{"id":998,"date":"2012-08-13T14:04:26","date_gmt":"2012-08-13T18:04:26","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=998"},"modified":"2019-09-12T18:47:20","modified_gmt":"2019-09-12T22:47:20","slug":"celebrate-charlie-parker-with-me-and-roy-haynes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/08\/celebrate-charlie-parker-with-me-and-roy-haynes.html","title":{"rendered":"Celebrate Charlie Parker with Roy Haynes and me"},"content":{"rendered":"<p>The NYC\u00c2\u00a0<a href=\"http:\/\/www.cityparksfoundation.org\/calendar\/charlie-parker-jazz-festival\/\">Charlie Parker Jazz Festival<\/a>\u00c2\u00a0began 20 years ago and returns starting Aug. 17 with a week of activities leading up to free concerts Aug. 24 &#8211; 36 in Marcus Garvey Park, Harlem, and Tompkins Square Park, East Village. I will present headliner Roy Haynes with his &#8220;Drummer of the Year&#8221; Award from the <a href=\"http:\/\/www.jjajazzawards.org\/\">Jazz Journalists Association<\/a> on Aug. 25, and am hosting a <a href=\" http:\/\/sdtr.co\/NIZ3YA\">Sidetours group<\/a>\u00c2\u00a0to enjoy the fest experience from an insider&#8217;s point of view (mine).\u00c2\u00a0Haynes is one of the handful of surviving jazz veterans who made music with Bird in his heyday, and his performance with his Fountain of Youth Band can be reliably predicted to take flight &#8212; the drummer is still very much at the top of his game, incredibly at age 87.<\/p>\n<p>A couple of spots in this small group are still open, so if you&#8217;re interested, sign up soon, as\u00c2\u00a0I&#8217;m pretty excited to be hanging out with a curious coterie of cool folks via Sidetours, looking forward to meeting new people and talking music with them, as I do with my friends and also students in my NYU classes.<\/p>\n<p>The Charlie Parker fest was initiated by a small neighborhood committee comprising\u00c2\u00a0photographer Judy Sneed, who lived in the East Village apartment where\u00c2\u00a0\u00c2\u00a0the great jazz alto saxophonist resided with his family when he died in 1955, and Sam Turvey, a local activist, among others. Over the past two decades the fest has presented many musical thrills. I remember alto saxophonist Charles McPherson, tenorist Archie Shepp, Butch Morris leading a conduction of many flutists backing altoist Arthur Blythe, pianist Vijay Iyer, singer Etta Jones&#8217; singing the Billie Holiday songbook and altoist Marty Ehrlich leading the Julius Hemphill Sextet among highlights of the beautiful late summer days in the parks. Last year, when the fest was rained out, I created an <a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/08\/virtual-charlie-parker-jazz-fest-online-video.html\">online virtual video fest<\/a>\u00c2\u00a0of the bands that had been booked.<\/p>\n<p>After funding problems led the fest founders to suspend activities about eight years ago, NYC&#8217;s City Parks department took over the responsibilities, and the people who bring us Central Park Summerstage have done a bang-up job honoring the inimitably bluesy and fleet Bird, extending festivities to a second site on a\u00c2\u00a0second day (and now a whole week), besides maintaining the high level of jazz talent. This year, besides Haynes the fest at Garvey presents singer Rene Marie&#8217;s &#8220;<a href=\"http:\/\/renemarie.com\/news_july07.htm\">Experiment in Truth<\/a>&#8221; (a very candid program, based on material she recorded in 2007 and has just issued as a DIY production), \u00c2\u00a0bassist <a href=\"http:\/\/www.derrickhodgemusic.com\/\">Derrick Hodge<\/a> (currently touring with pianist Robert Glasper, he has a Blue Note record release upcoming) and <a href=\"http:\/\/revivalist.okayplayer.com\/2012\/03\/13\/jamire-williams-infinite-possibilities\/\">Erimaj (Jamire Williams)<\/a>\u00c2\u00a0who promises a genre mashup,\u00c2\u00a0plus two poets. The night before (Aug. 24), \u00c2\u00a0producer-composer-arranger-strings specialist Miguel Atwood Ferguson presents his\u00c2\u00a0ambitious &#8220;Bird with Strings&#8221; program by \u00c2\u00a0at Garvey, and on Sunday at Tompkins Square Park the singers Ernestine Anderson and Gregory Porter perform with their respective bands, keyboardist Andy Milne&#8217;s Dapp Theory, and emerging pianist Sullivan Fortner rounding out the bill.<\/p>\n<p>If you&#8217;ve heard <em>of<\/em> Bird but haven&#8217;t heard <em>him, <\/em>take a look at this 1952 video of the Immortal with trumpeter<\/p>\n<p><object width=\"420\" height=\"315\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/CkquMKEm2Qw?version=3&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n<p>Dizzy Gillespie, his most worthy collaborator, pianist Dick Hyman, bassist Sandy Block and left-handed drummer Charlie Smith playing &#8220;Hot House.&#8221; Virtuosic, gutsy, succinct, brilliant, Charlie Parker was an innovator poised historically between Louis Armstrong and Jimi Hendrix. We&#8217;re always listening for someone new of that order.<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The NYC\u00c2\u00a0Charlie Parker Jazz Festival\u00c2\u00a0began 20 years ago and returns starting Aug. 17 with a week of activities leading up to free concerts Aug. 24 &#8211; 36 in Marcus Garvey Park, Harlem, and Tompkins Square Park, East Village. I will present headliner Roy Haynes with his &#8220;Drummer of the Year&#8221; Award from the Jazz Journalists [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":999,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-998","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/08\/roy-haynes.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-g6","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1011,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/08\/charlie-parker-would-be-proud-of-20th-anniversary-fest.html","url_meta":{"origin":998,"position":0},"title":"Charlie Parker would be proud of 20th anniversary fest","author":"Howard Mandel","date":"August 26, 2012","format":false,"excerpt":"The immortal Charlie Parker -- the dazzling alto saxophonist who helped raise jazz to an abstract art form and embodied \"hip\" as a person experienced, perceptive, hedonistic, aware of the contradictions -- would have dug the 20th anniversary Charlie Parker Jazz Festival held in Marcus Garvey Park,\u00c2\u00a0Harlem, Manhattan, New York\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/08\/7866484528_6912230568_z1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":513,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/08\/virtual-charlie-parker-jazz-fest-online-video.html","url_meta":{"origin":998,"position":1},"title":"Virtual Charlie Parker jazz fest (online video)","author":"Howard Mandel","date":"August 27, 2011","format":false,"excerpt":"Fearing Hurricane Irene, New York City has suspended public transportation and cancelled everything -- but not my\u00c2\u00a0\u00c2\u00a0online video Charlie Parker Jazz fest, a humble audio\/video standin for the live sets scheduled but not-to-be in Harlem and the East Village, Saturday and Sunday, Aug 27-28. Monday, Aug. 29 is the 91st\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":116,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/jazz_fests_of_august.html","url_meta":{"origin":998,"position":2},"title":"Jazz fests of August","author":"Howard Mandel","date":"August 23, 2008","format":false,"excerpt":"Free jazz fests across the U.S. mark summer's glorious end. Manhattan's Charlie Parker festival (held Saturday Aug. 23 and Sunday 24 in Marcus Garvey park uptown and Tompkins Square Park downtown), the Chicago Jazz Festival (which formally starts Thursday Aug 28 with Sonny Rollins at downtown Grant Park's Petrillo bandshell)\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":42,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/08\/giving_max_roach_the_drummer_s.html","url_meta":{"origin":998,"position":3},"title":"Giving Max Roach, the drummer, some","author":"Howard Mandel","date":"August 16, 2007","format":false,"excerpt":"Drummer Max Roach, (Jan 1, 1924 - Aug. 16, 2007), personified the jazz-beyond-jazz ethos: mastering the complex, nuanced art that preceded him, plunging in to create new work based on his own ideas, never abandoning that path. He was a man of social engagement as well as aesthetic convictions. Roach\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":343,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/jazz_elders_cast_giant_shadows.html","url_meta":{"origin":998,"position":4},"title":"Jazz elders cast giant shadows","author":"Howard Mandel","date":"September 17, 2010","format":false,"excerpt":"Why isn't the amazing current generation of creative (jazz) musicians better known? Maybe because major artists of the not-so-distant past are practicing the art form at splendid peaks, overturning clich\u00c3\u00a9s about dwindling powers of octogenarians. Read my column in City Arts New York for a report that touches on Sonny\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"muhal.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/09\/muhal-thumb-275x183-17303.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":338,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/sonny_the_sax_king.html","url_meta":{"origin":998,"position":5},"title":"Sonny the sax king","author":"Howard Mandel","date":"September 11, 2010","format":false,"excerpt":"At age 80, Sonny Rollins is indisputably the greatest living jazz tenor saxophonist, proved last night throughout a 2-hour set at New York's sold-out Beacon Theater in which harmolodic sage Ornette Coleman sat in, backed by drummer Roy Haynes and bassist Christian McBride, on \"Tenor Madness.\"\u00a0\u00a0\"Sonnymoon For Two\". Rollins was\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=998"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/998\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/999"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}