{"id":385,"date":"2011-03-03T15:57:16","date_gmt":"2011-03-03T20:57:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2011\/03\/president_obama_digs_sonny_rol\/"},"modified":"2019-09-13T12:07:44","modified_gmt":"2019-09-13T16:07:44","slug":"president_obama_digs_sonny_rol","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/03\/president_obama_digs_sonny_rol.html","title":{"rendered":"President Obama digs Sonny Rollins"},"content":{"rendered":"<p>President Barack Obama paid <a href=\"http:\/\/www.whitehouse.gov\/the-press-office\/2011\/03\/02\/remarks-president-awarding-2010-national-medal-arts-and-national-humanit\">beautiful lip service<\/a> to great American artists and arts yesterday, conferring the 2010 National Medal of Arts and Humanities on heroes including Sonny Rollins, age 80. &#8220;I speak personally here,&#8221; said the president at 3 minutes, 30 seconds into his address, alluding to authors, poets, historians, &#8220;because there are people here whose works shaped me. I&#8217;ve got these thumbworn editions of these works of arts, and these old records from when they were still vinyl, Sonny, before they went digital, that helped inspire me, or get me through a tough day, or take risks that I might not otherwise have taken, and I think what&#8217;s true for me is true for everyone here and true for our country.&#8221; Amen to that. Sonny takes his bows at minute 16, after Quincy Jones, before James Taylor.<\/p>\n<p>But the House of Representatives disagrees, <a href=\"http:\/\/www.ucira.ucsb.edu\/action-needed-cuts-terminations-for-federal-arts-education-and-nea\/\">cutting the entire $40 million Arts in Education program<\/a> of the U.S. Department of Education on the heels of cutting the National Endowment for the Arts budget by 26%, largest slashing in 16 years.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"http:\/\/www.youtube.com\/embed\/4LmweQIdKYY\" width=\"460\" height=\"289\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><!--more--><br \/>\nAmong my personal inspirations in the crowd of <a href=\"http:\/\/www.whitehouse.gov\/the-press-office\/2011\/03\/01\/president-obama-award-2010-national-medal-arts-and-national-humanities-m\">honored 20<\/a>: <a href=\"http:\/\/www.amazon.com\/Modern-Library-Joyce-Carol-Oates\/dp\/0345484401\/?tag=howardmacom-20\">Joyce Carol Oates<\/a>, <a href=\"http:\/\/www.amazon.com\/Kill-Mockingbird-50th-Anniversary\/dp\/0061743526\/?tag=howardmacom-20\">Harper Lee<\/a>, <a href=\"http:\/\/www.amazon.com\/Pleasures-Music-Anthology-Writing-Musicians\/dp\/0226038548\/?tag=howardmacom-20\">Jacques Barzun<\/a> and especially<a href=\"http:\/\/www.amazon.com\/Philip-Roth-Narratives-1986-1991-Counterlife\/dp\/1598530305\/?tag=howardmacom-20\"> Philip Roth<\/a>. Not that I disdain <a href=\"http:\/\/www.amazon.com\/White-Apples-Taste-Stone-1946-2006\/dp\/0618919996\">Donald Hall<\/a>,\u00c2\u00a0<a style=\"text-decoration: underline;\" href=\"http:\/\/www.amazon.com\/Theatre-Revolt-Studies-modern-drama\/dp\/0929587537\">Robert Brustein<\/a>, Mark di Suvero or Meryl Streep . . . Apologies to Wendell Berry, whom I&#8217;ve meant to read but haven&#8217;t yet.<\/p>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email or RSS<\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>President Barack Obama paid beautiful lip service to great American artists and arts yesterday, conferring the 2010 National Medal of Arts and Humanities on heroes including Sonny Rollins, age 80. &#8220;I speak personally here,&#8221; said the president at 3 minutes, 30 seconds into his address, alluding to authors, poets, historians, &#8220;because there are people here [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[1196,1199,1197,1193,1194,1198,1192,1191,64,1195,1190,1189,54],"class_list":{"0":"post-385","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-arts-in-education","8":"tag-budget-cuts","9":"tag-department-of-education","10":"tag-donald-hall","11":"tag-harper-lee","12":"tag-house-of-representatives","13":"tag-mark-di-suvero","14":"tag-meryl-streep","15":"tag-national-endowment-for-the-arts","16":"tag-national-medals-for-arts-and-humanities","17":"tag-philip-roth","18":"tag-president-barack-obama","19":"tag-sonny-rollins","20":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-6d","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":343,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/jazz_elders_cast_giant_shadows.html","url_meta":{"origin":385,"position":0},"title":"Jazz elders cast giant shadows","author":"Howard Mandel","date":"September 17, 2010","format":false,"excerpt":"Why isn't the amazing current generation of creative (jazz) musicians better known? Maybe because major artists of the not-so-distant past are practicing the art form at splendid peaks, overturning clich\u00c3\u00a9s about dwindling powers of octogenarians. Read my column in City Arts New York for a report that touches on Sonny\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"muhal.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/09\/muhal-thumb-275x183-17303.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1679,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/08\/most-scurrilous-unfunny-new-yorker-humor-re-jazz.html","url_meta":{"origin":385,"position":1},"title":"Most scurrilous, unfunny New Yorker &#8220;humor&#8221; re jazz","author":"Howard Mandel","date":"August 2, 2014","format":false,"excerpt":"I'm aghast at The New Yorker's rip-off of Sonny Rollins' good name and great heart to slag jazz in the guise\u00c2\u00a0of \"humor.\" A\u00c2\u00a0Daily Shouts\u00c2\u00a0piece, bylined \"Django Gold\" (surely a pseudonym) purports to be \"Sonny Rollins: In His Own Words\" and controverts\u00c2\u00a0the very essence of the art form this grand hero\u00c2\u00a0has\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/08\/punk-e1406989417691.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":320,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/06\/_why_give_jazz_awards.html","url_meta":{"origin":385,"position":2},"title":"Why of the Jazz Journalists Assn&#8217;s Jazz Awards","author":"Howard Mandel","date":"June 11, 2010","format":false,"excerpt":"Why give Jazz Awards? See my new column in City Arts re the event Monday 6\/14 at City Winery in NYC, produced by the Jazz Journalists Assoc.\u00c2\u00a0 (Full disclosure: I'm deeply involved -- as left, last year presenting Kurt Elling his statuette for Best Male Vocalist, photo by Enid Farber.\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"HM-and-Kurt-Elling-jazz-awa.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/HM-and-Kurt-Elling-jazz-awa.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":537,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/09\/congrats-to-sonny-rollins.html","url_meta":{"origin":385,"position":3},"title":"Congrats to Sonny Rollins","author":"Howard Mandel","date":"September 7, 2011","format":false,"excerpt":"Saxophonist supreme Sonny Rollins turns 81 today, and was announced as recipient of 2011 Kennedy Center honors. He really deserves it: he's been a beacon of robust, smart, honest American music for more than 60 years.\u00c2\u00a0Surfing for clips, I found this of \"Alfie's Theme\" from 1982, but there are many\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":338,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/sonny_the_sax_king.html","url_meta":{"origin":385,"position":4},"title":"Sonny the sax king","author":"Howard Mandel","date":"September 11, 2010","format":false,"excerpt":"At age 80, Sonny Rollins is indisputably the greatest living jazz tenor saxophonist, proved last night throughout a 2-hour set at New York's sold-out Beacon Theater in which harmolodic sage Ornette Coleman sat in, backed by drummer Roy Haynes and bassist Christian McBride, on \"Tenor Madness.\"\u00a0\u00a0\"Sonnymoon For Two\". Rollins was\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":341,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/09\/video_for_fans_of_sonny_rollin.html","url_meta":{"origin":385,"position":5},"title":"Video for fans of Sonny Rollins &#038; harmolodics","author":"Howard Mandel","date":"September 14, 2010","format":false,"excerpt":"Too good to not post: Ornette Coleman was surprise guest with Sonny Rollins at his fast-become-famous Beacon Theater 80th birthday party on September 10 (backstage there was birthday cake shaped like a saxophone, made of marzipan). Note SR's quote at about 10 minutes in of \"I'll Take Manhattan,\" which he\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=385"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/385\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}