{"id":351,"date":"2010-11-12T07:26:42","date_gmt":"2010-11-12T12:26:42","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2010\/11\/aacm_at_45_creative_musicians\/"},"modified":"2011-04-28T16:32:46","modified_gmt":"2011-04-28T20:32:46","slug":"aacm_at_45_creative_musicians","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/11\/aacm_at_45_creative_musicians.html","title":{"rendered":"AACM at 45: &#8220;Creative Musicians&#8221; span generations, U.S., globe"},"content":{"rendered":"<p>The AACM &#8212; Association for the Advancement of Creative Musicians &#8212; continues after 45 years to encourage highly original, edgy and exciting artists &#8212; as I detail in <a href=\"http:\/\/cityarts.info\/2010\/11\/10\/chicago-in-new-york\/\">my new City Arts column.<\/a>&nbsp;Examples in New York City: reedist\/composer&nbsp;<a href=\"http:\/\/www.roulette.org\/events\/upcoming.php#THREADGILL201012\">Henry Threadgill&#8217;s Zooid<\/a> performs tonight and tomorrow at Roulette; trumpeter Wadada Leo Smith&#8217;s 22-piece Silver Orchestra and the duo of keyboardist-singer Amina Claudine Myers and drummer Reggie Nicholson are the bill for the <a href=\"http:\/\/www.aacm-newyork.com\/\">AACM-New York&#8221;s<\/a>&nbsp;concluding concert of its fall 2010 season on November 19 at The Community Church of New York; NEA Jazz Master Muhal Richard Abrams, the pianist, composer and improviser who co-founded the organization 45 years ago and has guided it ever since celebrates his 80th birthday by collaborating with two very different small ensembles at Roulette on December 2.&nbsp;<\/p>\n<div><\/div>\n<div>And in <a href=\"http:\/\/aacmchicago.org\/aacm-45th-anniversary-festival\">Chicago<\/a>, an AACM 45th anniversary festival is going on with trombonist-computer composer George E. Lewis, Roscoe Mitchell, Alexander von Schlippenbach, Ernest Dawkins, Douglas Ewart, Mike Reed, Phil Cohran and many others concertizing at the<a href=\"http:\/\/www.mcachicago.org\/performances\/perf_detail.php?id=618\"> Museum of Contemporary Art<\/a>, and conducting open master classes. Hail to creative musicians everywhere!<\/p>\n<div><\/div>\n<div><\/div>\n<\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The AACM &#8212; Association for the Advancement of Creative Musicians &#8212; continues after 45 years to encourage highly original, edgy and exciting artists &#8212; as I detail in my new City Arts column.&nbsp;Examples in New York City: reedist\/composer&nbsp;Henry Threadgill&#8217;s Zooid performs tonight and tomorrow at Roulette; trumpeter Wadada Leo Smith&#8217;s 22-piece Silver Orchestra and the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[57,1054,1052,201,287,1055,1053,231],"class_list":{"0":"post-351","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-aacm","8":"tag-aacm-chicago","9":"tag-amina-claudine-myers","10":"tag-association-for-the-advancement-of-creative-musicians","11":"tag-muhal-richard-abrams","12":"tag-museum-of-contemporary-art","13":"tag-reggie-nicholson","14":"tag-wadada-leo-smith","15":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-5F","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":355,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/11\/announcing_eyejazztv_happy_45t.html","url_meta":{"origin":351,"position":0},"title":"Announcing eyeJAZZ.tv &#038; Happy 45th b&#8217;day AACM","author":"Howard Mandel","date":"November 22, 2010","format":false,"excerpt":"eyeJAZZ.tv, a wave of guerrilla video music-news clips being initiated by the Jazz Journalists Association, has posted its first example -- my brief production\u00a0from last week's 45th birthday concert of the AACM featuring composer-saxophonist Roscoe Mitchell, flutist and AACM chair Nicole Mitchell (no relation) and saxophonist Ari Brown, at Chicago's\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"eJAZZBLU logo.png","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/11\/eJAZZBLU%20logo-thumb-125x125-18098.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":67,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/11\/applause_for_aacm_in_new_york.html","url_meta":{"origin":351,"position":1},"title":"Applause for AACM in New York","author":"Howard Mandel","date":"November 18, 2007","format":false,"excerpt":"Richarda Abrams calls the names of performers at concerts produced by the Association for the Advancement of Creative Musicians-New York in a proudly stentorian voice, and Friday's concert season-ender of saxophonist Mantana Roberts' quartet and trumpeter Wadada Leo Smith's trio was typically earnest, iconoclastic and rousing. But it's almost a\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"http:\/\/www.assoc-amazon.com\/e\/ir?t=howardmacom-20&l=ur2&o=1","width":350,"height":200},"classes":[]},{"id":551,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/09\/551.html","url_meta":{"origin":351,"position":2},"title":"Roulette: &#8220;old&#8221; new music\/dance space moves to central Brooklyn","author":"Howard Mandel","date":"September 29, 2011","format":false,"excerpt":"My new column at CityArts-New York is about Roulette, the\u00c2\u00a0new music\/new dance performance space, started in downtown Manhattan but moved to a coolly refurbished theater near a major Brooklyn transportation hub. Roulette's in first season in this new home is thick with Chicago-born, -raised \u00c2\u00a0and -emigrated \"creative musicians\" -- Anthony\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/09\/roulette.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1050,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/09\/muhal-richard-abrams-outsiders-insider-insiders-outsider.html","url_meta":{"origin":351,"position":3},"title":"Muhal Richard Abrams: Outsiders&#8217; Insider, Insiders&#8217; Outsider","author":"Howard Mandel","date":"September 21, 2012","format":false,"excerpt":"Hear keyboardist-composer Muhal Richard Abrams play solo and leading a drummerless quartet tonight, 9\/21\/2012, at 8 pm at the Community Church or New York (40 E. 35th, between Madison and Park Ave.). It's\u00c2\u00a0the first concert of the season produced by the AACM (Association for the Advancement of Creative Musicians), the\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/09\/levels-and-degrees.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":87,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/05\/wheres_tvo_for_live_performanc.html","url_meta":{"origin":351,"position":4},"title":"Where&#8217;s TiVo for live performance?","author":"Howard Mandel","date":"May 5, 2008","format":false,"excerpt":"This week highlights a happily frequent dilemma for the avid listener in New York: too many good choices of exciting, exploratory, street-smart and unbounded American music -- \"the real blues, the new blues,\" as Albert Ayler called jazz-beyond-jazz back in 1964. All on Friday, May 9:The\u00c2\u00a0Association for the Advancement of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2133,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/10\/dr-richard-wang-enabler-of-aacm-experimentalists-rip.html","url_meta":{"origin":351,"position":5},"title":"Dr. Richard Wang, enabler of AACM experimentalists, RIP","author":"Howard Mandel","date":"October 12, 2016","format":false,"excerpt":"In his first college teaching job at Wilson Junior College during the early 1960s, trumpeter Dick Wang encountered a\u00c2\u00a0cadre of exploratory young Chicago musicians who would soon form the AACM (Association for the Advancement of Creative Musicians). He encouraged them. He introduced Roscoe Mitchell, Joseph Jarman and Malachi Favors, Anthony\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"imgres-11","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/10\/imgres-11.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=351"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/351\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}