{"id":311,"date":"2010-04-09T14:40:15","date_gmt":"2010-04-09T18:40:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2010\/04\/central_brooklyn_grassroots_ja\/"},"modified":"2011-04-28T16:33:20","modified_gmt":"2011-04-28T20:33:20","slug":"central_brooklyn_grassroots_ja","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/04\/central_brooklyn_grassroots_ja.html","title":{"rendered":"Central Brooklyn Jazz Festival goes to roots, future, justice"},"content":{"rendered":"<div style=\"text-align: left;\">My <a href=\"http:\/\/cityarts.info\/2010\/04\/06\/kings-county's-music-kings\/\">column in City Arts<\/a>&nbsp;highlights the 40-event<a href=\"http:\/\/www.centralbrooklynjazzconsortium.org\/new_pages\/April%20CBJC%20Calendar%202010.html\"> Central Brooklyn Jazz Festival<\/a>, taking place throughout April &#8220;<span class=\"Apple-style-span\" style=\"color: rgb(34, 34, 34); font-family: Arial, Tahoma, Verdana; font-size: 12px; line-height: 20px; \">from Flatbush up Fulton Avenue through the neighborhoods of Fort Greene, Clinton Hill, Bedford-Stuyvesant and Ocean Hill to Bushwick . . . the area that gave birth to Max Roach and Randy Weston some 80 years ago.&#8221; It&#8217;s booked with lesser-known yet highly active African-American jazz musicians; on Saturday I talk about &#8220;Where is Jazz Going?&#8221; at Medgar Evers College (2 to 6 pm) in distinguished company.<\/span><\/div>\n<p><!--more--><br \/>\n<span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: arial; font-size: small; \"><\/p>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><span class=\"Apple-style-span\" style=\"line-height: 19px;\"><span class=\"Apple-style-span\" style=\"font-family: Arial, Tahoma, Verdana; font-size: 12px; line-height: 20px; color: rgb(34, 34, 34); \">This presentation will be the initial program of the College&#8217;s Jazz and Justice project, a &#8220;seminar\/forum discussing the past and future of Jazz\/African-American classical music in America and the world.&#8221; Moderator: Basir Mchawi, producer of &#8220;Education at the Crossroads,&#8221; WBAI-99.5 FM Radio (Thurs. 7 p.m.) and Chairperson of the International African Arts Festival; panelists:<\/span><\/span><\/font><\/div>\n<ol type=\"1\" style=\"margin-top: 0in; margin-right: 0px; margin-bottom: 0.75em; margin-left: 20px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; list-style-type: decimal; list-style-position: outside; list-style-image: initial; background-repeat: repeat-y; \">\n<li><span class=\"Apple-style-span\" style=\"font-family: 'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; \">&nbsp;<u><span style=\"font-size: 10pt; \">Rudi Mwongozi<\/span><\/u><span style=\"font-size: 10pt; \">&#8211; CBJC member ,Jazz pianist, from Oakland California, innovator<\/span><\/span><\/li>\n<li class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; line-height: 15px; \"><font face=\"Times New Roman\"><u><span style=\"font-size: 10pt; line-height: 19px; \">Donald Sangster<\/span><\/u><span style=\"font-size: 10pt; line-height: 19px; \">&#8211; Chairperson, Andy Kirk Research Foundation, Jazz<span>&nbsp;&nbsp;<\/span>Historian<\/span><\/font><\/li>\n<li class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; \"><font face=\"Times New Roman\"><u><span style=\"font-size: 10pt; \">Joanne Cheatham<\/span><\/u><span style=\"font-size: 10pt; \">&#8211; Publisher, Pure Jazz Magazine<o:p><\/o:p><\/span><\/font><\/li>\n<li class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; \"><font face=\"Times New Roman\"><u><span style=\"font-size: 10pt; \">Delridge Hunter<\/span><\/u><span style=\"font-size: 10pt; \">&#8211; Prof. of History, Medgar Evers College,CUNY<o:p><\/o:p><\/span><\/font><\/li>\n<li class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; \"><font face=\"Times New Roman\"><u><span style=\"font-size: 10pt; \">Grace Metivier<\/span><\/u><span style=\"font-size: 10pt; \">&#8211; Chairperson, Wynton Kelly Jazz Foundation<\/span><\/font><\/li>\n<\/ol>\n<div><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\">Re Jazz and Justice:<\/font><\/div>\n<div><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><br \/><\/font><\/div>\n<p><\/span><\/p>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: 'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; line-height: 19px; \">The mission is to serve as an integral part of the college and to tie the college&#8217;s life long intellectual tradition of music and performing arts to the life blood of the Central Brooklyn surrounding communities. Medgar Evers College was created by needs of the community of Brooklyn. Central Brooklyn Jazz Consortium was created to serve the musical needs of the community. A partnership between Medgar Evers College \/ The Dubois- Bunche Center, and Central Brooklyn Jazz Consortium would combine two organizations devoted to severing the Brooklyn community. The project will explore social Justice Issues and their relationship to African-American music and culture.<\/span><\/p><\/blockquote>\n<p><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: arial; font-size: small; \"><\/p>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><span style=\"font-size: 10pt; \"><o:p><font face=\"Times New Roman\">&nbsp;<\/font><\/o:p><\/span><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\">This may seem like a tall order &#8212; and it is. Come hear what&#8217;s said:<\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><br \/><\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\">&nbsp;<span class=\"Apple-style-span\" style=\"font-size: 13px; \">Medgar Evers College&nbsp;<\/span><\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><span class=\"Apple-style-span\" style=\"font-size: 13px; \"><span class=\"Apple-style-span\" style=\"font-size: small; \"><b><span style=\"font-size: 10pt; \"><span>&nbsp;<\/span><\/span><\/b><span style=\"font-size: 10pt; \">Mary Pickett Lecture Hall<\/span><\/span><\/span><\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><span class=\"Apple-style-span\" style=\"font-size: 13px; \"><span class=\"Apple-style-span\" style=\"font-size: small; \"><span style=\"font-size: 10pt; \"><span>&nbsp;<\/span>New School of Business<\/span><\/span><\/span><\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><span class=\"Apple-style-span\" style=\"font-size: 13px; \"><span class=\"Apple-style-span\" style=\"font-size: small; \"><span style=\"font-size: 10pt; \">1637 Bedford Ave. (the NE corner of Crown St)<\/span><\/span><\/span><\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><br \/><\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font\nclass=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\"><span class=\"Apple-style-span\" style=\"font-size: 13px; \"><span class=\"Apple-style-span\" style=\"font-weight: bold; \">Admission: Free<\/span><\/span><\/font><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><span style=\"font-size: 10pt; \"><o:p><font face=\"Times New Roman\"><span class=\"Apple-style-span\" style=\"font-weight: bold; \">Live music to follow discussion.<\/span><\/font><\/o:p><\/span><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><span style=\"font-size: 10pt; \"><o:p><font face=\"Times New Roman\"><span class=\"Apple-style-span\" style=\"font-weight: bold; \"><span class=\"Apple-style-span\" style=\"font-size: 15px; \">For Information:&nbsp;CBJC: 718-773-2252<\/span><\/span><\/font><\/o:p><\/span><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><span style=\"font-size: 10pt; \"><o:p><font face=\"Times New Roman\"><span class=\"Apple-style-span\" style=\"font-weight: bold; \"><span class=\"Apple-style-span\" style=\"font-size: 15px; \">Dubois Bunche Center: 718-270-5062<\/span><\/span><\/font><\/o:p><\/span><\/div>\n<div class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0pt; margin-left: 0in; \"><font class=\"Apple-style-span\" face=\"'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif\" size=\"4\"><span class=\"Apple-style-span\" style=\"font-size: 15px;\"><b><br \/><\/b><\/span><\/font><\/div>\n<p><\/span><br \/>\n<a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>My column in City Arts&nbsp;highlights the 40-event Central Brooklyn Jazz Festival, taking place throughout April &#8220;from Flatbush up Fulton Avenue through the neighborhoods of Fort Greene, Clinton Hill, Bedford-Stuyvesant and Ocean Hill to Bushwick . . . the area that gave birth to Max Roach and Randy Weston some 80 years ago.&#8221; It&#8217;s booked with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[777,776,242,778],"class_list":{"0":"post-311","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-where-is-jazz-going","8":"tag-central-brooklyn-jazz-festival","9":"tag-city-arts","10":"tag-medger-evars-college","11":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-51","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":390,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/04\/central_brooklyn_jazz_fest_rei.html","url_meta":{"origin":311,"position":0},"title":"Central Brooklyn Jazz Fest reiterates jazz\/race divide","author":"Howard Mandel","date":"April 8, 2011","format":false,"excerpt":"The Central Brooklyn Jazz Festival, during what the Smithsonian Institution promotes as\u00c2\u00a0Jazz Appreciation Month, is a powerful statement of hard core, grass-roots support for the music Congress has ratified as \"a rare and valuable American national treasure.\"\u00c2\u00a0My City Arts column reports on how the fest and other Brooklyn jazz activities,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"louis and lil.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2011\/04\/louis%20and%20lil-thumb-140x140-19648.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1298,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2013\/04\/early-days-of-jazzapril.html","url_meta":{"origin":311,"position":1},"title":"Early days of JazzApril","author":"Howard Mandel","date":"April 4, 2013","format":false,"excerpt":"Jazz in NYC and vicinity early in Jazz Appreciation Month: Since Monday, April 1 I've -- heard the all-star Monterey Jazz Fest on Tour band at the Blue Note Jazz Club, and singer Imani Uzuri w\/band there, too; learned about the James Moody Democracy in Jazz Festival (sponsored by TD\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Jazz House Kids photo by Howard Mandel","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2013\/04\/kids-300x224.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":931,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/06\/jazz-andor-free-new-york-city-summer-music-festivals.html","url_meta":{"origin":311,"position":2},"title":"Jazz and\/or free New York City summer music festivals","author":"Howard Mandel","date":"June 7, 2012","format":false,"excerpt":"I love the conjunction of \"free,\" \"jazz,\" \"festivals,\" \"summer\" and \"New York City\" \u00c2\u00a0-- though not all free fests are jazz, and not all jazz fests are free (in either of two senses of the word). For instance, the 17th Vision Festival, which I write up in my CityArts-New York\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/06\/summerstage-hendrix-finale1-300x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2421,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2018\/02\/jazz-projects-with-2018-nea-funding-support.html","url_meta":{"origin":311,"position":3},"title":"Jazz and beyond projects with 2018 NEA funding support","author":"Howard Mandel","date":"February 19, 2018","format":false,"excerpt":"Given all the noise, the\u00c2\u00a0National Endowment for the Arts' $25 mil for arts, literature and education\u00c2\u00a0announced Feb. 7 may have been overlooked. But these funds and the projects they support, nationwide, should be noted.\u00c2\u00a0From more than $3 million going to initiatives strictly labeled \"Music\" (exclusive of \"Musical Theater\" or \"Opera\")\u2026","rel":"","context":"In \"Akropolis Reed Quintet\"","block_context":{"text":"Akropolis Reed Quintet","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/akropolis-reed-quintet"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2018\/02\/images-1.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":216,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/in_lieu_of_jvc_jazz_festivals.html","url_meta":{"origin":311,"position":4},"title":"In lieu of JVC Jazz festivals","author":"Howard Mandel","date":"June 30, 2009","format":false,"excerpt":"Did you miss the \"festivity\" of June jazz concerts in major Manhattan venues -- or did you find ways of coping without them? There's so much fine music -- jazz and beyond -- in nearby festive settings, many of them out-of-doors, that the absence of a 38-year-old institution doesn't seem\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3074,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2023\/04\/36-jazz-heroes-in-32-us-cities-and-there-are-many-more.html","url_meta":{"origin":311,"position":5},"title":"36 Jazz Heroes in 32 US cities &#8211; and there are many more","author":"Howard Mandel","date":"April 6, 2023","format":false,"excerpt":"The Jazz Journalists Association announces the 2023 Jazz Heroes -- \"activists, advocates, altruists, aiders and abettors of jazz,\" formerly the A Team -- emphasizing as it has annually since 2001 that jazz is culture that comes from the ground up, by individuals crossing all demographic categories, working frequently with others\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2023\/04\/2023-heroes-collage-1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=311"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/311\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}