The commercial record industry may be in free-fall, but fresh cds continue to arrive in hopes of review, in undaunted quantity. From the year’s first month, these get my attention.<\/p>\n
The commercial record industry may be in free-fall, but fresh cds continue to arrive in hopes of review, in undaunted quantity. From the year’s first month, these get my attention.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-69","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-17","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":664,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/12\/favorite-recordings-2011-many-more-than-10.html","url_meta":{"origin":69,"position":0},"title":"Favorite recordings, 2011 — many more than 10","author":"Howard Mandel","date":"December 12, 2011","format":false,"excerpt":"Lists of top projects of the year are expected from arts journalism - my apologies for being so late this year, but I needed to re-visit many of the the 1200 cds and dvds I received as promotional samples from Thanksgiving 2010 - TG 2011. \u00c2\u00a0Here are some favorites --\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/12\/sonny-rollins-vol-2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":274,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/best_beyond_jazz_recordings_of.html","url_meta":{"origin":69,"position":1},"title":"Best beyond “jazz” CDs of 2009","author":"Howard Mandel","date":"November 27, 2009","format":false,"excerpt":"My 10 top CDs of 2009 blow past conventions to enrich jazz, blues, new and unusual music. They're chosen from almost 1000 I received for review -- an abundance of fine releases since November 2008, the full year following Barack Obama's election to president.Maybe it's coincidence that fresh thinking, spirited\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":164,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/blunt_notes_from_casual_cd_lis.html","url_meta":{"origin":69,"position":2},"title":"Blunt notes from casual CD listening — reactions, not reviews","author":"Howard Mandel","date":"March 1, 2009","format":false,"excerpt":"On Saturday, while making chopped liver for a dinner party and emptying a bookcase in need of repair, I listened to and commented on Facebook about 14 cds from the stacks of dozens of albums that have arrived since the first of the year seeking my review. I chose what\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":66,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/12\/oscar_peterson_consolidator_co.html","url_meta":{"origin":69,"position":3},"title":"Oscar Peterson: Consolidator, conservator","author":"Howard Mandel","date":"December 27, 2007","format":false,"excerpt":"All due respect to the formidable pianist, dead at age 82 -- Oscar Peterson's jazz has never been my personal cup of tea. A consolidator and conservator rather than a explorer and originator, the man mastered jazz conventions established by the generation before him, and found joy in spinning endless\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":218,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/07\/first_impressions_of_new_relea.html","url_meta":{"origin":69,"position":4},"title":"Fast impressions, new jazz ‘n’ out cds","author":"Howard Mandel","date":"July 19, 2009","format":false,"excerpt":"I'm determined to try to survey unusual and promising new jazz-and-beyond cds with regularity -- here are responses (not in-depth reviews) to only half-a-dozen grabbed off my teetering in-pile almost at random, plus related diversions. The scale:\u00a05 stars \"You gotta hear this\"; 4 - \"very interesting, if interested in this\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Product Details","src":"https:\/\/i0.wp.com\/ecx.images-amazon.com\/images\/I\/51gQi2SuQ6L._SL160_AA160_.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":106,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/07\/bbc_loves_return_to_forever.html","url_meta":{"origin":69,"position":5},"title":"BBC honors Return to Forever and UK homies","author":"Howard Mandel","date":"July 23, 2008","format":false,"excerpt":"An international wrinkle on jazz awards: The British Broadcasting Company on Monday night announced 11 winners of the BBC Jazz Awards, Reunited fusion quartet Return to Forever won for \"lifetime achievement,\" bassist Charlie Haden received the \"international award,\" Sir John Dankworth and Dame Cleo Laine were given the \"gold award.\"\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/69\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=69"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=69"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nAnd the Grammy for Album of the Year goes for the first time I can ever remember to an album I actually listen to for pleasure and recommend: Herbie Hancock’s River: The Joni Letters<\/i><\/a>. OK!! But what’s new?
\nIn the first 30 days of 2008, 100 cds arrived in the mail or via personal-handoff for professional consideration. Hard at already assigned work and personal appearances presenting my book and performance video clips of Miles Ornette Cecil<\/i>, I’ve not thoroughly digested any of them — and aren’t het officially released. But quick sampling and piqued interest moves these to the top of my Listen!<\/i> pile:
\nLionel Loueke, Karibu<\/i> — the West African mostly-acoustic guitarist and understated vocalist has been mentored by Herbie Hancock and Wayne Shorter, both guests on his Blue Note debut; charming, softspoken, gently yet insistently rhythmic, easy to like music.
\nMaceo Parker, Roots & Grooves<\/i><\/a> — Avatar of the squealing and squiggling r&b alto sax (shout out to Louis Jordan!), Parker pays tribute to his onetime employer Ray Charles with eight covers (but he really needn’t sing so much) and goes “back to funk” in a expertly recorded tight live show that ought to and does make you move.
\nGonzalo Rubalcaba, Avatar<\/i><\/a> — Romantic pianist-composer of distinguished Cuban lineage, moving and brilliantly virtuosic, trying to balance complexity and musicality, with a new quintet and repertoire at initial hearing showy, simmering, moody, tender, playful (a dedication to John McLaughlin?).
\nElliott Sharp’s Terraplane, Forgery<\/i><\/a> — Sharpest electric blues\/slide ‘n’ out guitarist of the East Village, E# plays gritty and witty with poet Tracie Morris on “How The Crescent City Got Bleached,” belter Eric Mingus on other tracks, horns and slyly off-beat touches (“War Between The States,” “Haditha”). Forgery<\/i> will do ’til the real thing comes along, and is perfect for Capt. Beefheart fans.
\nCuong Vu, Vu-Tet<\/i><\/a> — Most subversive of current trumpeters, fast and powerful but unconventionally slipping genre-limits, Cuong Vu uses repetition, electronics, slurred and half-valve effects in close collaboration of tenor saxist Chris Speed, drummer Ted Poor, electric bassist Stomu Takeishi; some tunes turn somersaults, others float like clouds.
\nTopographies of the Dark<\/i><\/a>, Sound Improvisations by Ghanaian instrument inventor Nii Noi Norty and percussionist Nii Otoo Annan with Steven Feld, Alex Coke, Jefferson Voorhees — Music only native to itself, by West Africans collaborate with Creative Opportunity Orchestra (Austin) reedsman Coke on flute, bass flute, soprano sax, Vorhees playing traps and Feld, MacArthur Fellow ethnomusicologist of fascinating projects (forest walks and family guitar bands of New Guinea, bells of Western Europe and the Balkans) on a rhythm box. Haunting, ruminative, graceful even when bombastic or timbrally unusual.
\nRobert Irving III, New Momentum<\/i><\/a> — Miles Davis’ main man in the early ’80s , this Chicago-born keyboardist’s first album under his own name since 1989, mostly on acoustic grand piano, lyricism reflecting influences of Herbie Hancock and maybe Ahmad Jamal.
\nPaul Hanson, Frolic in the Land of Plenty<\/i><\/a> — Pyrotechnic bassoon improvisation, daring the jazz-rock continuum like a double-reed Mahavishnu, yes with those sorts of powerhouse post-bop\/fusion ensembles and a high sheen surface (Dennis Chambers drumming on some tracks).
\nJason Kao Hwang\/Edge, Stories Before Within<\/i><\/a> — Composition and improv variations by under-acclaimed New York violin and violaist Hwang, who draws on his experience and individualism to cast microtonal studies, with splendid cornetist Taylor Ho Bynum, thick-toned bassist Ken Filiano and Andrew Drury, drums.
\nAuktyon with veteran Marc Ribot, John Medeski, Ned Rothenberg, Frank London and bassist Vladimir Volkov heading up a cast of Russians, Girls Sing<\/i><\/a> — quirky, post-punk freak-folk freely ignoring borders.
\nAlso tempting from their covers\/personnel: electric trumpeter Bill Dixon with Exploding Star Orchestra<\/i> (led by Rob Mazurek); alto saxist Loren Stillman, Blind Date<\/i> with ultra-supportive pianist Gary Versace, bassist Drew Gress and drummer Joey Baron; Orlando “Puntilla” Rios, A Tribute to Gonzalo Asencio, “Tio Tom”<\/i> (Afro-Cuban rumba, all singing and percussion); trumpeter Steven Bernstein’s third volume of reconsidered Jewish music, Diaspora Suite<\/i>; Umalali The Garifuna Women’s Project<\/i> from Caribbean\/Central America; tenor saxophonist Kyle Brenders’ solo Flows and Intensities<\/i>, the Chicago quartet of pianist Jim Baker, drummer Steve Hunt, bassist\/guitarist Brian Sandstrom, saxophonist Mars Williams, Extraodrinary Popular Delusions<\/i>. And much more . . .
\nhowardmandel.com<\/a>
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