{"id":594,"date":"2011-11-07T20:39:39","date_gmt":"2011-11-08T01:39:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=594"},"modified":"2019-09-12T22:00:17","modified_gmt":"2019-09-13T02:00:17","slug":"bennie-maupin-talks-to-me","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/11\/bennie-maupin-talks-to-me.html","title":{"rendered":"Bennie Maupin talks to me"},"content":{"rendered":"<div id=\"attachment_597\" style=\"width: 154px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/maupin-wise1.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-597\" class=\"wp-image-597 size-full\" title=\"maupin wise\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/maupin-wise1.jpeg\" alt=\"\" width=\"144\" height=\"216\" \/><\/a><p id=\"caption-attachment-597\" class=\"wp-caption-text\">Bennie Maupin, artist provided photo. Credit south. No copyright infringement intended.<\/p><\/div>\n<p>Reedist <a href=\"http:\/\/www.benniemaupin.com\/\">Bennie Maupin<\/a>, whom I <a href=\"http:\/\/www.jazzstageproductions.com\/djs\/wp-content\/media\/bennie_maupin_meet_the_artist.mp3\">interviewed in the Jazz Talk Tent<\/a> at the\u00c2\u00a0<a href=\"http:\/\/detroitjazzfest.com\/\">Detroit Jazz Festival<\/a> in 2006, says &#8220;One thing about Detroit, you learn how to make money.&#8221; Another thing he recalls from his youth: &#8220;There&#8217;s a lot of noise here because of the factories, and early on I listened to things that were basically noise. Now I incorporate those elements into my music in certain ways.&#8221;<\/p>\n<p>Maupin has made <a href=\"http:\/\/www.amazon.com\/Early-Reflections\/dp\/B0016O771O\/?tag=howardmacom-20\">beautiful recordings<\/a> under his own name recently, but is probably still best known for playing bass clarinet throughout Miles Davis&#8217; <em><a href=\"http:\/\/www.amazon.com\/Bitches-Brew\/dp\/B00136NUAC\/?tag=howardmacom-20\">Bitches Brew<\/a><\/em> as if trawling the bottom of a murky sea. He opened up to me about his youth, including a job as a lab specimen handler, newspaper boy and ash-seller &#8212; and much else, over 45 minutes you can now hear online, thanks to Jim Gallert of JazzStage Productions.<\/p>\n<p>Gallert and his historian partner Lars Bjorn run a fine website on the continuum of\u00c2\u00a0<a href=\"http:\/\/detroitmusichistory.com\/\">Detroit music<\/a> with Charles L. Latimer and H. Fred Reif. I hope whoever takes over the Detroit Jazz Fest from highly acclaimed but recently disassociated artistic and executive director\u00c2\u00a0<a href=\"http:\/\/www.freep.com\/article\/20111101\/ENT04\/111010316\/Jazz-Fest-promises-no-change-artistic-direction-despite-director-s-departure\">Terri Pontremoli <\/a>will keep the onstage interviews going. Like so much else Ms. Pontremoli did for the Detroit fest in the past decade, the Jazz Talk Tent was an innovation that worked to bring musicians and audiences together.<\/p>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><\/p>\n<p><a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email <\/a> |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\" rel=\"noopener noreferrer\">Follow on Twitter <\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a> |<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reedist Bennie Maupin, whom I interviewed in the Jazz Talk Tent at the\u00c2\u00a0Detroit Jazz Festival in 2006, says &#8220;One thing about Detroit, you learn how to make money.&#8221; Another thing he recalls from his youth: &#8220;There&#8217;s a lot of noise here because of the factories, and early on I listened to things that were basically [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":597,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-594","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/11\/maupin-wise1.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-9A","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/the_makers_of_jazz_beyond_jazz.html","url_meta":{"origin":594,"position":0},"title":"The Makers of Jazz Beyond Jazz","author":"Howard Mandel","date":"July 1, 2007","format":false,"excerpt":"Over the course of three decades, I've been privileged to get behind the scenes and meet heroic creators of jazz as well as up-and-comers, innovators and exemplars of many other genres. Please enjoy these archival interviews and articles. William Parker, DownBeat, July 1998 Maria Schneider DownBeat, July 2007 Sonny Rollins\u2026","rel":"","context":"In &quot;interviews&quot;","block_context":{"text":"interviews","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/interviews"},"img":{"alt_text":"audio_icon.gif","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/audio_icon.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":334,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/audience_size_for_jazz_festiva.html","url_meta":{"origin":594,"position":1},"title":"Jazz festival weekend: Is anybody counting?","author":"Howard Mandel","date":"September 3, 2010","format":false,"excerpt":"Can we guestimate how many listeners will be out hearing jazz this Labor Day weekend, at festivals free and\/or famous around the U.S.?\u00a0Chicago, Detroit, Tanglewood, Aspen, Vail, Los Angeles, Washington DC (well, Herndon VA), Philadelphia,\u00a0San Jose, Macinac Island (Michigan) Indianapolis, St. Louis, Wilmington and Bethany Beach (Delaware), San Diego, Tucson,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":116,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/08\/jazz_fests_of_august.html","url_meta":{"origin":594,"position":2},"title":"Jazz fests of August","author":"Howard Mandel","date":"August 23, 2008","format":false,"excerpt":"Free jazz fests across the U.S. mark summer's glorious end. Manhattan's Charlie Parker festival (held Saturday Aug. 23 and Sunday 24 in Marcus Garvey park uptown and Tompkins Square Park downtown), the Chicago Jazz Festival (which formally starts Thursday Aug 28 with Sonny Rollins at downtown Grant Park's Petrillo bandshell)\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":247,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/09\/jazzlives_12-day_count_of_twee.html","url_meta":{"origin":594,"position":3},"title":"#jazzlives weekend update: 12-day count of tweeting fans","author":"Howard Mandel","date":"September 7, 2009","format":false,"excerpt":"Buzz about who played live jazz where marked with the hashtage #jazzlives flew throughout cyberspace this weekend\u00a0 -- catch it all here. The impromptu campaign produced anecdotal evidence that a young and vigorous audience for America's modern vernacular creative music does indeed exist, spreading enthusiastic word via the social network\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2459,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/08\/labor-day-jazz-fests-starting-with-chicagos.html","url_meta":{"origin":594,"position":4},"title":"Labor Day jazz fests, starting with Chicago&#8217;s","author":"Howard Mandel","date":"August 30, 2018","format":false,"excerpt":"The\u00c2\u00a040th annual Chicago Jazz Festival, four days free to all of unfettered, usually joyous music held in beautiful downtown Millennium Park,\u00c2\u00a0 started last night with stars of of the local scene celebrating\u00c2\u00a0\u00c2\u00a0\"Legends and Lions\".\u00c2\u00a0Add \"Ancient to the Future\"\u00c2\u00a0to set the tone for a weekend of exciting, civically-supported music here --\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/09\/chi-listens-300x216.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3097,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2024\/04\/its-jazz-appreciation-month-hail-jazz-heroes.html","url_meta":{"origin":594,"position":5},"title":"It&#8217;s Jazz Appreciation Month: Hail Jazz Heroes!","author":"Howard Mandel","date":"April 16, 2024","format":false,"excerpt":"Since 2001, the Jazz Journalists Association (over which I preside) has celebrated some 350 \u201cactivists, advocates, altruists, aiders and abettors of jazz,\u201d as Jazz Heroes. The class of 2024 Jazz Heroes has just been announced, recognizing the good works of 33 people whose efforts extend from the Baja-San Diego borderland\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=594"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/594\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/597"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}