{"id":417,"date":"2011-07-14T13:06:23","date_gmt":"2011-07-14T17:06:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=417"},"modified":"2011-07-14T18:39:54","modified_gmt":"2011-07-14T22:39:54","slug":"417","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/07\/417.html","title":{"rendered":"Beyond music in the waters off the City"},"content":{"rendered":"

Take a night-time jazz cruise with saxophonist Avram Fefer<\/a>, guitarist Joe Cohn<\/a> and rhythm in New York Harbor on Wednesday nights for respite from NYC – I detail it and other unusual musical staycations for July in my new City Arts New York<\/a> column. If you’ve got 10 minutes, check out my dark video of Avram and Joe’s quartet and the Statue of Liberty.<\/p>\n

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howardmandel.com<\/a><\/p>\n

This weekend it’s into (across) the Harbor again, for an electronic music lecture\/dem<\/a>, car-less biking and ocean breezes on Governor’s Island. Or listening to a favorite Lovin’ Spoonful song <\/a>(avec musique concrete).<\/p>\n

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eyeJAZZ report embedded<\/p><\/div>\n

howardmandel.com<\/a><\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Take a night-time jazz cruise with saxophonist Avram Fefer, guitarist Joe Cohn and rhythm in New York Harbor on Wednesday nights for respite from NYC – I detail it and other unusual musical staycations for July in my new City Arts New York column. If you’ve got 10 minutes, check out my dark video of […]<\/p>\n","protected":false},"author":2,"featured_media":420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-417","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/07\/city-lights.jpg","jetpack_shortlink":"https:\/\/wp.me\/s1i3CL-417","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":273,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/far_downtown_weekend_adventure.html","url_meta":{"origin":417,"position":0},"title":"Far downtown weekend adventures","author":"Howard Mandel","date":"November 20, 2009","format":false,"excerpt":"Far out improv, high concept contemporary composition, new jazz scholarship and \"cut loose\" music from Guadeloupe flood Lowest Manhattan (all the way to Staten Island) this weekend.\u00c2\u00a0The folks who bring us the Vision Festival stage\u00c2\u00a028 hours of multidisciplinary improvisation\u00c2\u00a0starting tonight (Friday) at 6 p.m. at Clemente Soso Velez Cultural Center;\u00c2\u00a0Mode\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":183,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/04\/manhattan_jazz_residencies_my.html","url_meta":{"origin":417,"position":1},"title":"Manhattan jazz residencies (my new City Arts column)","author":"Howard Mandel","date":"April 16, 2009","format":false,"excerpt":"The Vanguard Jazz Orchestra\u00c2\u00a0at the Village Vanguard on Monday night since 1967\u00c2\u00a0\u00c2\u00a0The Mingus Big Band, Orchestra and Dynasty ensemble in regular rotation on Mondays at the Jazz StandardGuitarist Les Paul, at age 94 a genuine hipster, the Ben Franklin of American popular music, Monday nights at Iridium forever.These are a\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":356,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/11\/more_on_mcferrin_and_the_voice.html","url_meta":{"origin":417,"position":2},"title":"More on McFerrin, and the voices of New York","author":"Howard Mandel","date":"November 25, 2010","format":false,"excerpt":"I already posted about Bobby McFerrin's Jazz at Lincoln Center performance of VOCAbuLarieS, his uplifting choral suite co-composed by Roger Treece -- but my new\u00a0column in City Arts-New York goes further, noting other singers giving voice to Thanksgiving and other warm sentiments. And slightly belated happy birthday to Sheila Jordan,\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":931,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/06\/jazz-andor-free-new-york-city-summer-music-festivals.html","url_meta":{"origin":417,"position":3},"title":"Jazz and\/or free New York City summer music festivals","author":"Howard Mandel","date":"June 7, 2012","format":false,"excerpt":"I love the conjunction of \"free,\" \"jazz,\" \"festivals,\" \"summer\" and \"New York City\" \u00c2\u00a0-- though not all free fests are jazz, and not all jazz fests are free (in either of two senses of the word). For instance, the 17th Vision Festival, which I write up in my CityArts-New York\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/06\/summerstage-hendrix-finale1-300x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1033,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/09\/demise-er-downsizing-of-an-new-york-city-arts-review.html","url_meta":{"origin":417,"position":4},"title":"Demise — er, downsizing — of an New York City arts review","author":"Howard Mandel","date":"September 12, 2012","format":false,"excerpt":"Low ad revenue for CityArts-New York has brought an end to the twice-monthly column on jazz and related music I've written since its first issue in March 2009. Indeed, CityArts, originally trumpeted as \"New York's review of culture\" \u00c2\u00a0and under film critic Armond White's editorship heralded as \"Bringing thinking back\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/09\/jazz_slider-300x290.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":389,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/04\/subotnick_lillevan_unsound_mak.html","url_meta":{"origin":417,"position":5},"title":"Subotnick, Lillevan, Unsound make Lincoln Center an electric circus","author":"Howard Mandel","date":"April 7, 2011","format":false,"excerpt":"Morton\u00c2\u00a0Subotnick re-mixes original materials of his prophetic and unprecedented late '60s \u00c2\u00a0electronic music classic \"Silver Apples of the Moon\" with kinetic imagery by video artist\u00c2\u00a0Lillevan\u00c2\u00a0tonight (April 7)\u00c2\u00a0at the Rubenstein atrium of Lincoln Center --\u00c2\u00a0as detailed in my\u00c2\u00a0column\u00c2\u00a0in City Arts - New York. It's free as part of the 11-day\u00c2\u00a0Unsound Festival,\u00c2\u00a0an\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"inside electric circus.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2011\/04\/inside%20electric%20circus-thumb-460x349-19646.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=417"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/417\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/420"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}