{"id":35,"date":"2007-09-04T10:13:28","date_gmt":"2007-09-04T14:13:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2007\/09\/jazz_festivals\/"},"modified":"2011-04-28T16:35:06","modified_gmt":"2011-04-28T20:35:06","slug":"jazz_festivals","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/09\/jazz_festivals.html","title":{"rendered":"Jazz Festivals"},"content":{"rendered":"<p>&#8230;.good for cities, musicians, audiences. Hear it on <a href=\" http:\/\/www.npr.org\/templates\/story\/story.php?storyId=14060816\" target=\"_blank\">NPR <img loading=\"lazy\" decoding=\"async\" alt=\"audio_icon.gif\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/audio_icon.gif\" width=\"19\" height=\"15\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;.good for cities, musicians, audiences. Hear it on NPR<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-35","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interviews","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-z","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/the_makers_of_jazz_beyond_jazz.html","url_meta":{"origin":35,"position":0},"title":"The Makers of Jazz Beyond Jazz","author":"Howard Mandel","date":"July 1, 2007","format":false,"excerpt":"Over the course of three decades, I've been privileged to get behind the scenes and meet heroic creators of jazz as well as up-and-comers, innovators and exemplars of many other genres. Please enjoy these archival interviews and articles. William Parker, DownBeat, July 1998 Maria Schneider DownBeat, July 2007 Sonny Rollins\u2026","rel":"","context":"In &quot;interviews&quot;","block_context":{"text":"interviews","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/interviews"},"img":{"alt_text":"audio_icon.gif","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/audio_icon.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":243,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/08\/social_networking_does_its_jaz.html","url_meta":{"origin":35,"position":1},"title":"Social networking does its #jazzlives stuff","author":"Howard Mandel","date":"August 28, 2009","format":false,"excerpt":"Start a Twitter campaign, and see what happens! Do as many people hear live jazz in a week as attended Woodstock, say? Using the hashtag #jazzlives, a rough count is underway, supported by independent jazz activists, musicians, festivals, journalists but most of all the listeners themselves. It's a lesson in\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":563,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/10\/jazz-audience-initiative-study-posted-webinar-set.html","url_meta":{"origin":35,"position":2},"title":"Jazz Audience Initiative study posted, webinar set","author":"Howard Mandel","date":"October 19, 2011","format":false,"excerpt":"The Jazz Audience Initiative, a 21-month research project of Columbus, Ohio's Jazz Arts Group, has posted its final reports and scheduled a webinar for October 21 (free registration available) to discuss them. Among the main points: Musical tastes are socially transmitted. Jazz has relatively diverse audiences. People pay to hear\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2011\/10\/Byron-Stripling.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":76,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/02\/butch_morris_jazz_conductor.html","url_meta":{"origin":35,"position":3},"title":"Butch Morris, jazz conductor","author":"Howard Mandel","date":"February 25, 2008","format":false,"excerpt":"(slightly corrected version)Conductor of improvisation Lawrence Douglas \"Butch\" Morris is an East Village charmer, now-too-infrequent cornetist and internationally-known instigator of large ensemble music made spontaneously in real time by free-from-convention individuals. During a radio interview for the NPR show News & Notes, Butch identifies himself as a jazz musician not\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":160,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/02\/on_the_way_to_portland_or.html","url_meta":{"origin":35,"position":4},"title":"Portland jazz fest hails Blue Note, cancels Cassandra","author":"Howard Mandel","date":"February 18, 2009","format":false,"excerpt":"The PDX Jazz Festival in Portland, Oregon\u00c2\u00a0last week began to garner good reviews for its programs, many of which celebrate the 70th anniversary of the founding of Blue Note Records. Yet as the first major jazz festival of 2009, it may be the canary in the coalmine regarding effects of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"http:\/\/tbn2.google.com\/images?q=tbn:gARuqyORF9_b4M:http:\/\/bp0.blogger.com\/_5XFteG4AOM0\/Rs44dYQvT-I\/AAAAAAAAAbA\/eWESKfjQTp4\/s320\/BLUE1.JPG","width":350,"height":200},"classes":[]},{"id":1784,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/03\/jazz-health-is-not-in-its-reported-records-sales.html","url_meta":{"origin":35,"position":5},"title":"Jazz health is not in its reported records sales","author":"Howard Mandel","date":"March 14, 2015","format":false,"excerpt":"Terry Teachout in his About Last Night posting \"Jazz, by the numbers\"\u00c2\u00a0conflates falling numbers of jazz cd sales with the health of the music itself. Understandable mixup, way too simple. Feeling he was burned by criticism of his 2009 Wall Street Journal column\u00c2\u00a0about the National Endowment for the Arts Survey\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/to-jazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/to-jazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/03\/to-jazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/35\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=35"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=35"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}