{"id":330,"date":"2010-08-09T11:31:41","date_gmt":"2010-08-09T15:31:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2010\/08\/live_jazz_broadcasts\/"},"modified":"2011-04-28T16:32:49","modified_gmt":"2011-04-28T20:32:49","slug":"live_jazz_broadcasts","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/08\/live_jazz_broadcasts.html","title":{"rendered":"Live jazz broadcasts &#8212; back to future formats"},"content":{"rendered":"<p>Hail NPR.org for putting 14&nbsp;<a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=92839666\">Carefusion Newport Jazz Fest sets<\/a> on the &#8216;net, and Wynton Marsalis for live-streaming&nbsp;from France&#8217;s Marciac Jazz Festival video of his <a href=\"http:\/\/www.ustream.tv\/wyntonmarsalis\">Modern New Orleans concert<\/a>. Back-to-the-future, as broadcasts allow music fans geographically anywhere (and now any time) to get in on the action.<\/p>\n<p><!--more--><\/p>\n<div>Well before<i>&nbsp;I<\/i>&nbsp;came along, coast-to-coast radio broadcasts made Benny Goodman a star, and in the mid &#8217;40s Symphony Sid Torin&nbsp;<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"sid.jpg\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/sid.jpg\" width=\"250\" height=\"204\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/p>\n<div>&nbsp;broadcast live from the Royal Roost and Birdland clubs on NYC&#8217;s 52nd Street. Why did this practice end?&nbsp;<\/div>\n<div><\/div>\n<div>Ok, I&#8217;m not predicting that NPR&#8217;s archiving of performances by J.D. Allen, Maria Schneider, Darcy James Argue, Matt Wilson, Amina Figuerova, etc. are going to revive jazz&#8217;s Swing Era popularity, but this kind of profile for live music (remember #jazzlives on Twitter!) is an unqualified good thing. Thanks due to WBGO and WGBH, too. And the esthetic scope is well beyond swing, anyway. For example,&nbsp;<a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=128985982\" style=\"text-decoration: underline; \">Ken Vandermark&#8217;s Powerhouse Sound<\/a>. . .&nbsp;<\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hail NPR.org for putting 14&nbsp;Carefusion Newport Jazz Fest sets on the &#8216;net, and Wynton Marsalis for live-streaming&nbsp;from France&#8217;s Marciac Jazz Festival video of his Modern New Orleans concert. Back-to-the-future, as broadcasts allow music fans geographically anywhere (and now any time) to get in on the action.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[936,932,935,933,934,635,937,117],"class_list":{"0":"post-330","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-benny-goodman","8":"tag-carefusion-newport-jazz-festival","9":"tag-ken-vandermarks-powerhouse-sound","10":"tag-marciac-jazz-festival","11":"tag-modern-new-orleans","12":"tag-npr","13":"tag-symphony-sid-torin","14":"tag-wynton-marsalis","15":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-5k","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":350,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/11\/carefusion_drops_jazz_fest_spo.html","url_meta":{"origin":330,"position":0},"title":"CareFusion drops jazz fest sponsorships","author":"Howard Mandel","date":"November 4, 2010","format":false,"excerpt":"CareFusion, a global corp. specializing in hospital equipment, has ended its two-year sponsorship of George Wein's New York Jazz Festival and Newport Jazz Festival, and the Chicago Jazz Festival, a day after reporting the retirement of its Chairman and CEO David L. Schlotterbeck, and the\u00a0first quarter financials of its 2010\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":217,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/07\/jazz_health_bright_spots.html","url_meta":{"origin":330,"position":1},"title":"Jazz health, bright moments","author":"Howard Mandel","date":"July 8, 2009","format":false,"excerpt":"All is not dismal in Jazzville: Producer George Wein has found a title sponsor -- CareFusion -- for his jazz festivals in Newport next month and New York City summer 2010. SFJazz has announced a stellar lineup including Ornette Coleman for its fall fest, Oct. 10 - Nov. 21.\u00c2\u00a0As Mitch\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":271,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/wynton_le_chevalier_marsalis.html","url_meta":{"origin":330,"position":2},"title":"Wynton le Chevalier Marsalis","author":"Howard Mandel","date":"November 19, 2009","format":false,"excerpt":"A survey in my latest City Arts column\u00c2\u00a0of the music of trumpeter-composer Wynton Marsalis, in the jazz spotlight for 25 years. Founder and artistic director of Jazz at Lincoln Center, educator, activist, humanitarian, winner of a Pulitzer and multiple Grammies, Wynton stands tallest in my book when he just\u00c2\u00a0plays jazz.\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":171,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/03\/reasons_to_be_cheerful_wynton.html","url_meta":{"origin":330,"position":3},"title":"Reasons to be cheerful: Wynton books Ornette","author":"Howard Mandel","date":"March 18, 2009","format":false,"excerpt":"Wynton Marsalis has high regard for the music of Ornette Coleman -- as demonstrated by Jazz at Lincoln Center's just-released 2009-2010 concert schedule, which begins next September 26 with a single performance by Coleman's quartet featuring two bassists and his son Denardo on drums.\u00a0This booking might seem like a point\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":693,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/12\/wynton-at-his-best-streaming-jelly-roll-satchmo-live-tonight-controversy.html","url_meta":{"origin":330,"position":4},"title":"Wynton at his best streaming Jelly Roll &#038; Satchmo live tonight + controversy","author":"Howard Mandel","date":"December 29, 2011","format":false,"excerpt":"Wynton Marsalis - Commons.Wikimedia.org Wynton Marsalis plays the immortal jazz of Jelly Roll Morton and Louis Armstrong tonight\u00c2\u00a0 (Dec 29) 7:30 pm & 10:00 pm ET on\u00c2\u00a0Facebook\u00c2\u00a0and\u00c2\u00a0Livestream\u00c2\u00a0\u00c2\u00a0live from Dizzy's Club Coca-Cola in Jazz at Lincoln Center, NYC. This is repertoire that the newly named\u00c2\u00a0CBS cultural correspondent\u00c2\u00a0relives better than anyone else,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2019\/09\/download-4.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":296,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/the_blues_in_nyc.html","url_meta":{"origin":330,"position":5},"title":"The blues in NYC","author":"Howard Mandel","date":"February 12, 2010","format":false,"excerpt":"My column\u00a0\u00a0http:\/\/tinyurl.com\/NYCblues\u00a0in City Arts - New York's Review of Culture, focuses on America's deep, dark musical strain as it is today in a blues-challenged city. It doesn't mention that Wynton Marsalis is the world's greatest blues trumpeter, as he proved last night playing \"bread and butter\" from the Count Basie\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=330"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/330\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}