{"id":560,"date":"2011-10-17T22:12:08","date_gmt":"2011-10-18T02:12:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=560"},"modified":"2011-10-18T10:47:54","modified_gmt":"2011-10-18T14:47:54","slug":"jim-oneal-living-blues-founder-ill-and-uninsured","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/10\/jim-oneal-living-blues-founder-ill-and-uninsured.html","title":{"rendered":"Jim O’Neal, Living Blues founder, ill and uninsured"},"content":{"rendered":"

Jim O’Neal, founder in 1970 of Living Blues magazine<\/a> and a serious independent researcher into American roots music, \"\"<\/a>is among the 59 million Americans<\/a> without health insurance, and has lymph cancer. A series of benefit concerts are scheduled to raise funds for his treatments and a fund has been set up at Commerce Bank in Kansas City to accept direct donations: checks to: Jim O’Neal Blues Fund, P.O. Box 10334, Kansas City, MO 64171 or donations via Paypal<\/a> to the account onealbluesfund@aol.com.<\/p>\n

I met O’Neal and LB’s co-founder, his now ex-wife Amy Van Singel, while “interning” at Chicago’s Jazz Record Mart in the late ’60s. They established Living Blues as a decidedly non-commercial venture — not that they were trying to go broke or live poor, but it was ok 40 years ago to follow your passion, especially if it was of cultural significance, with the belief that eventually some small amount of security might follow. However, it hasn’t necessarily panned out that way. <\/p>\n

University of Mississippi acquired the magazine in 1983, and today it remains an important chronicle of the bedrock music that has helped get people through their troubles for more than 100 years, feeding much of the rock and pop that’s accrued millions of fans and billions of dollars. Yet blues people and the music remain marginalized, and many of them act like that’s to be expected. Which is ridiculous — what great nation treats its artists, researchers and curators so callously?<\/p>\n

O’Neal contributed to the Billboard Illustrated History of Jazz and Blues<\/a>, published in 2005; I was general editor (it has since been republished with different credits, but the book’s the same). Jim’s writing is lucid, understated and exacting. He’s participated in various blues symposiums, and can be seen in Robert Mugge’s excellent documentary Hellhounds On My Trail – The Afterlife of Robert Johnson<\/a>, filmed at the Rock ‘n’ Roll Hall of Fame when Delta blues legend Johnson was inducted as an “Early Influence” in 1986.<\/p>\n

Here’s the schedule of benefit concerts. The music is sure to be good and heartfelt. Further info from Stackhouse-Bluesoterica<\/a>, Jim O’Neal’s blog. I have no idea what Jim’s prognosis is, but I hope he gets well.<\/p>\n

OCT. 20<\/strong> SURF CLUB, HYATTSVILLE, MD With Memphis Gold and others
\nOCT. 28<\/strong> KNUCKLEHEADS, KANSAS CITY, KANSAS Kenny Neal, Memphis Gold and
\nothers
\nNOV 19 (date is tentative)<\/strong> BUDDY GUY’S LEGENDS, CHICAGO, ILLINOIS Kenny
\nNeal, Memphis Gold, Eddie Clearwater, Eddie Shaw, Billy Branch, Elmore James Jr., Nora Jean Bruso and others. <\/p>\n

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Jim O’Neal, founder in 1970 of Living Blues magazine and a serious independent researcher into American roots music, is among the 59 million Americans without health insurance, and has lymph cancer. A series of benefit concerts are scheduled to raise funds for his treatments and a fund has been set up at Commerce Bank in […]<\/p>\n","protected":false},"author":2,"featured_media":561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-560","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/10\/jim-oneal.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-92","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2268,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2017\/07\/the-jazz-blues-art-box-instant-collection-rare-data-trove.html","url_meta":{"origin":560,"position":0},"title":"The Jazz & Blues Art Box — instant collection, rare data trove","author":"Howard Mandel","date":"July 28, 2017","format":false,"excerpt":"Two hundred and thirty dvds of concerts and 96 interviews from the International Jazzfestival Bern (Switzerland), 1983 to 2002, 20 yearbooks plus a 344-page large format graphics-rich volume, in a cabinet\u00c2\u00a0on wheels standing almost 4 feet tall, 3 feet wide, 15 inches deep. 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