{"id":599,"date":"2011-11-09T17:16:19","date_gmt":"2011-11-09T22:16:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=599"},"modified":"2019-09-12T21:58:39","modified_gmt":"2019-09-13T01:58:39","slug":"marian-mcpartland-choses-piano-jazz-successor-jon-weber","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/11\/marian-mcpartland-choses-piano-jazz-successor-jon-weber.html","title":{"rendered":"Marian McPartland choses &#8220;Piano Jazz&#8221; successor: Jon Weber"},"content":{"rendered":"<p>Pianist and NPR &#8220;<a href=\"http:\/\/www.npr.org\/programs\/piano-jazz\/\">Piano Jazz<\/a>&#8221; host Marian McPartland, age 93, has found a worthy &nbsp;<a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/marian-aged2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-603\" title=\"marian aged\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/marian-aged2-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\"><\/a><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/marian-aged1.jpg\"><br \/>\n<\/a>successor to her post interviewing and duetting with musicians &#8212; &nbsp;<a href=\"http:\/\/www.jonwebermusic.com\/\">Jon Weber<\/a>, <a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/jon-weber.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-600\" title=\"jon weber\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/jon-weber.jpeg\" alt=\"\" width=\"225\" height=\"225\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/jon-weber.jpeg 225w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/jon-weber-150x150.jpg 150w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/jon-weber-70x70.jpg 70w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/jon-weber-110x110.jpg 110w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a>an extraordinarily fluent keyboard artist with encyclopedia depth on many of the earliest styles of American improvised music. Though rather<a href=\"http:\/\/www.amazon.com\/Simple-Complex\/dp\/B000S54HYC\/?tag=howardmacom-20\"> under-recorded<\/a>, Jon excels at the most intricate (and frequently obscure) compositions of the great stride piano masters (James P. Johnson at their head) as well as writing and arranging his own works, which fall into the modern-mainstream category: tuneful, rhythmically varied, harmonically sophisticated. (Thanks to the Chicago Tribune&#8217;s Howard Reich for this<a href=\"http:\/\/www.chicagotribune.com\/entertainment\/music\/ct-ent-1109-jazz-npr-20111109,0,3435424.column\"> news<\/a>).<\/p>\n<p>Jon has served as a host of one of the rooms of the annual Jazz Foundation of America loft benefit parties; I&#8217;ve seen\/heard him wield the ready wit and engaging stage presence to pull off being almost-live on-air with guest musicians from across genres.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/marian-aged.jpg\"><br \/>\n<\/a>Ms. McPartland, captured in an amatuer <a href=\"http:\/\/youtu.be\/Sl0KAUyXr48\">video<\/a> playing &#8220;I&#8221;m Old Fashioned&#8221; at Dizzy&#8217;s Club Coca-Colo (in Jazz at Lincoln Center) in 2010,&nbsp;initiated &#8220;Piano Jazz&#8221; in 1979, and it&#8217;s easier t0 name&nbsp;the musicians she&nbsp;<em>hasn&#8217;t <\/em>engaged<br \/>\n<object width=\"420\" height=\"315\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\"><param name=\"allowscriptaccess\" value=\"always\"><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/Sl0KAUyXr48?version=3&amp;hl=en_US&amp;rel=0\"><param name=\"allowfullscreen\" value=\"true\"><\/object><br \/>\nin musical dialog than those she has. A sophisticated and gracious woman &#8212; when I first met her in 1977 when reviewing her stand at Rick&#8217;s Caf\u00c3\u00a9 American in Chicago, she looked me up and down and said, flatteringly, &#8220;I was expecting a much older man&#8221; &#8212; she will be missed but not forgotten; dozens of the &#8220;Piano Jazz&#8221; shows are archived and she will long be listened to, mixing it up with Bill Evans, Mary Lou Williams, Eubie Blake, Elvis Costello with Allen Toussaint, among many others.<\/p>\n<p>A hard act to follow, but welcome Jon! Come forth swinging.<br \/>\n<a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email <\/a> |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\" rel=\"noopener noreferrer\">Follow on Twitter <\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a> |<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pianist and NPR &#8220;Piano Jazz&#8221; host Marian McPartland, age 93, has found a worthy &nbsp; successor to her post interviewing and duetting with musicians &#8212; &nbsp;Jon Weber, an extraordinarily fluent keyboard artist with encyclopedia depth on many of the earliest styles of American improvised music. Though rather under-recorded, Jon excels at the most intricate (and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,1],"tags":[],"class_list":{"0":"post-599","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"category-uncategorized","9":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/jon-weber.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-9F","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1039,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/09\/what-does-it-take-to-write-a-jazz-biography.html","url_meta":{"origin":599,"position":0},"title":"What does it take to write a jazz biography?","author":"Howard Mandel","date":"September 17, 2012","format":false,"excerpt":"\"Writing Jazz Biographies\" is the third free, interactive webinar, scheduled for Wednesday, Sept. 19 at 8 pm. edt, presented by the Jazz Journalists Association. Paul de Barros (Shall We Play That One Together? The Life and Art of Piano Legend Marian McPartland), Robin D.G. 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Jazz responds with a can't-be-bothered shrug.\u00c2\u00a0Too hip to be rattled by ignorant, idle, defensive -- and of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2376,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/12\/celebrating-chicago-pianist-willie-pickens-1931-2017.html","url_meta":{"origin":599,"position":2},"title":"Celebrating Chicago pianist Willie Pickens (1931-2017)","author":"Howard Mandel","date":"December 13, 2017","format":false,"excerpt":"Pianist Willie Pickens, 86, a powerful, lyrical and generous modernist who performed, taught and mentored young musicians from Chicago starting in 1959, died of a heart attack on Dec. 12 while at Jazz at Lincoln Center in New York City, readying himself to play at Dizzy's Club Coca-Cola with 29-year-old\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2017\/12\/MPK5950-ec-245x300.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":116,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/jazz_fests_of_august.html","url_meta":{"origin":599,"position":3},"title":"Jazz fests of August","author":"Howard Mandel","date":"August 23, 2008","format":false,"excerpt":"Free jazz fests across the U.S. mark summer's glorious end. Manhattan's Charlie Parker festival (held Saturday Aug. 23 and Sunday 24 in Marcus Garvey park uptown and Tompkins Square Park downtown), the Chicago Jazz Festival (which formally starts Thursday Aug 28 with Sonny Rollins at downtown Grant Park's Petrillo bandshell)\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2387,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/01\/international-jazz-rips-2017.html","url_meta":{"origin":599,"position":4},"title":"International Jazz RIPs, 2017","author":"Howard Mandel","date":"January 8, 2018","format":false,"excerpt":"Photographer-writer-author\u00c2\u00a0Ken Franckling has painstakingly compiled a compendium of more than 400 jazz artists and associates from around the world who died in 2017,\u00c2\u00a0with links to obituaries of most of them. Posted at JJANews.org. It's a striking document and useful resource, though Franckling says, sadly, \"The list seems to get depressingly\u2026","rel":"","context":"In \"Geri Allen\"","block_context":{"text":"Geri Allen","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/geri-allen"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/01\/MuhalRichardAbrams2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":122,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/09\/who_decides_whos_a_jazz_master.html","url_meta":{"origin":599,"position":5},"title":"Who decides who&#8217;s an NEA Jazz Master","author":"Howard Mandel","date":"September 5, 2008","format":false,"excerpt":"The National Endowment of the Arts panel determining recipients of the annual Jazz Masters Fellowships is a small one. In the interest of transparency, the NEA has supplied the names of panelists who chose the class of '09. It comprises five previously named Fellows, one \"layperson,\" one independent record producer,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=599"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/599\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/600"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}