{"id":84,"date":"2008-04-18T13:42:21","date_gmt":"2008-04-18T17:42:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2008\/04\/jazz_educators_go_south\/"},"modified":"2011-04-28T16:34:43","modified_gmt":"2011-04-28T20:34:43","slug":"jazz_educators_go_south","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/04\/jazz_educators_go_south.html","title":{"rendered":"Jazz educators go south"},"content":{"rendered":"<p>Another victim of global economics? Or of flawed leadership? The 40-year-old<a href=\"http:\/\/www.iaje.org\/\"> International Association for Jazz Education<\/a> has announced its <a href=\"http:\/\/seattletimes.nwsource.com\/html\/localnews\/2004357405_jazzeducators18.html\">bankruptcy<\/a>, following an ill-attended conference in Toronto and unexpected departures by its executive director and president. &#8220;Industry of jazz&#8221; players are shocked, shocked!\u00c2\u00a0<\/p>\n<p><!--more--><br \/>\nAs reported by my friend <a href=\"http:\/\/www.allaboutjazz.com\/php\/article.php?id=24729\">Paul de Barros<\/a>, jazz critic of the <a href=\"http:\/\/forums.seattletimes.nwsource.com\/forums\/viewforum.php?f=31\">Seattle Times<\/a>, the annual IAJE conference, which over the past decade has served as an unrivaled meeting ground for jazz-oriented musicians, students, educators, academic institutions, instrument manufacturers, record companies, festival producers, music and book publishers, print journalists, broadcasters and bloggers will not take place as planned in Seattle in January 2009, will not publish its quarterly journal or follow up on current programs \u00c2\u00a0&#8211; &#8211; in fact will disband entirely, leaving some 8,000 members without platform or representation in a world increasingly marginalizing its mission.<\/p>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>The promotion of jazz music, which has typically been a hit-or-miss venture dependent on individual initiative around localized projects, will again (still) be without a widely rooted, non-commercial umbrella organization based in the U.S., a la the <a href=\"http:\/\/www.cmaworld.com\/\">Country Music Association<\/a>, <a href=\"http:\/\/www.chamber-music.org\/about_cma\/\">Chamber Music America<\/a>, the <a href=\"http:\/\/www.poetryfoundation.org\/\">Poetry Foundation\u00c2\u00a0<\/a>or for that matter the <a href=\"http:\/\/www.jazzhouse.org\">Jazz Journalists Association<\/a>. The Jazz Alliance International, a consortium originally meant to include fans, musicians, record labels, producer-presenters and magazine publishers, was folded into IAJE two years ago, and has, without formal announcement, apparently abandoned its activities.<\/div>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<div>As usual, the survival of jazz as a unique art-and-entertainment will be up to those players and listeners\u00c2\u00a0(educators and students included)\u00c2\u00a0who most live it and love it. The IAJE may fall, but jazz will carry on.\u00c2\u00a0That fact runs counter to the disturbing spin of IAJE&#8217;s attorney Alan Bergman (also prominent in the Jazz Alliance International and the rights deals by Blue Note Records for historic albums such as the heralded <a href=\"http:\/\/www.amazon.com\/Thelonious-Monk-Quartet-Coltrane-Carnegie\/dp\/B000AV2GCE\">Thelonious Monk with John Coltrane at Carnegie Hall)<\/a>, who said:<\/div>\n<div><br class=\"webkit-block-placeholder\" \/><\/div>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); line-height: 19px; \">&#8220;A bunch of jazz musicians formed this organization and it grew into a multimillion-dollar operation with a huge convention and a big staff and big journal, but it was still run by a volunteer board elected by the membership that met twice a year.&#8221;<\/span><\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); line-height: 19px;\"><br class=\"webkit-block-placeholder\" \/><\/span><\/p><\/blockquote>\n<p><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); line-height: 19px;\"><\/p>\n<div style=\"text-align: left;\">Don&#8217;t blame the musicians &#8212; IAJE ex-executive director <a href=\"http:\/\/www.allaboutjazz.com\/php\/article.php?id=16622\">Bill McFarlin<\/a> and his board were jazz teachers and administrators, not creators. American jazz musicians long ago learned to work cheap and act wily; no musician-run organization (like the <a href=\"http:\/\/aacmchicago.org\/\">Association for the Advancement of Creative Musicians<\/a>\u00c2\u00a0or even the <a href=\"http:\/\/www.afm.org\/\">American Federation of Musicians<\/a>) has ever racked up a million-dollar deficit from its operations. Such a group would be both unlikely to bite off so much more than they could chew and unable to convince anyone to extend them such credit anyway. No, I think to know how the IAJE debacle happened, we ought to press its <a href=\"http:\/\/www.AlanBergman.com\/\">suits<\/a>.<\/div>\n<div style=\"text-align: left;\"><br class=\"webkit-block-placeholder\" \/><\/div>\n<div style=\"text-align: left;\"><br class=\"webkit-block-placeholder\" \/><\/div>\n<p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another victim of global economics? Or of flawed leadership? The 40-year-old International Association for Jazz Education has announced its bankruptcy, following an ill-attended conference in Toronto and unexpected departures by its executive director and president. &#8220;Industry of jazz&#8221; players are shocked, shocked!\u00c2\u00a0<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-84","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-1m","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1295,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/04\/jazzapril-begins-no-joke.html","url_meta":{"origin":84,"position":0},"title":"JazzApril begins (no joke!)","author":"Howard Mandel","date":"April 1, 2013","format":false,"excerpt":"April is Jazz Appreciation Month (so named by the Smithsonian Institution), culminating on the 30th with\u00c2\u00a0International Jazz Day (a project of UNESCO, organized by the Thelonious Monk Institute of Jazz) -- and both those initiatives are endorsed by the U.S. Conference of Mayors. So the Jazz Journalists Association has launched\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"ja-ijd-jamSQ200","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/04\/ja-ijd-jamSQ200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1162,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/01\/images-of-a-jazz-conference.html","url_meta":{"origin":84,"position":1},"title":"Images of a Jazz Conference","author":"Howard Mandel","date":"January 13, 2013","format":false,"excerpt":"Jazz Connect, a confederation of jazz activists including principals of JazzTimes magazine, \u00c2\u00a0AllAboutJazz.com\u00c2\u00a0and Thirsty Ear Recordings, produced a free multi-meeting conference with no specific theme other than what's happening in the musical \"community\" now, on Jan 10 and 11 at the New York Hilton. (Correction: JazzTimes is NOT part of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"JazzConnectConference1","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/01\/JazzConnectConference11.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":372,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/01\/nea_jazz_masters_concert_ustre.html","url_meta":{"origin":84,"position":2},"title":"NEA Jazz Masters concert on ustream, NEA gives 1\/4 mil for gigs","author":"Howard Mandel","date":"January 12, 2011","format":false,"excerpt":"Last night's NEA Jazz Masters concert at Jazz at Lincoln Center was\u00c2\u00a0ustreamed\u00c2\u00a0-- for the first time allowing the world to see live, free and forever America's official ceremony knighting the duly experienced, accomplished and original wise-people who create and perpetuate America's living vernacular music.\u00c2\u00a0 \u00c2\u00a0 It was great to actually\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"nea jazz masters.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/nea%20jazz%20masters.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":363,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/01\/jazz_conventions_conferences.html","url_meta":{"origin":84,"position":3},"title":"Jazz conventions, conferences, celebrations, memorial Jan 6 &#8211; 11","author":"Howard Mandel","date":"January 5, 2011","format":false,"excerpt":"The jazz world convenes in two U.S. cities this weekend, as high school and college bands + directors gather at the JEN Conference in New Orleans, jazz presenters focus themselves at the APAP convention in New York City and jazz journalists get together on topics vital to better and continued\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3140,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2025\/04\/across-north-america-29-jazz-heroes.html","url_meta":{"origin":84,"position":4},"title":"Across North America, 29 &#8220;Jazz Heroes&#8221;","author":"Howard Mandel","date":"April 2, 2025","format":false,"excerpt":"Twenty-five years ago the Jazz Journalists Association began to identify and celebrate activists, advocates, altruists, aiders and abettors of jazz as members of an \u201cA Team,\u201d soon renamed \u201cJazz Heroes.\u201d Today the JJA announced its 2025 slate of these Heroes, 29 people across North America who put extraordinary efforts into\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2025\/04\/Jazz-Heroes-rectangle-collage.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":397,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/05\/celebrating_jazz_excellence_.html","url_meta":{"origin":84,"position":5},"title":"Celebrating jazz excellence &#8212; Awards, honors and privileges","author":"Howard Mandel","date":"May 23, 2011","format":false,"excerpt":"The NEA zeroes out its Jazz Masters program, the Grammys cuts categories so pop best-sellers regain prominence vis a vis less obviously commercial stars, but the Jazz Journalists Association's 15th annual Jazz Awards -- to be held June 11, 2011 with an afternoon gala with all star music at City\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"maria schneider &.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/maria%20schneider%20%26.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/84\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=84"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=84"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}