{"id":144,"date":"2008-11-26T11:07:34","date_gmt":"2008-11-26T11:07:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=144"},"modified":"2008-11-26T11:07:34","modified_gmt":"2008-11-26T11:07:34","slug":"let_us_review_lesson_eleven_pa","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2008\/11\/let_us_review_lesson_eleven_pa\/","title":{"rendered":"Let us review Lesson Eleven, paragraph two &#8211; axion seven"},"content":{"rendered":"<p>Atlantic Records&#8217; digital sales beat physical sales, so says <a href=\"http:\/\/www.nytimes.com\/2008\/11\/26\/business\/media\/26music.html?ref=music\"><i>The New York Times<\/i><\/a> and lots of research-y people. HOWEVER:<\/p>\n<blockquote><p>This performance is sharply at odds with the trends in the music<br \/>\nindustry over all, where data show that sales of compact discs still<br \/>\naccount for more than two-thirds of music sales. Forrester Research<br \/>\ndoes not expect digital music to reach 50 percent of the overall pie<br \/>\nuntil 2011.<\/p><\/blockquote>\n<p>Fear not, gentle readers, Atlanta Records President Julie Greenwald has &#8220;figured it out&#8221;, &#8220;it&#8221; being, presumably, how to sell records in 2008?<\/p>\n<blockquote><p>&#8220;I think we&#8217;ve figured it out,&#8221; said Julie Greenwald, president of<br \/>\nAtlantic Records. &#8220;It used to be that you could connect five dots and<br \/>\nsell a million records. Now there are 20 dots you can connect to sell a<br \/>\nmillion records.&#8221;<\/p><\/blockquote>\n<p>It seems the 15 additional dots include extras (or, apparently, essentials) like ring tones, ringbacks, satellite radio and subscription<br \/>\nservices. I didn&#8217;t know what a &#8220;ringback&#8221; was, so I <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ringback_tone\">looked it up<\/a>. Ah yes, that explains the awful remix of &#8220;Take on Me&#8221; I have to listen to every time I call my cousin. I&#8217;ve never heard classical music while calling someone, though. Perhaps none of my friends select it (possible), or perhaps classical labels haven&#8217;t tapped into it? I would make my ringback &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=x_N8YVlNrmw\">Clapping Music<\/a>&#8220;, should it become available. &#8220;Please enjoy the clapping while your party is reached.&#8221;<\/p>\n<p>The <i>Times<\/i> article also explains that, record labels not being as &#8220;flush&#8221; (seriously, that&#8217;s the word used) as they once were, spending on album marketing, tour publicity and music videos has been cut. Music videos, and my childhood, are dead anyway, or <a href=\"http:\/\/www.nytimes.com\/2008\/11\/18\/arts\/television\/18trl.html\">didn&#8217;t you hear<\/a>? <\/p>\n<p>Atlantic chairman and CEO, Craig Kallman, clarifies what record labels have to do, by way of&#8230;Leonard Bernstein?<\/p>\n<blockquote><p>&#8220;Today you have to be like <a href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/b\/leonard_bernstein\/index.html?inline=nyt-per\" title=\"More articles about Leonard Bernstein.\">Leonard Bernstein<\/a>,&#8221;<br \/>\nsaid Mr. Kallman, &#8220;making sure everyone is hitting the right notes at<br \/>\njust the right millisecond. The tipping point, if you will, is when<br \/>\neverything converges and your timing with everything is impeccable.&#8221;<\/p><\/blockquote>\n<p>Mr. Kallman is perhaps more right than he knows: record labels do need to be like Leonard Bernstein, but not simply like Bernstein-as-name-dropped-stand-in-for-orchestral-conductors-everywhere. Like Leonard Bernstein insofar as connecting with communities, educating listeners in a non-patronizing way, creating original content, being a force of personality and brand identity, and shattering preconceived notions of what their role in the music industry is and can be. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Atlantic Records&#8217; digital sales beat physical sales, so says The New York Times and lots of research-y people. HOWEVER: This performance is sharply at odds with the trends in the music industry over all, where data show that sales of compact discs still account for more than two-thirds of music sales. Forrester Research does not [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-144","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=144"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/144\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}