{"id":657,"date":"2017-02-15T11:50:47","date_gmt":"2017-02-15T10:50:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/jumper\/wp-content\/uploads\/2017\/02\/04-LesTalusan_CrossLines_160529_162.jpg"},"modified":"2017-07-28T16:26:01","modified_gmt":"2017-07-28T14:26:01","slug":"04-lestalusan_crosslines_160529_162","status":"inherit","type":"attachment","link":"https:\/\/www.artsjournal.com\/jumper\/2017\/02\/is-artistic-leadership-at-americas-arts-institutions-lacking-is-this-at-the-root-of-declining-relevancy\/04-lestalusan_crosslines_160529_162\/","title":{"rendered":"04-LesTalusan_CrossLines_160529_162"},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false},"class_list":{"0":"post-657","1":"attachment","2":"type-attachment","3":"status-inherit","5":"entry"},"jetpack_shortlink":"https:\/\/wp.me\/a15Pqw-aB","jetpack_sharing_enabled":true,"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/www.artsjournal.com\/jumper\/wp-content\/uploads\/2017\/02\/04-LesTalusan_CrossLines_160529_162.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.artsjournal.com\/jumper\/wp-content\/uploads\/2017\/02\/04-LesTalusan_CrossLines_160529_162.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>The Red Chador: Threshold, Washington DC, USA | May 28-29, 2016<br \/>\nCommissioned by Smithsonian Asian Pacific American Center<br \/>\nPerformance by Anida Yoeu Ali. Photo Credit: Les Talusan<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{},"post":655,"source_url":"https:\/\/www.artsjournal.com\/jumper\/wp-content\/uploads\/2017\/02\/04-LesTalusan_CrossLines_160529_162.jpg","_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jumper\/wp-json\/wp\/v2\/media\/657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jumper\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jumper\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jumper\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jumper\/wp-json\/wp\/v2\/comments?post=657"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":655,"href":"https:\/\/www.artsjournal.com\/jumper\/wp-json\/wp\/v2\/posts\/655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}