exceptions. I try to post them every day in<br \/>\nArtsjournal. But the majority of arts coverage is not very good.<\/p>\n<p>Also,<br \/>\nnewspapers have never been able to cover community arts in an<br \/>\ninteresting way. Things like dance or jazz get really minimal coverage.<br \/>\nHowever, now with the ease and the different ways that you can deliver<br \/>\ninformation, we may discover a new model and improve the way that we<br \/>\ncover culture. Right now we are in between the two models. The old one<br \/>\nno longer works and the new one hasn&#8217;t been established.<\/p>\n<p>Here&#8217;s<br \/>\nan example of what I&#8217;m talking about. I just spent a week in North<br \/>\nCarolina with dance critics from around the nation. Like music, dance<br \/>\nis hard to write about. You are trying to describe things that are not<br \/>\neasy to describe. What would happen if we tried to describe an event in<br \/>\na new way? I broke them into three teams, and signed them up with<br \/>\nblogger accounts, and gave them a Flip video camera, which has a<br \/>\nconvenient USB port with which to upload movies to You Tube. I asked<br \/>\nthem to use the video to compare dance styles, or show what you mean,<br \/>\nor talk to critics, the audience, or the choreographer. So they had a<br \/>\nday and a half to expand the palette on which they are working, to find<br \/>\nsomething that is not so linear in form with which to describe this<br \/>\nartistic experience.<\/p>\n<\/blockquote>\n<p>I (heart) the <a href=\"http:\/\/www.theflip.com\/\">Flip video camera<\/a>, by the way. $149.99 of instant viral marketing potential. I love the idea of orchestras\/presenters interviewing audiences before, during (intermission) and after concerts, and immediately posting reaction clips on their sites and YouTube. Also, if they agree to it, video-interviewing artists just as they&#8217;re about to go on stage and just as they&#8217;re coming off stage. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>ArtsJournal&#8217;s own Douglas McLennan on the past and future of, well, arts journalism, as told to Crosscut Seattle: Where are we now in arts journalism? Newspapers have been dropping critics right and left. Newspapers have not been the newspapers that I remember for quite a number of years now. The day of many competing papers [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-30","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/30\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=30"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=30"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}