{"id":91,"date":"2008-05-15T22:07:28","date_gmt":"2008-05-16T02:07:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/05\/modest_proposal_and_recommenda\/"},"modified":"2011-04-28T16:34:43","modified_gmt":"2011-04-28T20:34:43","slug":"modest_proposal_and_recommenda","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/05\/modest_proposal_and_recommenda.html","title":{"rendered":"Modest proposal, and recommendations"},"content":{"rendered":"<p>Saxophonist and Love of Life Orchestra leader <a href=\"http:\/\/profile.myspace.com\/index.cfm?fuseaction=user.viewprofile&amp;friendid=83863639\">Peter Gordon<\/a> gave one of the most lucid presentations at the recent Experience Music Project&#8217;s <a href=\"http:\/\/www.empsfm.org\/education\/index.asp?categoryID=26\">Pop Conference<\/a> &#8212; being the only person over three days to perform a note of music within their allotted 20 minutes. Of course, his reasonable, arguably achievable suggestions may seem outrageous, given the outrages of our time &#8212; but I offer them here with hopes <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=90327675\">presumptive nominee<\/a>s for president of <a href=\"http:\/\/blogs.reuters.com\/trail08\/2008\/05\/15\/mccain-iraq-speech-is-no-magic-carpet-ride\/\">all parties<\/a> in the U.S. (and why not abroad?) give serious consideration to their support, in exchange for the gratitude and perhaps the votes of the music-lovin&#8217; public.\u00c2\u00a0 <\/p>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>Also, see Matt Miller&#8217;s newest recommendations for NYC performances &#8212; <a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/05\/comin_right_up_matt_miller_for.html\">Comin&#8217; Right Up<\/a>.<\/div>\n<p><!--more--><br \/>\n<!--StartFragment--><br \/>\n<span class=\"Apple-style-span\" style=\"font-family: Palatino; font-size: 17px; \">&#8220;Musical Action for an Authoritarian<br \/>\nAmerica &#8212; a Manifesto&#8221; is the title of Peter Gordon&#8217;s paper, which begins with<br \/>\nthe undeniable premises: &#8220;Music Is Important, Music Deserves Our Respect, We<br \/>\nNeed Change.&#8221; He continues (I excerpt):<\/span><\/p>\n<div><span class=\"Apple-style-span\" style=\"font-family: Palatino; font-size: 17px;\"><br class=\"webkit-block-placeholder\" \/><\/span><\/div>\n<p><!--StartFragment--><\/p>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-size: 16px;\"><br \/>\n<!--StartFragment--><\/p>\n<p class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"><span style=\"font-family:Palatino;color:#333333\">Music is<br \/>\nan essential part of human nature, and even reaches beyond our human species. .<br \/>\n. Music touches us on a primal level, singing vibrates the back of the throat,<br \/>\nchanting massages the brain. Rhythm provides social synchronicity, melody<br \/>\nprovides a linear code on which we can hang our memories and aspirations.<\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family:Palatino;color:#333333\">. . . Music is a<br \/>\nparallel to language &#8211; it does need to interpret, nor to be interpreted. Music<br \/>\ncan elicit an unspoken understanding among strangers in a dark room, it can<br \/>\nexpress and evoke emotions for which poetry lacks words. Music means, and is<br \/>\nsomething in and of itself.\u00c2\u00a0. .\u00c2\u00a0<\/span><\/p>\n<p><\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \"><span class=\"Apple-style-span\" style=\"font-family: Palatino; \">Music<br \/>\ntouches us on the metabolic level. It has healing powers beyond emotional,\u00c2\u00a0<br \/>\nbeyond sexual healing. . .\u00c2\u00a0<\/span><\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">Music<br \/>\nis like Religion, except it is not an exclusive . . .the Musical Experience is spiritual<br \/>\n&#8211; it sparks the soul, and allows us a glimpse of an all-encompassing universe.<span style=\"mso-spacerun: yes\">\u00c2\u00a0\u00c2\u00a0 <\/span>As such, the practitioners of<br \/>\nMusic should be afforded all the rights, privileges, and protections as<br \/>\npractitioners of other faiths. All music-related items, organizations,<br \/>\nproperty, services, etc should be free of any local, state or federal taxation.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">I<br \/>\nwant to see Music represented at the highest level of government &#8211; I suggest a<br \/>\nfourth branch of powers &#8211; let there be the executive, legislative, judicial,<br \/>\nand musical branches of government. Free of any influences and pressures from<br \/>\nthe other three branches of power, an autonomous firewall to protect this<br \/>\nessential human activity.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \"><span style=\"mso-tab-count:1\">\u00c2\u00a0<\/span>I<br \/>\nwant to see a House of Music on every corner in urban neighborhoods and within<br \/>\nwalking, or bicycling, distance of all homes across America. This is a place to<br \/>\nplay, listen and learn music. A center of learning, with a full staff of<br \/>\ninstructors, as well as a performance center. All genres and media welcome.<br \/>\nThese Houses of Music will provide private and ensemble instruction, and<br \/>\nperformance opportunities free of charge to anyone. Concerts and dances will be<br \/>\nregularly scheduled, with a proper budget for performers. Ad hoc events from<br \/>\nany part of the community should also be encouraged.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">Music<br \/>\nis a special interest group. . . Music people should have incredible lobbying<br \/>\npower, and should command, and demand, whatever resources are necessary.<span style=\"mso-spacerun: yes\">\u00c2\u00a0 <\/span>We need to organize. We need to look<br \/>\nbeyond genre, style, particular musical cultures &#8212; we need to work for the<br \/>\ncommon good of all music people.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">Music<br \/>\nneeds a Hippocratic oath.<span style=\"mso-spacerun: yes\">\u00c2\u00a0 <\/span>Music<br \/>\nmust do no harm.<span style=\"mso-spacerun: yes\">\u00c2\u00a0 <\/span>All uses of music<br \/>\nfor torture or any other use of force must be prohibited, This includes use of<br \/>\nmusic as a means of deterrence and population control, such as municipalities<br \/>\nor landlords who play intentionally vile music in public areas in order to keep<br \/>\npeople (ie, others) from gathering. We must STOP torture of any type &#8212; this<br \/>\nincludes musical torture.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">The<br \/>\nworld is being ravaged by consumer excess and depletion of resources. . . We must just stop using music to sell things. Advertising<br \/>\nlicenses are not a good thing. . . I<br \/>\npropose a moratorium on all music in advertising. This needs to be seen as a<br \/>\nsacrilege.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">Music,<br \/>\nat its very basic, involves the sharing of an experience in which there is the<br \/>\npushing of air over time. . .\u00c2\u00a0Music has a vested<br \/>\ninterest in the air. We need to lower our carbon footprint and protect the air<br \/>\nwe breathe, but more importantly, we need to protect the air Music breathes.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">Music<br \/>\nis about community, encoded in music is the memory of generations. Music<br \/>\nconnects us to our ancestors, to our history. However, equally important, music<br \/>\ncan also be a refuge from community. Music provides a sanctuary for the<br \/>\ndisaffected. Many of us would be lost, without a sense of purpose or belonging,<br \/>\nwere it not for music.<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\"><br class=\"webkit-block-placeholder\" \/><\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">ACTION ITEMS:\u00c2\u00a0<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\"><br class=\"webkit-block-placeholder\" \/><\/span><\/p><\/blockquote>\n<p class=\"MsoNormal\">\n<ul>\n<ul>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">\u00c2\u00a0<span class=\"Apple-style-span\" style=\"font-family: Palatino; \">Universal<br \/>\nmusic education and access to musical tools and instruments, from pre-school<br \/>\nthrough senior citizenship.<\/span><\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: Palatino; \">Houses of music must be established in all communities, giving access to<br \/>\nrehearsal and performance spaces, as well as production studios and dance<br \/>\nfloors.<\/span><\/li>\n<\/ul>\n<ul>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">Music must do no harm. The cessation<br \/>\nof music being used for killing, torture or crowd control.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\">All musical material and activities must be tax-free.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\">Music in advertised needs to be seen<br \/>\nas anathema to the common good. Products, musicians, companies which do<br \/>\nthis should be boycotted and ostracized.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\">Musicians should be encouraged to<br \/>\ncreate honest music. Honest music is the music which we make without<br \/>\nconcern for the market, peer-group pressure or any external mandate. Some<br \/>\npeople make music which is popular and reaches masses, others make music<br \/>\nwhich reach dozens &#8212; and this changes over time. This is all okay.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\">Through music, we must resist the<br \/>\npolitical and military bullies who are ruining our country and the world.<br \/>\nWe don&#8217;t have to write protest songs per se, but our audiences should<br \/>\nalways know where we stand. Preaching is not necessary &#8212; but basic<br \/>\nstatements of fact can be mentioned in banter between songs. Song titles<br \/>\nare powerful.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\">Spread your<span style=\"mso-spacerun: yes\">\u00c2\u00a0 <\/span>beliefs, and use the media which<br \/>\nyou have available to you. Join advocacy groups, include them in your<br \/>\npublicity, liner notes, web pages. In the old days, we could scratch<br \/>\nmessages in the vinyl masters &#8211; mp3 files have room for comments in the<br \/>\ninfo page, use this.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">Do not steal. Do not steal anything.<br \/>\nDo not steal music.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">But you can prevent stealing: Give it all away. Give<br \/>\nyour music away &#8211; this way, no one can steal it. Eliminate dongles and passwords,<br \/>\ncreate open-source musical software. Spread the word.<span style=\"mso-spacerun: yes\">\u00c2\u00a0 <\/span>But if it is not being given away,<br \/>\nsee 9 above &#8211; do not steal.<\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \">And we need pilgrimages to our<br \/>\nmusical holy cities. New Orleans, Havana, New York &#8212;- the list can grow<br \/>\nand shrink. I propose free transportation and free hostels for musical<br \/>\npilgrims.<span style=\"mso-spacerun:\nyes\"><\/span><\/span><\/li>\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman'; \"><span style=\"mso-spacerun:\nyes\">\u00c2\u00a0<\/span>Musical groups can serve as a model for larger social<br \/>\nbehavior. If you are a bandleader, don&#8217;t be a jerk.<\/span><\/li>\n<\/ul>\n<\/ul>\n<p class=\"MsoNormal\"><span style=\"font-family:&quot;Times New Roman&quot;\">Gordon concludes, &#8220;There is a paradox in all of this . . . (M)usic is a parallel to language, and as such, putting music in the service of<br \/>\nanything external subverts the power of music. We need to know where we stand,<br \/>\nwhat our goals are &#8212; and then, we need to return to the non-linguistic state,<br \/>\na non-figurative, non-referential musical state, but try to find that intuitive<br \/>\nplace, where memory and premonition co-exist. And from that place,<span style=\"mso-spacerun: yes\">\u00c2\u00a0 <\/span>we can change the world.<span style=\"mso-spacerun: yes\">\u00c2\u00a0 <\/span>And I refer to the words of John<br \/>\nLennon, or perhaps His Holiness the Dalai Lama.&#8221;<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman';\">I think you know which <a href=\"http:\/\/www.youtube.com\/watch?v=1OnWAOqZj58\">words<\/a>\u00c2\u00a0\u00c2\u00a0he has in mind.\u00c2\u00a0<\/span><\/p>\n<p><span class=\"Apple-style-span\" style=\"font-family: Palatino; font-size: 17px; \">\u00c2\u00a0<\/span><br \/>\n<a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or  RSS<\/a> <br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saxophonist and Love of Life Orchestra leader Peter Gordon gave one of the most lucid presentations at the recent Experience Music Project&#8217;s Pop Conference &#8212; being the only person over three days to perform a note of music within their allotted 20 minutes. Of course, his reasonable, arguably achievable suggestions may seem outrageous, given the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-91","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-1t","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":762,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/01\/who-should-the-next-nea-jazz-masters-be.html","url_meta":{"origin":91,"position":0},"title":"Who should the next NEA Jazz Masters be?","author":"Howard Mandel","date":"January 11, 2012","format":false,"excerpt":"Who should be the next NEA Jazz Masters? With last night's triumphant and deeply moving webcast of the NEA's 2012 Jazz Masters induction ceremonies came welcome news the annual fellowships for these major American artists will continue -- at least the financial awards of $25,000 per Master. More significant to\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/2012-jazz-masters.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":142,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/11\/ten_best_of_2008_and_more_reco.html","url_meta":{"origin":91,"position":1},"title":"Ten top of 2008 and many more recommendations","author":"Howard Mandel","date":"November 30, 2008","format":false,"excerpt":"So much music, so little time -- it's absurd to whittle down this year's \"best\" recordings to 10, an act that merely bows to convention. Why not 15? 25? 50? -- if there are that many albums that reward repeated listening with enjoyment and revelation.I make no claims for the\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":215,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/zx1_pocket_camera_stars_at_200.html","url_meta":{"origin":91,"position":2},"title":"Zx1 pocket camera stars at 2009 Jazz Awards!","author":"Howard Mandel","date":"June 29, 2009","format":false,"excerpt":"I love My Youtube! -- now hosting video clips from my handy new Kodak go-anywhere device\u00a0of jazz celebs, players and presenters at the Jazz Journalists Association's 13th annual Jazz Awards party at the Jazz Standard (NYC)\u00a0June 16, shot by\u00a0debuting cinematographer R. Mandel.Brief bits of Hank Jones, the Charles Tolliver Big\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":89,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/05\/comin_right_up_introducing_mat.html","url_meta":{"origin":91,"position":3},"title":"Comin&#8217; right up &#8212; introducing Matt Miller","author":"Howard Mandel","date":"May 11, 2008","format":false,"excerpt":"In a renewed effort to keep readers abreast of good listning, J-B-J introduces Matt Miller, who has some recommendations for places to go, comin' right up. Matt is a 23-year-old tenor saxophonist, graduate of the New School Jazz and Contemporary Music program, who writes for AllAboutJazz-New York and Jazz.com, besides\u2026","rel":"","context":"In &quot;coming&quot;","block_context":{"text":"coming","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/coming"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":92,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/05\/comin_right_up_matt_miller_for.html","url_meta":{"origin":91,"position":4},"title":"Comin&#8217; right up &#8212; Matt Miller foresees jazz beyond jazz","author":"Howard Mandel","date":"May 15, 2008","format":false,"excerpt":"Recommendations by an emerging music journalist\/tenor sax player for convention-shattering musical events in New York City over the next week (May 16 - 22) . . .\u00c2\u00a0 Links give you a video taste of what you might here -- support live music!Friday, May 16 Sunny Murray transcended timekeeping as drummer\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":294,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/aacm_pianist_singer_give_away.html","url_meta":{"origin":91,"position":5},"title":"AACM pianist &#038; singer give away CD at NYC show","author":"Howard Mandel","date":"February 5, 2010","format":false,"excerpt":"Steve Colson,\u00a0pianist\/composer and band leader, with vocalist Iqua Colson -- \u00a0a couple\u00a0\u00a0members of American experimental music's cutting edge AACM\u00a0for some 35 years -- \u00a0give a rare performance\u00a0quartet Saturday night (Feb 6) at NYC's Thalia theater in Symphony Space. Everyone who attends gets the Colsons' new CD, The Untarnished Dream, for\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/91\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=91"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=91"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}