{"id":92,"date":"2008-05-15T22:53:53","date_gmt":"2008-05-16T02:53:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/05\/comin_right_up_matt_miller_for\/"},"modified":"2011-04-28T16:34:43","modified_gmt":"2011-04-28T20:34:43","slug":"comin_right_up_matt_miller_for","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/05\/comin_right_up_matt_miller_for.html","title":{"rendered":"Comin&#8217; right up &#8212; Matt Miller foresees jazz beyond jazz"},"content":{"rendered":"<p>Recommendations by an emerging music journalist\/tenor sax player for convention-shattering musical events in New York City over the next week (May 16 &#8211; 22) . . .\u00c2\u00a0<\/p>\n<p><!--more--><br \/>\n<!--StartFragment--><\/p>\n<p class=\"MsoNormal\">Links give you a video taste of what you might here &#8212; support live music!<\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Arial\"><span class=\"Apple-style-span\" style=\"font-family: arial; \"><span style=\"font-family:Arial\"><b>Friday, May 16 <\/b><\/span><span style=\"font-family:Arial\"><a href=\"http:\/\/www.youtube.com\/watch?v=etlQm1KcfFA\">Sunny Murray<\/a> transcended timekeeping as drummer with<br \/>\nCecil Taylor and Albert Ayler in the 1960&#8217;s, and his unbounded approach changed<br \/>\nrhythm evermore. His trio featuring tenor saxophonist Louie Belogenis and<br \/>\nbassist Michael Bisio performs at 8 p.m. at Middle Collegiate Church, 50 E. 7<sup>th<\/sup><br \/>\nSt., Manhattan. $10<\/span><\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Arial\"><span class=\"Apple-style-span\" style=\"font-family: arial; \"><span style=\"font-family:Arial\"><b>Saturday, May 17 <\/b><\/span><span style=\"font-family:Arial\"><span style=\"mso-spacerun: yes\">\u00c2\u00a0<\/span>Alto<br \/>\nsaxophonist Oliver Lake, bassist Reggie Workman and drummer Andrew Cyrille &#8211;<br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=XLA8zYLkKj4\">Trio 3 <\/a>&#8212; celebrate their 20<sup>th<\/sup> anniversary at Sista&#8217;s Place, the<br \/>\nBed-Stuy neighborhood cultural center, 9 &amp; 10:30 p.m., 456 Nostrand Ave.<br \/>\nBrooklyn. $20.<\/span><\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Arial\"><span class=\"Apple-style-span\" style=\"font-family: arial; \"><span style=\"font-family:Arial\"><b>Sunday, May 18 <\/b><\/span><span style=\"font-family:Arial\">improvised electronica from Germany, as installation artist Carsten Nicolai\u00c2\u00a0performs in <a href=\"http:\/\/www.youtube.com\/watch?v=aE1h26uoJGQ\">Signal<\/a> with sound designers <span style=\"color:\nblack\">Frank Bretschneider and Olaf Bender (aka Byetone), then<\/span> showcases<br \/>\nothers from his Raster-Noton label, at Issue Project Room, the anything-goes<br \/>\nperformance space &#8211; 8 p.m., The (OA) Can Factory, 232 3<sup>rd<\/sup> St. 3<sup>rd<\/sup><br \/>\nFloor. Brooklyn. $10.<\/span><\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Arial\"><span class=\"Apple-style-span\" style=\"font-family: arial; \"><span style=\"font-family:Arial\"><b>Monday, May 19 <\/b><\/span><span style=\"font-family:Arial\">Bassist-composer <a href=\"http:\/\/www.youtube.com\/watch?v=qwOAMWIQB-I\">James Ilgenfritz <\/a>leads a smart trio<br \/>\nwith saxophonist Michael Attias and drummer Harris Eisenstadt at Spike Hill, a<br \/>\nhipster bar anything but average, given the music. 8 p.m.184 Bedford Ave (at<br \/>\nNorth 7<sup>th<\/sup> St.) Williamsburg, Brooklyn. $ tba.<\/span><\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Arial\"><b><span class=\"Apple-style-span\" style=\"font-family: arial; font-weight: normal; \"><span style=\"font-family:Arial\"><b>Tuesday, May 20<\/b><\/span><span style=\"font-family:Arial\"> The three-year old Brooklyn-based quartet Little<br \/>\nWomen (saxophonists Travis LaPlante and Darius Jones, guitarist Ben Greenberg<br \/>\nand drummer Jason Nazary) distills free jazz, pop, thrasher rock and outright noise<br \/>\ninto a potent brew &#8212; sharing a bill with Seattle-based <a href=\"http:\/\/youtube.com\/watch?v=y9ckukcRpdQ\">The Dead Science<\/a> and<br \/>\n<a href=\"http:\/\/youtube.com\/watch?v=itaDHFNqFfU\">People<\/a>, the avant-folk duo of violist Jessica Pavone and guitaritst Mary<br \/>\nHalvorson. At 9 p.m., Zebulon, 258 Wythe Ave Williamsburg, Brooklyn, no cover,<br \/>\nno minimum.<\/span><\/span><\/b><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Arial\"><span style=\"mso-spacerun:\nyes\"><span class=\"Apple-style-span\" style=\"font-family: arial; \"><span style=\"font-family:Arial\"><b>Wednesday, May 21 <\/b><\/span><span style=\"font-family:Arial\">An intimate performance by Dutch improvising pianist<br \/>\n<a href=\"http:\/\/www.achimkaufmann.com\/\">Achim Kaufmann<\/a> at the home of pianist Carl Maguire, with trumpeter Thomas<br \/>\nHeberer and drummer Harris Eisenstadt, 888 Lincoln Place, Crown Heights,<br \/>\nBrooklyn. 8 p.m.<\/span><\/span><\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Arial\"><span class=\"Apple-style-span\" style=\"font-family: arial; \"><span style=\"font-family:Arial\"><b>Thursday, May 22 <\/b><\/span><span style=\"font-family:Arial\">Drummer-composer <a href=\"http:\/\/youtube.com\/watch?v=4kYQhptMTkQ\">Tyshawn Sorey<\/a> has established<br \/>\nhimself as a new voice in improvised music, earning a nomination for Up &#8216;n&#8217;<br \/>\nComing Musician of the Year in the 2008 Jazz Journalists Association Jazz<br \/>\nAwards . Trombonist Ben Gerstein, pianist Cory Smythe and bassist Chris Tordini<br \/>\nare in his quartet performing pieces from his 2007 release <i>THAT\/NOT<\/i><\/span><span style=\"font-family:Arial\"> at Roulette, 228 W. Broadway, Manhattan. 8:30 p.m.<br \/>\n$15.<\/span><\/span><\/span><\/p>\n<p class=\"MsoNormal\"><br class=\"webkit-block-placeholder\" \/><\/p>\n<p class=\"MsoNormal\"><br class=\"webkit-block-placeholder\" \/><\/p>\n<p><!--EndFragment--><br \/>\n<a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recommendations by an emerging music journalist\/tenor sax player for convention-shattering musical events in New York City over the next week (May 16 &#8211; 22) . . .\u00c2\u00a0<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-92","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-1u","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":288,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/visionaries_photod_at_nea_jazz.html","url_meta":{"origin":92,"position":0},"title":"Visionaries photo&#8217;d at NEA Jazz Masters concert","author":"Howard Mandel","date":"January 14, 2010","format":false,"excerpt":"Just in -- \u00c2\u00a0Muhal Richard Abrams conducting the Jazz at Lincoln Center Orchestra, and Yusef Lateef on tenor sax with percussionist Adam Rudolph, fine performance photography by Frank Stewart from the National Endowment for the Arts' Jazz Masters concert. My post on the concert is here, and the images are\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Adam Rudolph and 2010 NEA Jazz Master Yusef Lateef perform during the Awards Ceremony & Concert. Frank Stewart.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/01\/Adam%20Rudolph%20and%202010%20NEA%20Jazz%20Master%20Yusef%20Lateef%20perform%20during%20the%20Awards%20Ceremony%20%26%20Concert.%20Frank%20Stewart-thumb-460x306-12563.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":339,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/sonny_beacon_bootlegged_video.html","url_meta":{"origin":92,"position":1},"title":"Sonny @ Beacon bootlegged video clip","author":"Howard Mandel","date":"September 11, 2010","format":false,"excerpt":"A bootlegged video excerpt of Sonny Rollins at the Beacon Theater, 9\/10\/2010 is available on youtube -- the sound doesn't do him justice, and I don't intend to encourage unauthorized video, but it is out there to give the world a brief idea of last night's concert.\u00a0On the other hand,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":249,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/09\/todays_the_day_nyc_goes_beyond.html","url_meta":{"origin":92,"position":2},"title":"Today&#8217;s the day NYC goes beyond jazz","author":"Howard Mandel","date":"September 17, 2009","format":false,"excerpt":"On September 17,New York kicks off a fall season more highly charged with new creative energies than any in memory.\u00c2\u00a0An\u00c2\u00a0army of mostly young, skilled, ambitious and devoted musicians is making itself heard in the East Village, Soho, Brooklyn, on the Lower West Side and in the clubs -- while benevolence\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1856,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/04\/jazz-chicago-this-week-starting-with-nea-jazz-master-joe-segal.html","url_meta":{"origin":92,"position":3},"title":"Jazz Chicago this week &#8212; starting with NEA Jazz Master Joe Segal","author":"Howard Mandel","date":"April 24, 2015","format":false,"excerpt":"Too much jazz\u00c2\u00a0in Chicago this week to write at length about it all, but also too much to ignore: Congrats to Joe Segal, proprietor of the Jazz Showcase\u00c2\u00a0forever, at various spots, inducted as an NEA Jazz Master. I owe Joe Segal big time, as he encouraged my 17-year-old interests in\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/04\/dscf6470.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/04\/dscf6470.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/04\/dscf6470.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/04\/dscf6470.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/04\/dscf6470.jpeg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2014,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/04\/at-the-neas-jazz-masters-ball.html","url_meta":{"origin":92,"position":4},"title":"At the NEA&#8217;s Jazz Masters Ball","author":"Howard Mandel","date":"April 6, 2016","format":false,"excerpt":"The Kennedy Center was filled Monday night with VIPs, devotees and artists across disciplines for the 34th annual celebration of Jazz Masters by the National Endowment of the Arts.\u00c2\u00a0Here's my coverage for DownBeat magazine\u00c2\u00a0on the tribute to the 2016 honorees: Fierce and soulful \u00c2\u00a0saxophonists Archie Shepp and Pharoah Sanders, cool\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"images-2","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/04\/images-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2107,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/09\/chi-jazz-fest-2016-details-in-photos-and-words.html","url_meta":{"origin":92,"position":5},"title":"Chi jazz fest 2016, details in photos and words","author":"Howard Mandel","date":"September 14, 2016","format":false,"excerpt":"My DownBeat overview of the 38th annual Chicago Jazz Festival, comprehensive as I could make it, didn't\u00c2\u00a0go into depth on any of the couple dozen performances I heard from Sept 1 through 4 in downtown Millennium Park and the Cultural\u00c2\u00a0Center.\u00c2\u00a0So here, with imagery by my photojournalist colleagues\u00c2\u00a0and friends Marc PoKempner\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/09\/MPOK3288a-1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/09\/MPOK3288a-1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/09\/MPOK3288a-1.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=92"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/92\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=92"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=92"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}