{"id":99,"date":"2008-06-22T09:41:40","date_gmt":"2008-06-22T13:41:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/06\/inside_baseball_cecil_taylor_j\/"},"modified":"2011-04-28T16:34:42","modified_gmt":"2011-04-28T20:34:42","slug":"inside_baseball_cecil_taylor_j","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/06\/inside_baseball_cecil_taylor_j.html","title":{"rendered":"Jazz, secure, shrugs off &#8220;joke&#8221; threat"},"content":{"rendered":"<p>&#8220;We&#8217;re doing everything we can to\u00c2\u00a0<a href=\"http:\/\/www.thedailyswarm.com\/headlines\/live-nation-were-doing-everything-we-can-eliminate-jazz-american-culture\/\" style=\"text-decoration: underline; \">eliminate\u00c2\u00a0jazz<\/a>\u00c2\u00a0from American culture,&#8221; a promoter for<a href=\"http:\/\/wsj.net\/article\/SB121322504176765955.html?mod=psp_free_today\"> Live Nation Artists<\/a>, the world&#8217;s dominant pop music production and marketing firm &#8220;joked&#8221; to Florida councilmen considering a proposed upcoming music festival. Jazz responds with a can&#8217;t-be-bothered shrug.\u00c2\u00a0<\/p>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>Too hip to be rattled by ignorant, idle, defensive &#8212; and of course, revealing &#8211; threats, the greatest living musicians\u00c2\u00a0are basking in hard-earned recognition and producing inspiringly energized, not necessarily mellow music. Undeterred by Live Nation-like commercial disdain, jazz festivals are thriving throughout North America under nominally non-profit organizations run by a coterie of canny impresarios. Jazz clubs &#8212; not only in NYC, I saw it in Chicago, too &#8212; are hosting eager audiences, maybe because the cheap buck has lured international tourists. But the buck&#8217;s not cheap Canada, which is also promoting jazz. Jazz is always endangered, but right now it&#8217;s in high bloom.\u00c2\u00a0<\/div>\n<div>\n<div>\n<div>\n<div>\n<div> <\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!--more--><\/p>\n<div>Detailed evidence of jazz&#8217;s elevated spirits, at least in New York last week:<\/div>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>\n<ul>\n<li>The <a href=\"http:\/\/www.festivalnetwork.com\/jvcjazz\/ny\/schedule.php?ID=4\">JVC Jazz Festival-NY<\/a> was launched with a party at <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Mayor Michael Bloomberg&#8217;<\/span>s official (but unused) residence Gracie Mansion and a <a href=\"http:\/\/www.youtube.com\/watch?v=Yomesyf8GFY\">Cecil Taylor<\/a> solo piano concert wherein the lion of the avant-garde revealed his tender, lyrical (no less distinctive and superficially dissonant) side in a series of caprices, improvisations from motifs he&#8217;s developed in a manner unique in piano literature (including but not limited to jazz);<\/li>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=XFOC01qhWE0\">The <\/a><span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.youtube.com\/watch?v=XFOC01qhWE0\">Vision Festival<\/a><\/span>, a community-based effort of the stubbornly uncompromising non-commercial jazz fringe, has just ended, with a crisis over not enough air conditioning but generally good reviews for its ambitious programming of intense international improvisers. A Vision rump festival, the fourth annual <span class=\"Apple-style-span\" style=\"font-weight: bold;\">New Languages<\/span> concerts series, occured at the nearby <a href=\"http:\/\/www.youtube.com\/watch?v=BXKBuTyTY9g\">Living Theatre<\/a>;<\/li>\n<li><span class=\"Apple-style-span\" style=\"font-weight: bold;\">ASCAP<\/span> etched new names on its <a href=\"https:\/\/www.ascap.com\/press\/2008\/0611_jazzWall.aspx\">Jazz Wall of Fame<\/a>, and <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.youtube.com\/watch?v=oVTPGEXScP4\">SESAC<\/a><\/span> presented ribbons to some of its highest earning artists;<\/li>\n<li>\u00c2\u00a0An unusually high degree of self-celebration was evident at the 12th annual<a href=\"http:\/\/www.jazzhouse.org\/\"> <\/a><span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.jazzhouse.org\/\">Jazz Journalists Association&#8217;s Jazz Awards<\/a><\/span> (full disclosure: my thing), as a host of worthies gathered in a virtual group hug. <a href=\"http:\/\/www.arts.endow.gov\/news\/index.html\">National Endowment of the Arts <\/a>Chairman <span class=\"Apple-style-span\" style=\"font-weight: bold;\">Dana Gioia <\/span>bellied up with 83-year-rhythmic <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Life-Time-Haynes-Story-Bonus\/dp\/B000VBIEGA\/ref=pd_bbs_sr_1?ie=UTF8&amp;s=music&amp;qid=1214167032&amp;sr=8-1\/?tag=howardmacom-20\">R<\/a><\/span><span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/http:\/\/www.amazon.com\/Life-Time-Haynes-Story-Bonus\/dp\/B000VBIEGA\/ref=pd_bbs_sr_1?ie=UTF8&amp;s=music&amp;qid=1214167032&amp;sr=8-1\/?tag=howardmacom-20\">oy Haynes<\/a><\/span>, 90-year-elegant <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Kids-Duets-Live-Dizzys-Coca-Cola\/dp\/B000O5BP5U\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1214167098&amp;sr=1-1\/?tag=howardmacom-20\">Hank Jones<\/a><\/span>\u00c2\u00a0duetted engagingly with tenor saxophonist Joe Lovano, 88-year-cool conguero <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Thousand-Finger-Man-Candido\/dp\/B000042OQR\/ref=sr_1_2?ie=UTF8&amp;s=music&amp;qid=1214167131&amp;sr=1-2\/?tag=howardmacom-20\">Candido<\/a><\/span>\u00c2\u00a0was recognized as percussionist of the year, 90 year old <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.npr.org\/templates\/rundowns\/rundown.php?prgId=24&amp;agg=1\">Marian McPartland<\/a><\/span> was announced recipient of a Lifetime Achievement in Jazz Award, 82-year-old fest producer <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.allaboutjazz.com\/php\/article.php?id=296\">George Wein<\/a> <\/span>was there to present it (though Marian had sent regrets), Musician of the Year <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.youtube.com\/watch?v=Ng5zWnALSeo&amp;amp;feature=related\">Herbie Hancock<\/a><\/span> couldn&#8217;t be make it because he&#8217;s on tour (with Up and Coming Musician of the Year <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Karibu-Lionel-Loueke\/dp\/B00140GXKG\/ref=pd_bbs_sr_1?ie=UTF8&amp;s=music&amp;qid=1214168065&amp;sr=8-1\/?tag=howardmacom-20\">Lionel Loueke<\/a><\/span>), comparably young composer-arranger-orchestra leader <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.mariaschneider.com\/\">Maria Schneider<\/a><\/span>\u00c2\u00a0did speak gratefully upon copping four awards linked to her suite<a href=\"http:\/\/www.amazon.com\/Maria-Schneider-Standard-packaging-booklet\/dp\/B000UCZU3K\/ref=sr_1_2?ie=UTF8&amp;s=music&amp;qid=1214168193&amp;sr=8-2\/?tag=howardmacom-20\">\u00c2\u00a0<\/a><span class=\"Apple-style-span\" style=\"font-style: italic; \"><a href=\"http:\/\/www.amazon.com\/Maria-Schneider-Standard-packaging-booklet\/dp\/B000UCZU3K\/ref=sr_1_2?ie=UTF8&amp;s=music&amp;qid=1214168193&amp;sr=8-2\/?tag=howardmacom-20\">Sky Blue<\/a><\/span>, a full house of winners (<a href=\"http:\/\/www.amazon.com\/Mental-Weather-Jane-Ira-Bloom\/dp\/B0011ZRF1K\/ref=pd_bbs_sr_1?ie=UTF8&amp;s=music&amp;qid=1214173118&amp;sr=8-1\/?tag=howardmacom-20\">Jane Ira Bloom<\/a>, <a href=\"http:\/\/www.amazon.com\/Live-JazzBaltica-Trio-Paz-Locke\/dp\/B0013D8JT2\/ref=sr_1_2?ie=UTF8&amp;s=music&amp;qid=1214173190&amp;sr=1-2\/?tag=howardmacom-20\">Joe Locke<\/a>, <a href=\"http:\/\/www.amazon.com\/Noir-Anat-Cohen-Anzic-Orchestra\/dp\/B000N69QH4\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1214173285&amp;sr=1-1\/?tag=howardmacom-20\">Anat Cohen<\/a>, Nate Chinen, <a href=\"http:\/\/www.amazon.com\/West-5th-Hank-Jones\/dp\/B000IFRQOU\/ref=sr_1_9?ie=UTF8&amp;s=music&amp;qid=1214173357&amp;sr=1-9\/?tag=howardmacom-20\">Hank Jones<\/a>! <a href=\"http:\/\/www.amazon.com\/Te-Vou-Roy-Haynes\/dp\/B000001ZT8\/ref=sr_1_8?\/ie=UTF8&amp;s=music&amp;qid=1214173473&amp;sr=1-8\/?tag=howardmacom-20\">Roy Haynes<\/a>!!) players, writers, broadcasters, photographers and jazz record company survivors (the latter noticably rumpled) schmoozed merrily, and there were calls of &#8220;God is in the house!&#8221; when the ghost of pianist <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Piano-Starts-Here-Shrine-Re-Performance\/dp\/B0017R1E5K\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1214168229&amp;sr=1-1\/?tag=howardmacom-20\">Art Tatum<\/a><\/span> seemed to be playing via a new high-tech re-mixing software developed by <a href=\"http:\/\/zenph.com\/\">Zenph<\/a> Re-Performance.<\/li>\n<\/ul>\n<div>Detailed evidence of jazz&#8217;s not entirely irrational exuberance next week:<\/div>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>\n<ul>\n<li>Under the JVC-NY Jazz Fest banner,\u00c2\u00a0saxophonist <a href=\"http:\/\/www.youtube.com\/watch?v=kQf3G9oXnrw\">J<\/a><span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.youtube.com\/watch?v=kQf3G9oXnrw\">oshua Redman<\/a><\/span><a href=\"http:\/\/www.youtube.com\/watch?v=kQf3G9oXnrw\"> <\/a>plays with hyper-pop jazzers <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.youtube.com\/watch?v=hcUO6ohsw4Y\">Soulive<\/a><\/span><a href=\"http:\/\/www.youtube.com\/watch?v=hcUO6ohsw4Y\"> <\/a>on Thursday and Friday (June 26 &#8211; 27) at Le Poisson Rouge, former site of the famed <a href=\"http:\/\/www.amazon.com\/At-Village-Gate-Herbie-Mann\/dp\/B000002I5C\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1214168532&amp;sr=1-1\/?tag=howardmacom-20\">Village Gate<\/a>. But on Friday, too, thornily distinctive saxist <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Sanctified-Dreams-Tim-Berne\/dp\/B000005YPB\/ref=sr_1_6?ie=UTF8&amp;s=music&amp;qid=1214168575&amp;sr=1-6\/?tag=howardmacom-20\">Tim Berne<\/a><\/span> and keyboardist <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Craig-Taborn-Trio\/dp\/B000009QHC\/ref=sr_1_3?ie=UTF8&amp;s=music&amp;qid=1214168729&amp;sr=1-3\/?tag=howardmacom-20\">Craig Taiborn<\/a><\/span> play the Rubin Museum of Himalayan Art, and <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/\nGood-Night-Luck-Dianne-Reeves\/dp\/B000ASDGE4\/ref=sr_1_3?ie=UTF8&amp;s=music&amp;qid=1214169895&amp;sr=1-3\/?tag=howardmacom-20\">Dianne Reeves<\/a><\/span> opens at Carnegie Hall for <span class=\"Apple-style-span\" style=\"font-weight: bold;\"><a href=\"http:\/\/www.amazon.com\/Lay-Down-Al-Green\/dp\/B0016A2FFG\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1214169811&amp;sr=1-1\/?tag=howardmacom-20\">Al Green<\/a><\/span>. The JVC-NY fest offers ticket deals for some of the big time clubs &#8212; the Blue Note, \u00c2\u00a0Smoke, Iridium, Birdland, Cachaca, Zinc Bar &#8212; but even for those it&#8217;s not (Village Vanguard, Dizzy&#8217;s Club at Jazz at Lincoln Center, the Jazz Gallery, Barbes and the Tea Lounge in Brooklyn) jazz be happenin&#8217;. If\u00c2\u00a0Live Nation were a belligerent red state, NYC would be painted the truest of blue.\u00c2\u00a0<\/li>\n<li>But it&#8217;s not just New York: as I&#8217;ve written elsewhere, the 2008\u00c2\u00a0<a href=\"http:\/\/www.coastaljazz.ca\/index.cfm?page_id=3\" style=\"text-decoration: underline; \">TD Canada Trust Vancouver International Jazz Festival<\/a>, June 20-29\u00c2\u00a0boasts<span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 12px; font-weight: bold; line-height: 18px; \"><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \"><span class=\"Apple-style-span\" style=\"color: rgb(109, 0, 0); font-family: Arial; font-size: 16px; font-weight: bold; line-height: 18px; \"><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">\u00c2\u00a0<\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; line-height: normal; \">Mose Allison, Dave Brubeck, Herbie Hancock, Wynton Marsalis <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">and the <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; line-height: normal; \">Lincoln Center Jazz Orchestra,\u00c2\u00a0<\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">aforementioned Tim Berne and the trumpet magus <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; line-height: normal; \">Bill Dixon,\u00c2\u00a0<\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">the <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; line-height: normal; \">Cowboy Junkies<\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">, the <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; line-height: normal; \">Dixie Hummingbirds. . .<\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">\u00c2\u00a0No <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; line-height: normal; \"><a href=\"http:\/\/blog.wired.com\/music\/2008\/04\/jay-z-dumps-def.html\">Jay-Zee<\/a> <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">or <\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; line-height: normal; \"><a href=\"http:\/\/www.msnbc.msn.com\/id\/21324512\/\">Madonna<\/a><\/span><span class=\"Apple-style-span\" style=\"color: rgb(51, 51, 51); font-family: arial; font-size: 13px; font-weight: normal; line-height: normal; \">, though.<\/span><\/span><\/span><\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'trebuchet ms'; \">June 23 through 27 I&#8217;m attending the\u00c2\u00a0<a href=\"http:\/\/www.ottawajazzfestival.com\/en\/events\/\" style=\"outline-style: none; outline-width: initial; outline-color: initial; color: rgb(171, 4, 4); text-decoration: underline; \">Ottawa Jazz Festival<\/a>, hearing Salif Keita, the Return to Forever Quartet Reunion, bands about which I know nothing, and participating in three\u00c2\u00a0<a href=\"http:\/\/www.ottawajazzfestival.com\/en\/events\/bySeries.asp\" style=\"outline-style: none; outline-width: initial; outline-color: initial; color: rgb(171, 4, 4); text-decoration: underline; \">Jazz Matters panel discussions<\/a>, each\u00c2\u00a0noontime:\u00c2\u00a0&#8220;Playing Between the Words,&#8221; (6\/24) &#8220;Arts Journalism &#8212; At the Intersection of Artist and Audience,&#8221; (6\/25) and &#8220;Fusion at 40&#8221; (6\/26) at the National Arts Centre Fourth Stage.\u00c2\u00a0<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'trebuchet ms'; \">I already plugged the\u00c2\u00a0<a href=\"http:\/\/www.montrealjazzfest.com\/Fijm2008\/accueil_en.aspx\" style=\"outline-style: none; outline-width: initial; outline-color: initial; color: rgb(171, 4, 4); text-decoration: underline; \">Festival International de Jazz de Montr\u00c3\u00a9al\u00c2\u00a0<\/a>&#8212; &#8220;29th edition, June 26 &#8211; July 6&#8221; &#8212; but not the\u00c2\u00a0<a href=\"http:\/\/www.litchfieldjazzfest.com\/jazzfest_home.htm\">Litchfield Jazz Festival<\/a>\u00c2\u00a0(with NEA Jazz Masters Dave Brubeck and Paquito D&#8217;Rivera) August 1 &#8211; 3, Litchfield, CT; the <a href=\"http:\/\/www.festivalnetwork.com\/jvcjazz\/newport\/sched.php\">JVC-Newport Jazz festival<\/a>\u00c2\u00a0August 8 &#8211; 10, with Rollins, Hancock, Loueke, Wayne Shorter, Dave Holland, and also Aretha Franklin; the free city-sponsored\u00c2\u00a0<a href=\"http:\/\/www.detroitjazzfest.com\/\">Detroit Jazz Festival<\/a>, Aug. 29-Sept. 1, overall theme &#8220;<a href=\"http:\/\/www.amazon.com\/Love-Supreme-John-Coltrane\/dp\/B0000A118M\/ref=pd_bbs_sr_1?ie=UTF8&amp;s=music&amp;qid=1214170891&amp;sr=8-1\/?tag=howardmacom-20\">A Love Supreme<\/a>&#8221; with artist-in-residence <a href=\"http:\/\/www.youtube.com\/watch?v=wci8y_JZIKM\">Christian McBride<\/a> programming <a href=\"http:\/\/www.amazon.com\/Nurturer-Geri-Allen\/dp\/B000005HGB\/ref=pd_bbs_7?ie=UTF8&amp;s=music&amp;qid=1214171013&amp;sr=8-7\/?tag=howardmacom-20\">Geri Allen<\/a>, <a href=\"http:\/\/www.amazon.com\/Benny-Golson-Philadelphians\/dp\/B000006Q66\/ref=sr_1_10?ie=UTF8&amp;s=music&amp;qid=1214171094&amp;sr=1-10\/?tag=howardmacom-20\">Benny Golson<\/a>, <a href=\"http:\/\/www.amazon.com\/Turn-up-Heath-Jimmy\/dp\/B000KRFOTU\/ref=sr_1_2?ie=UTF8&amp;s=music&amp;qid=1214171188&amp;sr=1-2\/?tag=howardmacom-20\">Jimmy Heath<\/a>, <a href=\"http:\/\/www.amazon.com\/Well-Together-Again-Pat-Martino\/dp\/B00008ZZ5R\/ref=sr_1_7?ie=UTF8&amp;s=music&amp;qid=1214171265&amp;sr=1-7\/?tag=howardmacom-20\">Pat Martino<\/a>\u00c2\u00a0et al. to exemplify &#8220;The Detroit-Philly Connection&#8221;;&#8217; the <a href=\"http:\/\/www.bso.org\/bso\/index.jsp?id=bcat5240070\">Tanglewood Jazz Festival<\/a>\u00c2\u00a0Aug 29 &#8211; 31 with JJA Jazz Award winners Marian McPartland, <a href=\"http:\/\/www.joelocke.com\/\">Joe Locke<\/a> (mallets player of the year) and <a href=\"http:\/\/www.amazon.com\/Tale-Gods-Will-Requiem-Katrina\/dp\/B000SUKPNY\/?tag=howardmacom-20\">Terence Blanchard<\/a> (trumpeter of the year) among others; and though I mentioned it before, the free city-sponsored\u00c2\u00a0<a href=\"http:\/\/jazzinchicago.org\/presents\/jazz-festival\/30th-annual-chicago-jazz-festival-august-28-31-2008\">Chicago jazz Festival<\/a>\u00c2\u00a0Aug 28-31, which has added <a href=\"http:\/\/www.amazon.com\/Obra-Maestra-Masterpiece-Tito-Puente\/dp\/B00004TRUP\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1214173556&amp;sr=1-1\/?tag=howardmacom-20\">Eddie Palmieri&#8217;s Latin Jazz Band<\/a> and <a href=\"http:\/\/www.amazon.com\/Live-at-Yoshis-Dee-Bridgewater\/dp\/B00003NH92\/ref=sr_1_5?ie=UTF8&amp;s=music&amp;qid=1214173603&amp;sr=1-5\/?tag=howardmacom-20\">Dee Dee Bridgewater<\/a> paying tribute to Betty Carter to an already impressive lineup (Sonny Rollins, Vijay Iyer, Roscoe Mitchell and Wadada Leo Smith leading AACM forces, Dave Douglas&#8217; Brass Ecstacy, Kenny Burrell with Gerald Wilson&#8217;s Orchestra, the Dutch Instant Composers Pool).\u00c2\u00a0<\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div>Live Nations&#8217;s dingbant producer Mike Luba ultimately <a href=\"http:\/\/www.sun-sentinel.com\/news\/local\/broward\/sfl-flbjazz0619sbjun19,0,4756900.story\n\">recanted<\/a> his slight of jazz, claiming &#8220;it was 100 percent a joke . . . Our company does thousands of jazz shows a year, and it is the foundation of everything we do.&#8221; Yeah, that&#8217;s right, you owe jazz, <a href=\"http:\/\/www.youtube.com\/watch?v=sO7oov6WFFE&amp;amp;feature=related\">Mouseketeer<\/a>. How you plan to pay up?<\/div>\n<div><\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;We&#8217;re doing everything we can to\u00c2\u00a0eliminate\u00c2\u00a0jazz\u00c2\u00a0from American culture,&#8221; a promoter for Live Nation Artists, the world&#8217;s dominant pop music production and marketing firm &#8220;joked&#8221; to Florida councilmen considering a proposed upcoming music festival. Jazz responds with a can&#8217;t-be-bothered shrug.\u00c2\u00a0 Too hip to be rattled by ignorant, idle, defensive &#8212; and of course, revealing &#8211; threats, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[21,20,18,22],"class_list":{"0":"post-99","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-cecil-taylor","8":"tag-jazz","9":"tag-jazz-festivals","10":"tag-live-nation-artists","11":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-1B","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":993,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/08\/jazz-festivals-in-newport-and-everywhere.html","url_meta":{"origin":99,"position":0},"title":"Jazz Festivals in Newport, and everywhere","author":"Howard Mandel","date":"August 3, 2012","format":false,"excerpt":"The 58th anniversary of the Newport Jazz Festival starts tonight (Friday, 8\/3) in Rhode Island, and thanks to producer George Wein, there's a press bus going that I'll be on. But you don't have to go to Newport for the jazz fest experience -- small towns as well as large\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1341,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/04\/jazz-day-reasons-to-be-cheerful.html","url_meta":{"origin":99,"position":1},"title":"Jazz Day reasons to be cheerful","author":"Howard Mandel","date":"April 30, 2013","format":false,"excerpt":"On the second International Jazz Day, let's celebrate -- 1) A glorious legacy of enduring music; 2) The\u00c2\u00a0dedication to the art form of musicians and their supporters now, worldwide; 3) The recognition by government officials and institutions of jazz as an entity that will not be silenced or co-opted; 4)\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Jazz Heroes, designated in 2013 by the Jazz Journalists Association and 25 local North American communities","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/04\/2013JazzHeroeswHEADwnumbers.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":502,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/08\/labor-day-jazz-how-many-listening.html","url_meta":{"origin":99,"position":2},"title":"Labor Day Jazz &#038; Blues fests coast-to-coast; how many listening?","author":"Howard Mandel","date":"August 25, 2011","format":false,"excerpt":"Jazz and blues festivals occur in America coast-to-coast over Labor Day weekend -- how many listeners will the music engage? Capacities vary: free multi-day fests in\u00c2\u00a0Chicago\u00c2\u00a0and\u00c2\u00a0Detroit\u00c2\u00a0attract tens of thousands each, and the free Memphis Music & Heritage Festival;\u00c2\u00a0River Front Jazz Fest\u00c2\u00a0in Stevens Point,\u00c2\u00a0Wisconsin;\u00c2\u00a0Franklin Jazz Festival\u00c2\u00a0outside Nashville, Tennessee; \u00c2\u00a0Big Muddy Blues\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/08\/jazzfest-crowd.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1191,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/01\/neas-jazz-masters-live-program-gets-farther-still-farther-to-get.html","url_meta":{"origin":99,"position":3},"title":"NEA&#8217;s Jazz Masters Live program gets farther, still farther to get","author":"Howard Mandel","date":"January 20, 2013","format":false,"excerpt":"The National Endowment for the Arts is not in its essence a presenting organization. Its annual productions of ceremonies inducting new Jazz Masters, like the one at Dizzy's Club in Jazz at Lincoln Center on January 14, \u00c2\u00a0are special projects, probably stretching the Endowment's resources of staff, finances, time and\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"images","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/01\/images.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":170,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/weins_jazz_fest_without_jvc_co.html","url_meta":{"origin":99,"position":4},"title":"Wein&#8217;s jazz fest without JVC Corp","author":"Howard Mandel","date":"March 17, 2009","format":false,"excerpt":"Calling all jazz sponsors: that's the message producer George Wein released today (March 17) in search of corporate support for his proposed 55th anniversary Newport Jazz Festival.So doing, Wein also announced the end of a 24-year association with JVC Corp., the electronics manufacturer that has been title sponsor of fests\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":116,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/jazz_fests_of_august.html","url_meta":{"origin":99,"position":5},"title":"Jazz fests of August","author":"Howard Mandel","date":"August 23, 2008","format":false,"excerpt":"Free jazz fests across the U.S. mark summer's glorious end. Manhattan's Charlie Parker festival (held Saturday Aug. 23 and Sunday 24 in Marcus Garvey park uptown and Tompkins Square Park downtown), the Chicago Jazz Festival (which formally starts Thursday Aug 28 with Sonny Rollins at downtown Grant Park's Petrillo bandshell)\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/99","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/99\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=99"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=99"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}