{"id":838,"date":"2012-03-22T18:32:44","date_gmt":"2012-03-22T22:32:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=838"},"modified":"2012-03-22T18:34:41","modified_gmt":"2012-03-22T22:34:41","slug":"shadow-puppet-and-javanese-gamelan-video-now-viewable","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/03\/shadow-puppet-and-javanese-gamelan-video-now-viewable.html","title":{"rendered":"Shadow puppet and Javanese gamelan video now viewable"},"content":{"rendered":"

A followup: the Asia Society posted the \u00c2\u00a0entire video of the \u00c2\u00a03.5 hour wayang kulit<\/a> (shadow puppet and Javanese gamelan orchestra\u00c2\u00a0\"\"<\/a>performance) that I wrote about <\/a>Sunday — the one in which President Obama stopped by — in five parts. And colleague Richard Gehr wrote up the event for the Village Voice blog<\/a>.<\/p>\n

howardmandel.com<\/a><\/p>\n

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A followup: the Asia Society posted the \u00c2\u00a0entire video of the \u00c2\u00a03.5 hour wayang kulit (shadow puppet and Javanese gamelan orchestra\u00c2\u00a0performance) that I wrote about Sunday — the one in which President Obama stopped by — in five parts. And colleague Richard Gehr wrote up the event for the Village Voice blog. howardmandel.com Subscribe by […]<\/p>\n","protected":false},"author":2,"featured_media":842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-838","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/03\/puppet-head1.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-dw","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":825,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/03\/obama-at-javanese-shadow-puppet-show-asia-society.html","url_meta":{"origin":838,"position":0},"title":"Obama at Javanese shadow puppet show, Asia Society","author":"Howard Mandel","date":"March 18, 2012","format":false,"excerpt":"President Obama made a surprise cameo appearance at the Asia Society's production\u00c2\u00a0of a Javanese shadow puppet show\u00c2\u00a0\u00c2\u00a0-- a\u00c2\u00a0Wayang Kulit -- by dhalang Ki Purbo Asmoro with Gamelan Kusuma Laras on Manhattan's upper east side on Friday night (March 16). As a translucent strip of water buffalo hide, upright if not\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/03\/barack-puppet1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/03\/barack-puppet1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/03\/barack-puppet1.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/jazz_beyond_jazz.html","url_meta":{"origin":838,"position":1},"title":"Jazz Beyond Jazz","author":"Howard Mandel","date":"July 17, 2007","format":false,"excerpt":"What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life? What if jazz is the subtle, insightful, stylish, soulful, substantive guide to successful navigation\u2026","rel":"","context":"In "about"","block_context":{"text":"about","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/about"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1130,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/12\/dejohnette-the-jazzer-of-54-artists-getting-50k-usa-fellowships.html","url_meta":{"origin":838,"position":2},"title":"DeJohnette the jazzer of 54 artists getting $50k USA fellowships","author":"Howard Mandel","date":"December 6, 2012","format":false,"excerpt":"Drummer\/composer\/pianist Jack DeJohnette, an NEA Jazz Master, is the sole jazz-associated artist among 54 fellows selected by United States Artists (not\u00c2\u00a0a governmental organization) from 438 applications to a grants program initiated by United States Artists in 2006. USA fellows received $50,000 in unrestricted funds. Citing \"cutting-edge thinkers and traditional practitioners\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":115,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/world_music_redefined_by_blogs.html","url_meta":{"origin":838,"position":3},"title":"World Music redefined by blogs","author":"Howard Mandel","date":"August 24, 2008","format":false,"excerpt":"World Music, a phrase that literally should include all cultures' sounds but as a genre has become narrowed, softened and commercialized, is being re-invigorated by a new cadre of bloggers with interests in adventure and discovery as well as analytic study, according to Ross Simoninini in the Village Voice Aug\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1684,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/08\/chi-venues-beyond-jazz-billy-martin-space-beat-kitchen-outcats.html","url_meta":{"origin":838,"position":4},"title":"Chi venues beyond jazz: Billy Martin @ Space, Beat Kitchen outcats","author":"Howard Mandel","date":"August 6, 2014","format":false,"excerpt":"Evanston Il's\u00c2\u00a0cross-genre club Space showcased drummer Billy Martin's lively, upbeat Wicked Knee brass band last night, and the\u00c2\u00a0neighborhood\u00c2\u00a0tavern Beat Kitchen hosted\u00c2\u00a0its weekly exploratory\u00c2\u00a0jam by Extraordinary Popular Delusions\u00c2\u00a0the night before. I've barely scratched the surface but clearly Chicago's got a broad range\u00c2\u00a0of performance venues fun to poke into, considering the bookings.\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":103,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/07\/what_infants_should_hear.html","url_meta":{"origin":838,"position":5},"title":"What every infant should hear","author":"Howard Mandel","date":"July 14, 2008","format":false,"excerpt":"So Boston Globe staffer Jeremy Eichler has enlisted his infant son Jonah as a test subject for early musical perception and education. Why limit the kid's choices to Mozart and Schoenberg? How 'bout some good ol' American prime Louis Armstrong, introducing the concepts of improvisation and swing?\u00c2\u00a0 There's nothing wrong\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=838"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/838\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/842"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}