{"id":248,"date":"2009-04-28T18:12:57","date_gmt":"2009-04-28T18:12:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=248"},"modified":"2009-04-28T18:12:57","modified_gmt":"2009-04-28T18:12:57","slug":"create_your_own_pun_on_teachou","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2009\/04\/create_your_own_pun_on_teachou\/","title":{"rendered":"[create your own pun on Teachout\/teachings here]"},"content":{"rendered":"<p>On Monday, much more famous ArtsJournal blogger Terry Teachout posted a fantastic list of ways to <a href=\"http:\/\/www.artsjournal.com\/aboutlastnight\/2009\/04\/tt_so_you_want_to_get_reviewed_4.html\">get him to review your plays<\/a> on his blog <a href=\"http:\/\/www.artsjournal.com\/aboutlastnight\/\"><i>About Last Night<\/i><\/a>. I love this, because it rewards his regular blog readers; they now have a distinct advantage over press people\/playwrights who only read his <i>Wall Street Journal<\/i> column. As I&#8217;ve mentioned before on this blog, I think it&#8217;s extremely important for publicists to do as much research on journalists as we expect them to do on our clients, or, if an artist\/company is pitching themselves, on their organizations. What do writers cover? What are their interests? Likes\/dislikes? Where are they from? Do they have a blog? What other publications do they write for? Why is your client a good fit for them? I suppose on very rare occassions the spaghetti\/wall\/general-press-release-to-the-masses approach works, but in my experience, a little Google work goes a long way. <\/p>\n<p>Here are some of the highlights from Teachout&#8217;s list. It&#8217;s amazing that he gets so specific. Like when I was looking at colleges and after my Brown University information session the admissions officer goes, &#8220;Is anyone here from North Dakota? If you are, please come see us after your tour. We don&#8217;t currently have any students from North Dakota at Brown.&#8221; My mom was like, should we move? Maybe your father could move&#8230;<\/p>\n<p>Anyway, selections from the Teachout instructions:<\/p>\n<blockquote>\n<p>\u2022 <b><i>I have no geographical prejudices.<\/i><\/b> On the contrary,<br \/>\nI love to range far afield, particularly to states that I haven&#8217;t yet<br \/>\ngotten around to visiting in my capacity as America&#8217;s drama critic.<br \/>\nRight now Colorado and Texas loom largest, but if you&#8217;re doing<br \/>\nsomething exciting in (say) Mississippi or Montana, I&#8217;d be more than<br \/>\nhappy to add you to the list as well.<\/p>\n<p>\u2022 <b><i>Repertory is everything.<\/i><\/b> I won&#8217;t visit an<br \/>\nout-of-town company that I&#8217;ve never seen to review a play by an author<br \/>\nof whom I&#8217;ve never heard. What I look for is an imaginative mix of<br \/>\nrevivals of major plays&#8211;including comedies&#8211;and newer works by living<br \/>\nplaywrights and songwriters whose work I&#8217;ve admired. Some names on the<br \/>\nlatter list: Alan Ayckbourn, Brooke Berman, Nilo Cruz, Liz Flahive,<br \/>\nBrian Friel, Athol Fugard, Adam Guettel, A.R. Gurney, David Ives,<br \/>\nMichael John LaChiusa, Kenneth Lonergan, Lisa Loomer, David Mamet,<br \/>\nMartin McDonagh, Conor McPherson, Itamar Moses, Lynn Nottage, Stephen<br \/>\nSondheim, and Tom Stoppard.<\/p>\n<p>I also have a select list of older shows I&#8217;d like to review that<br \/>\nhaven&#8217;t been revived in New York lately (or ever). If you&#8217;re doing <i>The Beauty Part<\/i>, <i>The Cocktail Party<\/i>, <i>The Entertainer<\/i>, <i>Hotel Paradiso<\/i>, <i>The Iceman Cometh<\/i>, <i>Loot<\/i>, <i>Man and Superman<\/i>, <i>On the Town<\/i>, <i>Rhinoceros<\/i>, <i>The Skin of Our Teeth<\/i>, <i>The Visit<\/i><br \/>\n(the play, not the musical), or anything by Jean Anouilh, S.N. Behrman,<br \/>\nWilliam Inge, Terence Rattigan, or John Van Druten, kindly drop me a<br \/>\nline.<\/p>\n<p>&#8230;<\/p>\n<p>\u2022 <b><i>Web sites matter&#8211;a lot.<\/i><\/b> A clean-looking home page that<br \/>\nconveys a maximum of information with a minimum of clutter tells me<br \/>\nthat you know what you&#8217;re doing, thus increasing the likelihood that<br \/>\nI&#8217;ll come see you. An unprofessional-looking, illogically organized<br \/>\nhome page suggests the opposite. (If you can&#8217;t spell, hire a<br \/>\nproofreader.) This doesn&#8217;t mean I won&#8217;t consider reviewing you&#8211;I know<br \/>\nappearances can be deceiving&#8211;but bad design is a needless obstacle to<br \/>\nyour being taken seriously by other online visitors.<\/p>\n<p>&#8230;<\/p>\n<p>\u2022 <b><i>Mention this posting.<\/i><\/b> I&#8217;ve come to see shows solely<br \/>\nbecause publicists who read my blog wrote to tell me that their<br \/>\ncompanies were doing a specific show that they had good reason to think<br \/>\nmight interest me. Go thou and do likewise.<\/p>\n<\/blockquote>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Monday, much more famous ArtsJournal blogger Terry Teachout posted a fantastic list of ways to get him to review your plays on his blog About Last Night. I love this, because it rewards his regular blog readers; they now have a distinct advantage over press people\/playwrights who only read his Wall Street Journal column. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-248","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=248"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/248\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}