{"id":580,"date":"2011-10-26T17:26:01","date_gmt":"2011-10-26T21:26:01","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=580"},"modified":"2011-10-26T17:26:01","modified_gmt":"2011-10-26T21:26:01","slug":"surprise-birth-and-re-birth-of-jazz-journalism-outlets","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/10\/surprise-birth-and-re-birth-of-jazz-journalism-outlets.html","title":{"rendered":"Surprise: Birth and re-birth of jazz journalism outlets"},"content":{"rendered":"

Double-barrelled rare upbeat jazz news<\/a>: The husband-wife team behind publicists Improvised Communications<\/a> (plus a couple helpers) launch JazzDIY.com<\/a>, an online “trade journal for jazz<\/a>”
\n

\"\"<\/a>

Jennifer Peabody, Associate Publisher, and Scott Menhinick, Editor\/Publisher of JazzDIY.com<\/p><\/div><\/p>\n

And a composer-improviser from Oregon<\/a> saves<\/a>

\"\"<\/a>

David Haney, composer, improviser, publisher Cadence magazine as of Jan 1 2012<\/p><\/div><\/p>\n

Cadence magazine<\/a>, founded in 1976, from demise.<\/p>\n

Scott Menhinick and his wife Jennifer Peabody are doin’ it themselves and hoping to share information on jazz business with others, while pianist-composer-publisher David Haney is turning his talents to taking longtime low-tech Cadence online, with multi-media content. Best news yet to jazz journalists: the editors say they’ll pay.<\/p>\n

howardmandel.com<\/a>
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Double-barrelled rare upbeat jazz news: The husband-wife team behind publicists Improvised Communications (plus a couple helpers) launch JazzDIY.com, an online “trade journal for jazz” And a composer-improviser from Oregon saves Cadence magazine, founded in 1976, from demise. Scott Menhinick and his wife Jennifer Peabody are doin’ it themselves and hoping to share information on jazz […]<\/p>\n","protected":false},"author":2,"featured_media":581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-580","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/10\/Jennifer-peabody-Scott-Menhinick.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-9m","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":311,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/04\/central_brooklyn_grassroots_ja.html","url_meta":{"origin":580,"position":0},"title":"Central Brooklyn Jazz Festival goes to roots, future, justice","author":"Howard Mandel","date":"April 9, 2010","format":false,"excerpt":"My column in City Arts\u00a0highlights the 40-event Central Brooklyn Jazz Festival, taking place throughout April \"from Flatbush up Fulton Avenue through the neighborhoods of Fort Greene, Clinton Hill, Bedford-Stuyvesant and Ocean Hill to Bushwick . . . the area that gave birth to Max Roach and Randy Weston some 80\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":33,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/10\/nea_jazz_masters_whos_tom_mcin.html","url_meta":{"origin":580,"position":1},"title":"NEA Jazz Masters — Who’s Tom McIntosh?","author":"Howard Mandel","date":"October 8, 2007","format":false,"excerpt":"At the National Endowment for the Arts party last week announcing the 2008 of Jazz Masters at least one celebrant was hoping the award would kick-start a professional cycle. \"You know,\" said the 80-year-old trombonist\/composer, paraphrasing the sequence of recognition he said Fernando Lamas had once applied to his career\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":200,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/losing_a_jazz_mag.html","url_meta":{"origin":580,"position":2},"title":"Losing a jazz mag?","author":"Howard Mandel","date":"June 3, 2009","format":false,"excerpt":"Rumors abound that JazzTimes magazine\u00c2\u00a0is folding -- it's laid off employees, notified writers of waits for May payments, not shipped its June issue to the printers and failed to sell itself to a new publisher. A senior contributor says he was told not to write his next column until asked\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":308,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/04\/mike_zwerin_jazz_journalist_mu.html","url_meta":{"origin":580,"position":3},"title":"Mike Zwerin, jazz journalist, musician, bon vivant dies at 79","author":"Howard Mandel","date":"April 2, 2010","format":false,"excerpt":"A trombonist in Miles Davis' Birth of the Cool band,\u00c2\u00a0memoirist whose\u00c2\u00a0The Parisian Jazz Chronicles\u00c2\u00a0set a standard for wit and candor in self-examination, and\u00c2\u00a0writer for the International Herald Tribune and Bloomberg News, Mike Zwerin died\u00c2\u00a0April 2 in Paris, where he'd lived since 1969. Recipient in 2009 of the Jazz Journalists Association's\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":739,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/01\/josef-skvorecky-novelist-of-jazz-freedom-creativity-rip.html","url_meta":{"origin":580,"position":4},"title":"Josef Skvorecky, novelist of jazz = freedom & creativity, RIP","author":"Howard Mandel","date":"January 4, 2012","format":false,"excerpt":"Josef Skvorecky's The Bass Saxophone is one of a handful of fine novels identifying the extraordinary powers of jazz as an art form, a process, a heritage -- which makes it more than something to listen or dance to. Several obits for the Czech writer (d. Jan 3, age 87)\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/bass-saxophone.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":219,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/07\/jazz_mag_revived.html","url_meta":{"origin":580,"position":5},"title":"Jazz mag revived?","author":"Howard Mandel","date":"July 13, 2009","format":false,"excerpt":"Jazz Times, the monthly which suspended publication in May, has been bought by Madavor Media and will print an August issue produced by its familiar staff and contributors, according to today's New York Times. Boston-based Madavor counts International Figure Skating, Volleyball and The Best of Northeast Golf among its \"core\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=580"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/580\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/581"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}