{"id":807,"date":"2012-02-22T17:19:40","date_gmt":"2012-02-22T22:19:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=807"},"modified":"2019-09-12T19:56:23","modified_gmt":"2019-09-12T23:56:23","slug":"swiss-jazzers-occupy-the-stone-east-village","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/02\/swiss-jazzers-occupy-the-stone-east-village.html","title":{"rendered":"Swiss jazzers occupy the Stone, East Village"},"content":{"rendered":"

European jazz stars of the Zurich-based record label Intakt come to the Stone, John Zorn’s serious recital room, for a two-week fest March 1 – 15<\/a> in which they’ll collaborate with veterans of NYC’s downtown improv scene.<\/p>\n

\"\"<\/a>

March 11: from left, Andrew Cyrille duets w\/ Irene Schweizer, and Oliver Lake (no Reggie Workman, sorry!) — photo credit sought! No copyright infringement is intended.<\/p><\/div>\n

I detail some of the shows — and why people think jazz is better loved abroad than at home — in my new column<\/a> in City Arts-New York.<\/p>\n

howardmandel.com<\/a><\/p>\n

Subscribe by Email or RSS<\/a><\/p>\n

All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

European jazz stars of the Zurich-based record label Intakt come to the Stone, John Zorn’s serious recital room, for a two-week fest March 1 – 15 in which they’ll collaborate with veterans of NYC’s downtown improv scene. I detail some of the shows — and why people think jazz is better loved abroad than at […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-807","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-d1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2552,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2019\/01\/2018-jazz-blues-and-beyond-deaths-w-links.html","url_meta":{"origin":807,"position":0},"title":"2018 jazz, blues and beyond deaths w\/ links","author":"Howard Mandel","date":"January 21, 2019","format":false,"excerpt":"Cecil Taylor, March 15, 1929 \u00e2\u20ac\u201c April 5, 2018, photo by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba Not a happy post, but a useful one: here are the hundreds of musicians and music industry activists who died in 2018, as compiled by photographer-writer Ken Franckling for the Jazz Journalists Association. Ken scoured local\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/04\/CecilTaylor-nea-jazz-master-2014-santa.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":300,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/piano_love_nyc_edition.html","url_meta":{"origin":807,"position":1},"title":"Piano love, NYC edition","author":"Howard Mandel","date":"February 27, 2010","format":false,"excerpt":"Under-sung, mid-career jazz pianists of innovative distinction in New York City -- the topic of my new column in\u00a0City Arts - New York's Review of Culture -- considerations prompted by\u00a0David Hajdu's NYT magazine feature on Fred Hersch. Who'd I leave out? Here I've looked back at the magnificant piano legacy\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":249,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/09\/todays_the_day_nyc_goes_beyond.html","url_meta":{"origin":807,"position":2},"title":"Today’s the day NYC goes beyond jazz","author":"Howard Mandel","date":"September 17, 2009","format":false,"excerpt":"On September 17,New York kicks off a fall season more highly charged with new creative energies than any in memory.\u00c2\u00a0An\u00c2\u00a0army of mostly young, skilled, ambitious and devoted musicians is making itself heard in the East Village, Soho, Brooklyn, on the Lower West Side and in the clubs -- while benevolence\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":277,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/12\/thats_not_jazz_spaniard_tells.html","url_meta":{"origin":807,"position":3},"title":"That’s not jazz, Spaniard tells saxophonist","author":"Howard Mandel","date":"December 10, 2009","format":false,"excerpt":"Larry Ochs' Sax & Drumming Core may not be\u00a0al gusto\u00a0for everyone, but should Spain's Civil Guard decide whether it plays \"jazz\"? At the Sig\u00c3\u00bcenza Jazz Festival a disgruntled purist demanded his ticket money back claiming he was subjected to \"contemporary music\" rather than jazz fitting his definition; pistol-packing cops backed\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":19,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/the_makers_of_jazz_beyond_jazz.html","url_meta":{"origin":807,"position":4},"title":"The Makers of Jazz Beyond Jazz","author":"Howard Mandel","date":"July 1, 2007","format":false,"excerpt":"Over the course of three decades, I've been privileged to get behind the scenes and meet heroic creators of jazz as well as up-and-comers, innovators and exemplars of many other genres. Please enjoy these archival interviews and articles. William Parker, DownBeat, July 1998 Maria Schneider DownBeat, July 2007 Sonny Rollins\u2026","rel":"","context":"In "interviews"","block_context":{"text":"interviews","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/interviews"},"img":{"alt_text":"audio_icon.gif","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/audio_icon.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2757,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2020\/04\/revered-jazz-elders-deceased-portraits-by-santa-istvan-csaba.html","url_meta":{"origin":807,"position":5},"title":"Revered jazz elders, deceased: portraits by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba","author":"Howard Mandel","date":"April 20, 2020","format":false,"excerpt":"As a generation of jazz elders leaves our world -- some hastened by the pandemic -- their faces as photographed by S\u00c3\u00a1nta Istv\u00c3\u00a1n Csaba become even more luminous, haunting, iconic. Guiseppi Logan, multi-instrumentalist (May 1935 - April 2020) Henry Grimes, bassist (Nov 1935 - April 2020) Pianists Geri Allen (June\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/04\/GiuseppiLogan-NewYork_2012.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=807"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/807\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}