{"id":762,"date":"2012-01-11T16:21:21","date_gmt":"2012-01-11T21:21:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=762"},"modified":"2019-09-12T20:55:34","modified_gmt":"2019-09-13T00:55:34","slug":"who-should-the-next-nea-jazz-masters-be","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/01\/who-should-the-next-nea-jazz-masters-be.html","title":{"rendered":"Who should the next NEA Jazz Masters be?"},"content":{"rendered":"<p>Who should be the next NEA Jazz Masters? With last night&#8217;s triumphant and deeply moving <a href=\"http:\/\/www.jalc.org\/neajazzmasters\/\">webcast<\/a> of the NEA&#8217;s 2012 Jazz Masters <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/2012-jazz-masters.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-764\" title=\"2012 jazz masters\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/2012-jazz-masters.jpeg\" alt=\"\" width=\"259\" height=\"194\" \/><\/a>induction ceremonies came welcome news the annual fellowships for these major American artists will continue &#8212; at least the financial awards of $25,000 per Master. More significant to many jazzers than the $ is the official government validation of the lives and careers of men and women which typically require substantial sacrifice and determination to create lasting, enriching marks. So who should the next honorees be?<\/p>\n<p>Here&#8217;s the criteria for the Jazz Masters fellowships, and process of nomination, directly from the <a href=\"http:\/\/www.nea.gov\/pub\/2011-jazzmasters.pdf\">NEA&#8217;s website<\/a>:<\/p>\n<blockquote><p>The NEA Jazz Masters Fellowship is a lifetime achievement award. The criteria for the fellowships are musical excellence and significance of the nominees\u00e2\u20ac\u2122 contributions to the art of jazz. The Arts Endowment honors a wide range of styles while making the awards. There is also a special award given to a non-musician, the A.B. Spellman NEA Jazz Master Award for Jazz Advocacy, which is awarded to an individual who has made major contributions to the appreciation, knowledge, and advancement of jazz.<\/p>\n<p>Fellowships are awarded to living artists on the basis of nominations from the general public and the jazz community. The recipients must be citizens or permanent residents of the United States. An individual may submit only one nomination each year, and nominations are made by submitting a one-page letter detailing the reasons that the nominated artist should receive an NEA Jazz Masters Fellowship. Nominations submitted to the Arts Endowment by the deadline are reviewed by an advisory panel of jazz experts and at least one knowledgeable layperson. Panel recommendations are forwarded to the National Council on the Arts, which then makes recommendations to the Chairman of the National Endowment for the Arts. Nominations remain active for five years, being reviewed annually during this period.<\/p><\/blockquote>\n<p style=\"text-align: left;\">Lobbying may well help move the jazz experts&#8217; advisory committee &#8212; the <a href=\"http:\/\/www.jazzinchicago.org\/\">Jazz Institute of Chicago<\/a> spearheaded a 10-year effort to get Jazz Master status for tenor saxophonist <a href=\"http:\/\/go54321.tripod.com\/vf\/vonfreeman.html\">Von Freeman<\/a>, who seemed to be at a disadvantage for having performed all but exclusively for decades in Chicago (where he anchored a thriving South Side scene and style, generating dozens of proteges, <a href=\"http:\/\/rudreshm.com\/\">Rudresh Mahanthappa<\/a> and <a href=\"http:\/\/www.m-base.com\/\">Steve Coleman<\/a>\u00c2\u00a0among them). But note that an individual can only make one nomination per year.<\/p>\n<p>Remembering that\u00c2\u00a0<a href=\"http:\/\/www.rivbea.com\/\">Sam Rivers<\/a>\u00c2\u00a0is one instance of an artist who should have received the designation, I&#8217;ve got\u00c2\u00a0my own list of\u00c2\u00a0deserving nominees &#8212; it starts with\u00c2\u00a0<a href=\"http:\/\/eddiepalmierimusic.com\/\">Eddie Palmieri<\/a>\u00c2\u00a0&#8211;\u00c2\u00a0and wonder who&#8217;s on yours.<\/p>\n<div id=\"attachment_767\" style=\"width: 283px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/palmieri-action1.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-767\" class=\"size-full wp-image-767\" title=\"palmieri action\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/palmieri-action1.jpeg\" alt=\"\" width=\"273\" height=\"185\" \/><\/a><p id=\"caption-attachment-767\" class=\"wp-caption-text\">Eddie Palmieri in action &#8211; photo from artists&#8217; management &#8211; credit sought &#8211; no copyright infringement intended<\/p><\/div>\n<p>Let me know in the comments section, and let the NEA know by preparing a one-page letter explaining your nomination, in anticipation of a deadline for nominations being announced.<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Who should be the next NEA Jazz Masters? With last night&#8217;s triumphant and deeply moving webcast of the NEA&#8217;s 2012 Jazz Masters induction ceremonies came welcome news the annual fellowships for these major American artists will continue &#8212; at least the financial awards of $25,000 per Master. More significant to many jazzers than the $ [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":764,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-762","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/2012-jazz-masters.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-ci","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":383,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/02\/nea_responds_awards_for_the_fu.html","url_meta":{"origin":762,"position":0},"title":"NEA ends Jazz, Folk, Opera awards for &#8220;full range of American artists&#8221;","author":"Howard Mandel","date":"February 16, 2011","format":false,"excerpt":"National Endowment for the Arts' FY-12 budget eliminates a 30-year-old Jazz Masters Awards program, and special recognition with National Heritage Fellowships and Opera honors, in favor of Artist of the Year Awards available for the entire spectrum of performing artists (all forms of music and theater as one). Here's the\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":414,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/07\/house-appropriations-committee-to-nea-keep-jazz-masters.html","url_meta":{"origin":762,"position":1},"title":"House Appropriations Committee to NEA: Keep Jazz Masters","author":"Howard Mandel","date":"July 12, 2011","format":false,"excerpt":"The National Endowment for the Arts\u00c2\u00a0has been directed\u00c2\u00a0by the US House Appropriations Committee in its report to Interior\u00c2\u00a0\u00c2\u00a0to continue the American Jazz Masters Fellowships\u00c2\u00a0and dump its\u00c2\u00a0proposed American Artists of the Year honors. The report also supports continuation of the NEA's National Heritage Fellowships program (but not its Opera Honors) and\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"images-1.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2011\/07\/images-1-thumb-100x123-20235.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":403,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/06\/new_nea_jazz_masters_a_classy.html","url_meta":{"origin":762,"position":2},"title":"New NEA Jazz Masters: A classy last class","author":"Howard Mandel","date":"June 24, 2011","format":false,"excerpt":"The National Endowment for the Arts's final designated Jazz Masters are all worthy: drummer Jack DeJohnette,\u00a0saxophonist Von Freeman,\u00a0bassist Charlie Haden, singer Sheila Jordan and trumpeter-educator-organizer-gadfly Jimmy Owens have had long and profoundly influential if not broadly celebrated or financially rewarded creative careers. So much the worse that this 30 year\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":382,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/02\/nea_wants_to_end_jazz_masters.html","url_meta":{"origin":762,"position":3},"title":"NEA wants to end Jazz Masters program","author":"Howard Mandel","date":"February 15, 2011","format":false,"excerpt":"The National Endowment of the Arts' FY-12 Appropriations Request has just been posted, and cuts $21 million to return to its 2008 funding level. Among program \"modifications\": the establishment of \"American Artists of the Year awards,\" which will \"remove specific reference to Jazz, Folk, and Opera\" and give discipline awards\u2026","rel":"","context":"In \"American Artist of the Year Award\"","block_context":{"text":"American Artist of the Year Award","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/american-artist-of-the-year-award"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1191,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/01\/neas-jazz-masters-live-program-gets-farther-still-farther-to-get.html","url_meta":{"origin":762,"position":4},"title":"NEA&#8217;s Jazz Masters Live program gets farther, still farther to get","author":"Howard Mandel","date":"January 20, 2013","format":false,"excerpt":"The National Endowment for the Arts is not in its essence a presenting organization. Its annual productions of ceremonies inducting new Jazz Masters, like the one at Dizzy's Club in Jazz at Lincoln Center on January 14, \u00c2\u00a0are special projects, probably stretching the Endowment's resources of staff, finances, time and\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"images","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/01\/images.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1509,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/01\/nea-2014-jazz-masters-investiture-photo-gallery.html","url_meta":{"origin":762,"position":5},"title":"NEA 2014 Jazz Masters&#8217; investiture photo gallery","author":"Howard Mandel","date":"January 15, 2014","format":false,"excerpt":"I'm reporting on the NEA Jazz Masters events for Down Beat, so reserve most comments 'til publication. But some controversies regarding the ceremonial events may emerge . . .","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/01\/Owens-Barron.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=762"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/762\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/764"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}