{"id":728,"date":"2011-12-28T13:07:51","date_gmt":"2011-12-28T18:07:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=728"},"modified":"2011-12-28T13:13:10","modified_gmt":"2011-12-28T18:13:10","slug":"inside-outside-and-beyond-jazz-heroes-sam-rivers-don-pullen-together","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/12\/inside-outside-and-beyond-jazz-heroes-sam-rivers-don-pullen-together.html","title":{"rendered":"Inside, outside and beyond jazz heroes Sam Rivers &#038; Don Pullen together"},"content":{"rendered":"<p style=\"text-align: left;\">Sam Rivers and Don Pullen performed together &#8212; I had completely forgotten. &#8220;<a href=\"http:\/\/youtu.be\/9C67Clz908w\">Capricorn Rising<\/a>&#8221; is an 11-minute almost entirely duet track from a 1975 <a href=\"http:\/\/www.amazon.com\/Capricorn-Rising\/dp\/B002BLCQ1M\/?tag=howardmacom-20\">album<\/a> of the same name. And in\u00c2\u00a0the ensemble Roots the two were joined by saxophonists Arthur Blythe, Chico Freeman and Nathan Davis, bassist Santi Debriano and drummer Idris Muhammad, recording the album <em><a href=\"http:\/\/www.amazon.com\/Stablemates\/dp\/B005E37GZ0\/?tag=howardmacom-20\">Stablemates<\/a>\u00c2\u00a0<\/em>and captured on video, playing &#8220;Lester Leaps In&#8221; &#8212; perfect example of stretching &#8220;jazz&#8221; while honoring it (name those quotes and allusions!).<\/p>\n<p style=\"text-align: center;\"><object width=\"520\" height=\"382\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/XU_eKFPsdaY?version=3&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by Email or RSS<\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sam Rivers and Don Pullen performed together &#8212; I had completely forgotten. &#8220;Capricorn Rising&#8221; is an 11-minute almost entirely duet track from a 1975 album of the same name. And in\u00c2\u00a0the ensemble Roots the two were joined by saxophonists Arthur Blythe, Chico Freeman and Nathan Davis, bassist Santi Debriano and drummer Idris Muhammad, recording the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-728","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-bK","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":721,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/12\/721.html","url_meta":{"origin":728,"position":0},"title":"Don Pullen, late pianist with an arts exhibit tribute","author":"Howard Mandel","date":"December 27, 2011","format":false,"excerpt":"December 26 is a birthday I share with some great musicians -- John Scofield and the late Quinn Wilson, for two. But yesterday I was thinking of a Christmas baby: pianist Don Pullen, 12\/25\/45- 4\/22\/95. A Don Pullen Arts Exhibit opens today in Roanoke, VA, his home town, produced by\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/12\/pullen.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":714,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/12\/sam-rivers-remembered-recommended.html","url_meta":{"origin":728,"position":1},"title":"Sam Rivers remembered, recommended","author":"Howard Mandel","date":"December 27, 2011","format":false,"excerpt":"Sax and flutist Sam Rivers called me a few months back, out of the blue, from his home near Orlando. \"This is Sam Rivers,\" he announced, Oklahoma-born voice at age 89\u00c2\u00a088 somewhat husky but energized -- like his horn sounds. \"I want to say I've played jazz with everybody from\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/12\/sam-rivers1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":160,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/02\/on_the_way_to_portland_or.html","url_meta":{"origin":728,"position":2},"title":"Portland jazz fest hails Blue Note, cancels Cassandra","author":"Howard Mandel","date":"February 18, 2009","format":false,"excerpt":"The PDX Jazz Festival in Portland, Oregon\u00c2\u00a0last week began to garner good reviews for its programs, many of which celebrate the 70th anniversary of the founding of Blue Note Records. Yet as the first major jazz festival of 2009, it may be the canary in the coalmine regarding effects of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"http:\/\/tbn2.google.com\/images?q=tbn:gARuqyORF9_b4M:http:\/\/bp0.blogger.com\/_5XFteG4AOM0\/Rs44dYQvT-I\/AAAAAAAAAbA\/eWESKfjQTp4\/s320\/BLUE1.JPG","width":350,"height":200},"classes":[]},{"id":777,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/01\/organ-monk-weds-funk-thelonious-soul-and-smarts.html","url_meta":{"origin":728,"position":3},"title":"&#8220;Organ Monk&#8221; weds funk &#038; Thelonious, soul and smarts","author":"Howard Mandel","date":"January 24, 2012","format":false,"excerpt":"Organist Greg Lewis, wearing a monk's robe, plus guitarist Ron Jackson and drummer Damion Reid, tore up with full\u00c2\u00a0respect the knotty compositions of the\u00c2\u00a0late great Thelonious Monk\u00c2\u00a0last night at 55 Bar in Greenwich Village. About a dozen people heard them over a 90 minute period (they played a full set,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Jeremy Clemons, drums; Greg Lewis, organ. Artist provided photo, credit sought, no copyright infringement intended","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/greg-lewis.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1140,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/12\/my-suggestion-for-2014-nea-jazz-master-reggie-workman.html","url_meta":{"origin":728,"position":4},"title":"My suggestion for 2014 NEA Jazz Master: Reggie Workman","author":"Howard Mandel","date":"December 17, 2012","format":false,"excerpt":"Things may be somewhat up-for-grabs at the National Endowment for the Arts, with chair Rocco Landesman \u00c2\u00a0stepping down at year end (NEA Senior Deputy Chairman Joan Shigekawa will serve as the agency's acting head), but assuming the show will go on\u00c2\u00a0I urge\u00c2\u00a0Reggie Workman (b. 1937, Philadelphia) receive a 2014 NEA\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"bassist Reggie Workman","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/12\/reggie-workman1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1655,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/06\/nea-2015-jazz-masters-who-stretched-jazz.html","url_meta":{"origin":728,"position":5},"title":"NEA 2015 Jazz Masters &#8211; who stretched &#8220;jazz&#8221;","author":"Howard Mandel","date":"June 26, 2014","format":false,"excerpt":"The National Endowment for the Arts\u00c2\u00a0Jazz Masters of 2015, announced today, are musicians Carla Bley, George Coleman and Charles Lloyd -- all personal favorites who provoked my earliest interests in jazz going beyond \"jazz.\" So here are listening recommendations -- and\u00c2\u00a0my special shout out\u00c2\u00a0to\u00c2\u00a0Jazz Master Joe Segal of Chicago's\u00c2\u00a0Jazz Showcase\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"escalator","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/06\/escalator.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=728"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/728\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}