{"id":373,"date":"2011-01-13T19:55:34","date_gmt":"2011-01-14T00:55:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2011\/01\/how_does_keith_jarrett_get_to\/"},"modified":"2019-09-13T12:17:36","modified_gmt":"2019-09-13T16:17:36","slug":"how_does_keith_jarrett_get_to","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/01\/how_does_keith_jarrett_get_to.html","title":{"rendered":"How does Keith Jarrett come to Carnegie Hall? Alone."},"content":{"rendered":"<p>In my latest <a href=\"http:\/\/cityarts.info\/2011\/01\/12\/automatic-for-the-people\/\">column in City Arts &#8211; New York<\/a>, I share a few thoughts about the solo piano improvisations of Keith Jarrett. The headline&#8217;s not mine, I don&#8217;t get it &#8212; but the music he performs at <a href=\"http:\/\/www.carnegiehall.org\/article\/box_office\/events\/evt_17632.html?selecteddate=01162011\">Carnegie Hall Jan. 16<\/a> may be transcendent, as far beyond jazz as his last album of solo concerts, <i><a href=\"http:\/\/www.amazon.com\/Paris-London-Testament\/dp\/B002QDB4OU\/?tag=howardmacom-20\">Paris\/London (Testament)<\/a>\u00c2\u00a0<\/i>or as <i>with<\/i> jazz as his duets with Charlie Haden<i>, <a href=\"http:\/\/www.amazon.com\/Jasmine\/dp\/B003K71W9I\/?tag=howardmacom-20\">Jasmine<\/a>.<\/i><\/p>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\" rel=\"noopener noreferrer\">howardmandel.com<\/a><br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by Email <\/a> |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe by RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\" rel=\"noopener noreferrer\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" rel=\"noopener noreferrer\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In my latest column in City Arts &#8211; New York, I share a few thoughts about the solo piano improvisations of Keith Jarrett. The headline&#8217;s not mine, I don&#8217;t get it &#8212; but the music he performs at Carnegie Hall Jan. 16 may be transcendent, as far beyond jazz as his last album of solo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[666,410,594,1128],"class_list":{"0":"post-373","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-carnegie-hall","8":"tag-city-arts-new-york","9":"tag-keith-jarrett","10":"tag-parislondon-testament","11":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-61","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/08\/mr_sensitive_befouls_paradise.html","url_meta":{"origin":373,"position":0},"title":"Mr. Sensitive befouls paradise","author":"Howard Mandel","date":"August 9, 2007","format":false,"excerpt":"Used to be jazz musicians were U.S.'s best ambassadors. Pianist Keith Jarrett's prickly reaction to ardent fans' cellphone photography as his trio walks onstage at the Umbria Jazz Festival -- see it on Youtube.com (56 secs) -- reverts to another type: ugly American. For a improviser who flaunts his hyper-sensitivity,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":321,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/06\/yesteryears_jazz-beyond-jazz_t.html","url_meta":{"origin":373,"position":1},"title":"Miles&#8217; beyond jazz, today and tomorrow","author":"Howard Mandel","date":"June 21, 2010","format":false,"excerpt":"Miles Davis is still at it -- in Prospect Park, the Highline Ballroom, (le) Poisson Rouge, Carefusion Jazz Festival's Carnegie Hall concerts, also overflowing the Montreal Museum of Fine Arts,\u00c2\u00a0as per\u00c2\u00a0my City Arts - New York\u00c2\u00a0column and enriching the glorious Festival International de Jazz de Montreal (June 25 - July\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Thumbnail image for images.jpeg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/03\/images-thumb-106x125-13689.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":194,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/05\/jvc_jazz_fest-ny_cancellation.html","url_meta":{"origin":373,"position":2},"title":"JVC Jazz Fest-NY cancellation reported","author":"Howard Mandel","date":"May 20, 2009","format":false,"excerpt":"No major, mainstream, corporate-supported jazz fest will occur in New York City this summer, according to today's New York Times report confirming my posting of\u00a0 April 15. Festival Network principal Chris Shields, purchaser in 2007 of the production company headed by George Wein which staged June jazz concerts at major\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2421,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/02\/jazz-projects-with-2018-nea-funding-support.html","url_meta":{"origin":373,"position":3},"title":"Jazz and beyond projects with 2018 NEA funding support","author":"Howard Mandel","date":"February 19, 2018","format":false,"excerpt":"Given all the noise, the\u00c2\u00a0National Endowment for the Arts' $25 mil for arts, literature and education\u00c2\u00a0announced Feb. 7 may have been overlooked. But these funds and the projects they support, nationwide, should be noted.\u00c2\u00a0From more than $3 million going to initiatives strictly labeled \"Music\" (exclusive of \"Musical Theater\" or \"Opera\")\u2026","rel":"","context":"In \"Akropolis Reed Quintet\"","block_context":{"text":"Akropolis Reed Quintet","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/akropolis-reed-quintet"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/02\/images-1.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1509,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/01\/nea-2014-jazz-masters-investiture-photo-gallery.html","url_meta":{"origin":373,"position":4},"title":"NEA 2014 Jazz Masters&#8217; investiture photo gallery","author":"Howard Mandel","date":"January 15, 2014","format":false,"excerpt":"I'm reporting on the NEA Jazz Masters events for Down Beat, so reserve most comments 'til publication. But some controversies regarding the ceremonial events may emerge . . .","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/01\/Owens-Barron.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":182,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/04\/nycs_surviving_summer_jazz_fes.html","url_meta":{"origin":373,"position":5},"title":"Vision Festival, NYC&#8217;s sole surviving summer jazz big bang","author":"Howard Mandel","date":"April 15, 2009","format":false,"excerpt":"With no news confirming -- or denying -- that there will be a mainstream New York City jazz festival next summer like those produced by George Wein since the late '60s and for the past 25 years supported by the JVC Corporation of America, the artist-organized \"avant-jazz\"\u00c2\u00a0Vision Festival stands as\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=373"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/373\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}