{"id":869,"date":"2012-04-19T20:27:12","date_gmt":"2012-04-20T00:27:12","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=869"},"modified":"2012-04-19T20:27:12","modified_gmt":"2012-04-20T00:27:12","slug":"new-york-jazz-now-on-records-listen-and-be-wowed","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/04\/new-york-jazz-now-on-records-listen-and-be-wowed.html","title":{"rendered":"New York jazz now, on records (listen and be wowed)"},"content":{"rendered":"

City Arts did<\/em> post my column of record reviews<\/a><\/p>\n

\"\"<\/a>

Acrobat: Music by and for Dmitri Shostakovich, by Michael Bates (for quintet)<\/p><\/div>\n

so please read what I wrote about Henry Cole and the Afrobeat Collective<\/a>, Steve Lehman Trio<\/a>, Less Magnetic <\/a>(on Facebook, or view their show below), Esperanza Spalding<\/a>, Michael Bates<\/a> (plays Shostakovich), and Wayne Escoffrey.<\/a><\/p>\n

Then, I urge you, check out samples of those artists online, and judge for yourselves (’cause you won’t know if I’m right otherwise).<\/p>\n

howardmandel.com<\/a><\/p>\n

Subscribe by Email or RSS<\/a><\/p>\n

All JBJ posts <\/a><\/p>\n

<\/object><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

City Arts did post my column of record reviews so please read what I wrote about Henry Cole and the Afrobeat Collective, Steve Lehman Trio, Less Magnetic (on Facebook, or view their show below), Esperanza Spalding, Michael Bates (plays Shostakovich), and Wayne Escoffrey. Then, I urge you, check out samples of those artists online, and […]<\/p>\n","protected":false},"author":2,"featured_media":874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-869","post","type-post","status-publish","format-standard","has-post-thumbnail","category-uncategorized","entry"],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/04\/acrobat-bates4.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-e1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=869"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/869\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/874"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}