{"id":987,"date":"2012-07-21T09:36:14","date_gmt":"2012-07-21T13:36:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=987"},"modified":"2012-07-21T09:43:50","modified_gmt":"2012-07-21T13:43:50","slug":"they-had-me-at-the-rope-tricks-vaudevillian-travesties-of-2012-in-nyc","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/07\/they-had-me-at-the-rope-tricks-vaudevillian-travesties-of-2012-in-nyc.html","title":{"rendered":"They had me at the rope trick: Vaudevillian Travesties of 2012 in NYC"},"content":{"rendered":"

AJ Silver is a cowboy from The Bronx<\/a>, and his lasso act opening “Travesties of 2012,” a vaudeville cavalcade curated by Trav SD at the New York Music Theatre Festival<\/a> brought out the grinning 3rd grader in me. Not a bad thing — it’s quite the pleasure to see a 14 foot hank of rope spinning like a tornado overhead when you’re sitting in a small black-box on the third floor of a Manhattan off-Broadway multi-stage venue. Yippi-ki-yo-ki-yay!<\/p>\n

<\/object><\/p>\n

But “Travesties,” which runs tonight (Sat., July 21) and next Thurs. through Sat. at the 45th Street Theater as one of more than 100 shows produced by the NYMTF through July 29, features more than just lariats. There was an eerie contortionist, a scary-clown horror-story-teller, chanteuses ranging from the subversive to the glamorous, a tap dancer, a rhyming sketch the likes of which were common groaners about a hundred years ago, rousing songs by the assembled company and an aura of silliness that’s hard to beat. As Trav SD<\/a>— aka Travis<\/p>\n

\"\"<\/a>

Trav SD, vaudeville impressario<\/p><\/div>\n

Stewart, author of the definitive yet delightful history of American vaudeville\u00c2\u00a0No Applause, Just Throw Money<\/a>, <\/em>in a white suit, safari hat and greasepaint Groucho mustache — explains from the start, theater has plots, burlesque has\u00c2\u00a0ecdysiasts<\/a>, vaudeville has it all.<\/p>\n

The cast of \u00c2\u00a0“Travesties of 2012″ changes a bit, nightly. I was hoping to see the mentalist, but was amused by mock$tar Killy Dwyer (named among the ‘Top 10 Women Who Rock Comedy” by FunnyNotSlutty.com<\/a>), chilled by Dandy Darkly, rather charmed by Meghan “Big Red” Murphy who probably does her material with a bit less wink-in-her-eyes in regular cabaret performances. Oh well, I will return next time Trav SD puts on a review, hoping to see a mentalist. That’s the thing about entertainment, you keep coming back for more.<\/p>\n

howardmandel.com<\/a><\/p>\n

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AJ Silver is a cowboy from The Bronx, and his lasso act opening “Travesties of 2012,” a vaudeville cavalcade curated by Trav SD at the New York Music Theatre Festival brought out the grinning 3rd grader in me. Not a bad thing — it’s quite the pleasure to see a 14 foot hank of rope […]<\/p>\n","protected":false},"author":2,"featured_media":988,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-987","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/07\/trav-sd.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-fV","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":889,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/05\/international-jazz-day-concert-review-few-elsewhere.html","url_meta":{"origin":987,"position":0},"title":"International Jazz Day concert review (few elsewhere)","author":"Howard Mandel","date":"May 2, 2012","format":false,"excerpt":"Read my short-hand review, please, in\u00c2\u00a0CityArts-New York\u00c2\u00a0of the sunset concert of International Jazz Day in the General Assembly of the UN in New York City. The music of Louis Armstrong, Duke Ellington, Miles Davis, Thelonious Monk, John Coltrane, Billie Holiday, Howlin' Wolf , Leonard Bernstein and many more was manifest\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/05\/jazz-day-logo-black-300x167.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":825,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/03\/obama-at-javanese-shadow-puppet-show-asia-society.html","url_meta":{"origin":987,"position":1},"title":"Obama at Javanese shadow puppet show, Asia Society","author":"Howard Mandel","date":"March 18, 2012","format":false,"excerpt":"President Obama made a surprise cameo appearance at the Asia Society's production\u00c2\u00a0of a Javanese shadow puppet show\u00c2\u00a0\u00c2\u00a0-- a\u00c2\u00a0Wayang Kulit -- by dhalang Ki Purbo Asmoro with Gamelan Kusuma Laras on Manhattan's upper east side on Friday night (March 16). 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He was a unique sound organizer and constant actor on the jazz scene in New York City for nearly 60 years. He spoke to me for Down Beat in 1986 -- an interview I offer in slightly different form below. Of\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/motian1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=987"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/987\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/988"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}