{"id":150,"date":"2008-12-04T07:50:48","date_gmt":"2008-12-04T07:50:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=150"},"modified":"2008-12-04T07:50:48","modified_gmt":"2008-12-04T07:50:48","slug":"martha_graham_cracker_-ies","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2008\/12\/martha_graham_cracker_-ies\/","title":{"rendered":"(Martha) Graham (Cracker) -ies"},"content":{"rendered":"<p>The big news from my colleagues in Europe who wake up before me is that both The King&#8217;s Singers and Hilary Hahn are nominated for <b>GRAMMIES<\/b>. We have Hahnda Accord in <i><a href=\"http:\/\/www2.deutschegrammophon.com\/special\/?ID=hahn-sibelius-schoenberg\">Best Classical Album<\/a><a href=\"http:\/\/www2.deutschegrammophon.com\/special\/?ID=hahn-sibelius-schoenberg\"><\/a><\/i> and <a href=\"http:\/\/www2.deutschegrammophon.com\/special\/?ID=hahn-sibelius-schoenberg\"><i>Best Instrumental Soloist(s) Performance (with Orchestra)<\/i><\/a>, and All The King&#8217;s Singers&#8217; Horses and All the King&#8217;s Singers&#8217; Men in <a href=\"http:\/\/www.kingssingers.com\/p\/cds-aand-dvds\/simple-gifts\/cd121.html\"><i>Best Classical Crossover Album<\/i><\/a>. Now let&#8217;s see&#8230;six Singers plus one Hahn times two tickets each minus four managers minus one mother minus wives and children&#8230;yeah, there&#8217;s no way I&#8217;m getting to that ceremony.&nbsp; (((Sigh.)))<\/p>\n<p>Awards are funny. David wins the Pulitzer and suddenly presenters who didn&#8217;t love his music before are banging (on a can) down his door. When a friend of mine&#8217;s client didn&#8217;t win a Grammy last year and he was upset about it, I said, come on, she&#8217;s unbelievably successful: what would a Grammy really do for her career at this point? Legitimize her as an artist? Hardly. Well, he said, I would have liked to add &#8220;Grammy Award-winning artist X&#8230;.&#8221; to the first line of her bio. <\/p>\n<p>I have found that the Grammies are a point of reference for the &#8220;outside world&#8221; about classical artists, that is, a way to let people who haven&#8217;t heard of a certain artist know he or she is &#8220;that good&#8221;. Sometimes, I&#8217;ll meet someone and the conversation will go like this:<\/p>\n<p>What do you do? <i>Classical music PR. <br \/><\/i><br \/>Oh, that&#8217;s cool. Name someone you work for. <i>Is it? And<\/i>&#8230;<i>Hilary Hahn?<\/i><\/p>\n<p>Mmmm&#8230;don&#8217;t know her. <i>She&#8217;s a violinist<\/i>. Mmm&#8230;.<i> She played for the Pope&#8217;s 80th birthday. <\/i>Weird, OK&#8230;. <i>She played on &#8216;The Village&#8217; soundtrack.<\/i> I loved &#8216;Sixth Sense&#8217;. <i>She won a Grammy. <\/i>Oh! Cool, great, yeah.<\/p>\n<p>So the Grammies are a cultural touchstone &#8211; is this the right use of that phrase? &#8211; or, perhaps more accurately, a popular culture mile marker of success. What is that worth, though, monetarily speaking, slash, what does winning a Grammy mean for an artist&#8217;s overall profile?<\/p>\n<p>Both The Kings Singers and Hilary have won Grammies before, so I already get to slap &#8220;Grammy Award-winning&#8230;&#8221; next to their names in their bios and pop-culture-mile-marker-of-success name-drop &#8220;Grammy&#8221; to folks outside the industry.** BUT &#8211; would Grammy wins this year result in, oh, what&#8217;s the word &#8211; &#8220;album sales&#8221;? Does a shiny Grammy sticker on an album make the difference (it might), or is there more we can do to channel the win of a mainstream award into recording and concert revenue?  <\/p>\n<p>**Not that this means we should &#8220;give someone else a chance&#8221; (boo, ridiculous) and that all seven Life&#8217;s a Pitch readers shouldn&#8217;t vote for my British lads and all-American girl! Also, for changing record industry sales and marketing forever by virtue of &#8220;<a href=\"http:\/\/gothamist.com\/2007\/10\/10\/jonny_greenwood.php\">getting it out quickly<\/a>&#8220;, Radiohead&#8217;s <i>In Rainbows<\/i> is the official Life&#8217;s a Pitch choice for<i> Album of the Year<\/i>.<i><\/p>\n<p>Update, 12\/4 like, 10:18 AM &#8211; Grammy voters vote on all categories, no matter what their particular genre of choice, correct? So, let&#8217;s say voters who know classical music are reading this blog\/will read the press release I&#8217;m about to send out &#8211; that&#8217;s great. But how do I reach voters who are super psyched to get out there and vote for &#8220;N.i.*.*.e.r (The Slave and The Master)&#8221; in Category 31, Best Rap Solo Performance? They might be sleeper King&#8217;s Singers fans! You-never-know. And anyone who doesn&#8217;t think someone voting for &#8220;Back to Back Hall of Fame Polkas&#8221; in Category 76, you guessed it, Best Polka Album wouldn&#8217;t vote for the Schoenberg if they had heard it is simply incorrect. I want those votes!<\/i><strong><\/strong><br \/><b><strong><\/strong><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The big news from my colleagues in Europe who wake up before me is that both The King&#8217;s Singers and Hilary Hahn are nominated for GRAMMIES. We have Hahnda Accord in Best Classical Album and Best Instrumental Soloist(s) Performance (with Orchestra), and All The King&#8217;s Singers&#8217; Horses and All the King&#8217;s Singers&#8217; Men in Best [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-150","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/150\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}