{"id":904,"date":"2012-05-10T13:54:40","date_gmt":"2012-05-10T17:54:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=904"},"modified":"2012-05-10T13:55:30","modified_gmt":"2012-05-10T17:55:30","slug":"904","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/05\/904.html","title":{"rendered":"The Jazz Gallery seeks new downtown Manhattan home"},"content":{"rendered":"<p>My<a href=\"http:\/\/cityarts.info\/2012\/05\/08\/the-price-of-jazz\/\"> latest column <\/a>in CityArts-New York highlights the search for a new location of <a href=\"http:\/\/jazzgallery.org\/\">the Jazz Gallery<\/a>, a splendid venue that has been responsible for launching some of the most exciting<\/p>\n<div id=\"attachment_906\" style=\"width: 269px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/05\/jazz-gallery1.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-906\" class=\"size-full wp-image-906\" title=\"jazz gallery\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/05\/jazz-gallery1.jpeg\" alt=\"\" width=\"259\" height=\"194\" \/><\/a><p id=\"caption-attachment-906\" class=\"wp-caption-text\">Seating and stage, the Jazz Gallery<\/p><\/div>\n<p>musicians and freshest projects to emerge in jazz and improvised music over the past 17 years. Commissions, residencies, workshops, rehearsal space and performances not dependent on their audiences eating and drinking.<\/p>\n<div class=\"mceTemp\"><\/div>\n<p>Jason Moran, Steve Coleman, Miguel Zenon, Dafnis Prieto, Henry Threadgill&#8217;s Zooid, the Myra Melford Quintet, Gretchen Parlato, Lionel Loueke, Darcy James Argue&#8217;s Secret Society, Orrin Evans&#8217; Captain Black Big Band, Ambrose Akinmusire, Linda Oh and Karl Berger&#8217;s Improvisers Orchestra are among those who&#8217;ve benefitted from having this stage in the &#8220;lower West Village.&#8221; The Gallery also exhibits visual art, and the Jazz Journalists Association held one of its first panel discussions there, in 1999, featuring the late Richard Sudhalter, Robert O&#8217;Meally Gary Giddins, Bill Milkowski and Sharony Andrews Green discussing their books (I moderated).<\/p>\n<p>Spaces like the Jazz Gallery are few. Reminiscent of the &#8220;jazz loft&#8221; days of the &#8217;70s and &#8217;80s, when New Yorkers would open their large live-work spaces for public performances. Studio Rivbea, Ladies Fort, Jazz Forum, Cobi Narita&#8217;s Jazz Center of New York are fondly remembered for their presentations, but other than the Jazz Gallery and some private salon-like house concerts, there isn&#8217;t anything like that happening in Manhattan, where large spaces are all but exclusively for upscale residences and businesses. Spaces like the Jazz Gallery, less formal than concert halls and not quite so commercially driven as clubs have been vital to the creativity of the New York scene. I hope Manhattan can find a way to save arts spaces for musicians for the immediate and longterm future.<br \/>\n<a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or RSS<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My latest column in CityArts-New York highlights the search for a new location of the Jazz Gallery, a splendid venue that has been responsible for launching some of the most exciting musicians and freshest projects to emerge in jazz and improvised music over the past 17 years. Commissions, residencies, workshops, rehearsal space and performances not [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":906,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-904","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/05\/jazz-gallery1.jpeg","jetpack_shortlink":"https:\/\/wp.me\/s1i3CL-904","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2403,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/01\/women-in-jazz-journalism-on-gender-issues-in-nyc-mlk-weekend.html","url_meta":{"origin":904,"position":0},"title":"Women in jazz journalism on gender issues, in NYC MLK weekend","author":"Howard Mandel","date":"January 18, 2018","format":false,"excerpt":"Dr. Martin Luther King Jr. weekend '18 was a big one for jazz in NYC with the first Jazz Congress at Jazz at Lincoln Center, a glorious Winter Jazz Fest, artists showcases at the conference of APAP (the Association of Performing Arts Presenters) and diverse independent venues -- but not\u2026","rel":"","context":"In \"Dr. Martin Luther King Jr. weekend\"","block_context":{"text":"Dr. Martin Luther King Jr. weekend","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/dr-martin-luther-king-jr-weekend"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/images-1-200x165.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":299,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/threadgill_talks_zooid_photod.html","url_meta":{"origin":904,"position":1},"title":"Threadgill talks, Zooid photo&#8217;d","author":"Howard Mandel","date":"February 24, 2010","format":false,"excerpt":"Composer-saxophonist Henry Threadgill performed his quicksilver music with quintet Zooid at the Jazz Gallery a few days back: here are the photos. He talked at Jazz at Lincoln Center, also: a brief synopsis. I was putting final touches on the article Down Beat commissioned about Threadgill, who I first heard\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"4370862203_2617a3c6cc-1.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/4370862203_2617a3c6cc-1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1509,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/01\/nea-2014-jazz-masters-investiture-photo-gallery.html","url_meta":{"origin":904,"position":2},"title":"NEA 2014 Jazz Masters&#8217; investiture photo gallery","author":"Howard Mandel","date":"January 15, 2014","format":false,"excerpt":"I'm reporting on the NEA Jazz Masters events for Down Beat, so reserve most comments 'til publication. But some controversies regarding the ceremonial events may emerge . . .","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/01\/Owens-Barron.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":314,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/04\/jazz_lofts_aint_what_they_used.html","url_meta":{"origin":904,"position":3},"title":"Jazz lofts as they used to be","author":"Howard Mandel","date":"April 22, 2010","format":false,"excerpt":"Composer\u00c2\u00a0Steve Reich said, \"Without John Coltrane, there would be no minimalism.\" The topic was Hall Overton, the man who arranged Monk's music, treating jazz as contemporary \"classical\" composition. The occasion was a panel discussion sprung from an exhibit at the NY Public Library of the Performing Arts about the Jazz\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"monk overton.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/monk%20overton.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1103,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/11\/nyc-jazz-this-weekend-post-sandy.html","url_meta":{"origin":904,"position":4},"title":"NYC jazz this weekend, post-Sandy","author":"Howard Mandel","date":"November 1, 2012","format":false,"excerpt":"A lot of jazz joints are \"dives\" -- in basements -- but since Hurricane Sandy it's not flood waters keeping cellars like the Village Vanguard, the Jazz Standard, Fat Cat, 55 Bar (Sat:\u00c2\u00a0open with candlelight), Cornelia Street Caf\u00c3\u00a9 and Smalls closed. There's simply no electricity. So they, like every other\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/11\/smalls.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":249,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/09\/todays_the_day_nyc_goes_beyond.html","url_meta":{"origin":904,"position":5},"title":"Today&#8217;s the day NYC goes beyond jazz","author":"Howard Mandel","date":"September 17, 2009","format":false,"excerpt":"On September 17,New York kicks off a fall season more highly charged with new creative energies than any in memory.\u00c2\u00a0An\u00c2\u00a0army of mostly young, skilled, ambitious and devoted musicians is making itself heard in the East Village, Soho, Brooklyn, on the Lower West Side and in the clubs -- while benevolence\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=904"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/904\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/906"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}