{"id":3014,"date":"2022-09-09T22:42:21","date_gmt":"2022-09-10T02:42:21","guid":{"rendered":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/?p=3014"},"modified":"2022-09-09T22:42:24","modified_gmt":"2022-09-10T02:42:24","slug":"jazzbash-immersive-virtual-awards-event-plus","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2022\/09\/jazzbash-immersive-virtual-awards-event-plus.html","title":{"rendered":"JazzBash! Immersive virtual Awards event plus!"},"content":{"rendered":"\n<p>I daresay the<a href=\"https:\/\/jja.wildapricot.org\/event-4920112\"> JazzBash! on Sunday, 9\/11<\/a> is the first ever virtual hybrid <a href=\"http:\/\/jjajazzawards.org\">Awards<\/a> party\/live Jazz Cruise auction\/online concert from six U.S. cities\/conference of activist panelists\/bar with storytellers and presenters, live improvised painting, exclusive jazz photography exhibits and more &#8212; in immersive environments depicting noted jazz sites through which attendees &#8212; musicians, critics, the general public &#8212; can roam at will, by cursor.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/Jazzbash-2022-promo-8_30.mp4\"><\/video><figcaption>video by Michal Shapiro &#8212; starts black but hit arrow!<\/figcaption><\/figure>\n\n\n\n<p>Thanks to the genius of <a href=\"http:\/\/www.syncspace.live\">SyncSpace.live<\/a>, the <a href=\"http:\/\/www.JJANews.org\">Jazz Journalists Association<\/a> (of which I&#8217;m president, driving this production &#8212; promotion acknowledge!) is throwing a one-time-only, five-ring demonstration of what can be done, media-wise, to bring together individuals and groups in an online experience with interactive functionality beyond that of Zoom, for instance. &#8220;Rooms&#8221; in the customized JazzBash pay homage to the Jazz Showcase of Chicago, Sharp 9 Gallery in Durham NC, and the Blue Note NY, where many of the 20 archival performance videos were shot. Attendees can talk in groups or  private side-chats, use text box, vote for art preferences &#8212; and bid in live auction for a stateroom on the <a href=\"https:\/\/bluenoteatsea.com\/\">Blue Note at Sea 23<\/a> cruise from Ft Lauderdale Jan 13 &#8211; 20, with stops in St. Maarten and St. Thomas &#8212; (minimum bid $700 for a $7000 value, contact <a href=\"mailto:CruiseBid2022@JazzJournalists.org\">CruiseBid2022@JazzJournalists.org<\/a>).<\/p>\n\n\n\n<p>Some 60 musicians are participating with live appearance or video messages, including winners of the 27th annual JJA Jazz Awards announced last April such as Musician of the Year <a href=\"https:\/\/www.youtube.com\/watch?v=3YHVC1DcHmo\">Jon Batiste<\/a>, Lifetime Achievement in Jazz honoree <a href=\"https:\/\/www.youtube.com\/watch?v=xrmMpsTegNc\">Sheila Jordan<\/a>, <a href=\"https:\/\/www.kennygarrett.com\/\">Kenny Garrett<\/a> for his Album of the Year Sounds from our Ancestor, reeds master <a href=\"https:\/\/store.bluenote.com\/products\/charles-lloyd-the-marvels-tone-poem\">Charles Lloyd,<\/a> who won Midsized Ensemble of the Year with his band The Marvels (featuring guitarist Bill Frisell).<\/p>\n\n\n\n<p>The singing trio<a href=\"http:\/\/www.duchesstrio.com\/\"> Duchess<\/a> performs live with guest clarinetist Anat Cohen; we&#8217;ll hear guitarist <a href=\"https:\/\/electriclouieland.com\/index.html\">Louis Valenzuela&#8217;s band<\/a> from San Diego, pianist and scholar <a href=\"https:\/\/www.deannawitkowski.com\/mary-lou-williams\">Deanna Witkowski<\/a> playing a Mary Lou WIlliams composition from Pittsburgh; pianist-vocalist-El Paso Jazz Girls founder <a href=\"https:\/\/www.epjazzgirls.com\/\">Amanda Ekery<\/a>, and saxophonist <a href=\"https:\/\/ernestdawkins.com\/\">Ernest Khabeer Dawkins<\/a>&#8216; quartet from Chicago. <a href=\"https:\/\/www.terrilynecarrington.com\/\">Terri Lyne Carrington<\/a>, <a href=\"https:\/\/www.nicolemitchell.com\/\">Nicole Mitchell<\/a> and <a href=\"https:\/\/www.akarts.org\/yngvil-vatn-guttu\">Yngvil Vatn Guttu<\/a> &#8212; a multi-instrumentalist arts activist from Anchorage &#8212; discuss &#8220;Updating the Canon,&#8221; (moderated by WRTI&#8217;s evening jazz host <a href=\"https:\/\/www.wrti.org\/people\/greg-bryant\">Greg Bryant<\/a>); other panels being &#8220;Where My Music&#8217;s Going&#8221; (<a href=\"https:\/\/www.janeirabloom.com\/\">Jane Ira Bloom<\/a>, <a href=\"https:\/\/vijay-iyer.com\/\">Vijay Iyer<\/a> and <a href=\"https:\/\/www.jblewis.com\/\">James Brandon Lewis<\/a>, moderated by <a href=\"https:\/\/www.jazz88.org\/staff\/Neil_Tesser\/\">Neil Tesser<\/a>) and &#8220;Jazz Family Roots&#8221; (<a href=\"https:\/\/www.melissaaldana.net\/\">Melissa Aldana<\/a> and <a href=\"http:\/\/www.jamesfranciesmusic.com\/\">James Francies<\/a>, moderated by <a href=\"https:\/\/www.openskyjazz.com\/about\/willard-jenkins\/\">Willard Jenkins<\/a>). Photographer <a href=\"http:\/\/www.carolfriedmanstudio.com\/\">Carol Friedman <\/a>shows her iconic &#8220;Images,&#8221; <a href=\"https:\/\/www.lewisachenbach.com\/\">Lewis Achenbach<\/a> will paint improvisationally to the live music, the great <a href=\"https:\/\/www.billcrowbass.com\/\">Bill Crow<\/a> will tell jazz stories and great <a href=\"http:\/\/www.terangajazz.com\/\">Jon Faddis<\/a> will crack jazz jokes. That&#8217;s not the half of it.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/Jazzbash-grid.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/Jazzbash-grid-836x1024.png\" alt=\"\" class=\"wp-image-3027\" width=\"543\" height=\"664\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/Jazzbash-grid-836x1024.png 836w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/Jazzbash-grid-245x300.png 245w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/Jazzbash-grid-768x941.png 768w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/Jazzbash-grid.png 1072w\" sizes=\"auto, (max-width: 543px) 100vw, 543px\" \/><\/a><figcaption>Grid created by Lauren Deutsch<\/figcaption><\/figure>\n<\/div>\n\n\n<p>The point of all this is to show that digital media be very enjoyably and creatively used to convene, communicate, entertain and enlighten. We don&#8217;t have to sit in checkerboard squares as dull as office cubicles in order to have fun, or be productive, remotely. While sitting at our laptops we can leave our surroundings to commune with folks half-way &#8217;round the world. It amazes me. No plane ticket necessary, no hotel room, and a great savings of time. <\/p>\n\n\n\n<p>Maybe the pandemic is over, and in-person normality coming back. Wouldn&#8217;t that be nice? But if it ain&#8217;t, and we want to scale back traveling yet reach ever broader networks . . . there are alternatives. True, there will be no pressing of the flesh at the JazzBash!, group drinking will happen only on a distanced and byo basis, glad-handing will be virtual. Well, there&#8217;s nothing like the real thing &#8212; but the JazzBash! is a stab at an engaging second best.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"365\" src=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1-1024x365.jpg\" alt=\"\" class=\"wp-image-3020\" srcset=\"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1-1024x365.jpg 1024w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1-300x107.jpg 300w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1-768x274.jpg 768w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1-1536x547.jpg 1536w, https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>I daresay the JazzBash! on Sunday, 9\/11 is the first ever virtual hybrid Awards party\/live Jazz Cruise auction\/online concert from six U.S. cities\/conference of activist panelists\/bar with storytellers and presenters, live improvised painting, exclusive jazz photography exhibits and more &#8212; in immersive environments depicting noted jazz sites through which attendees &#8212; musicians, critics, the general [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3020,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[2019,2026,2010,2015,2014,2018,2021,1998,2024,2022,194,2009,2011,2013,1556,254,1705,2020,2023,624,123,1067,2012,2017,431,2025,2016],"class_list":{"0":"post-3014","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"tag-amanda-ekery","9":"tag-bill-crow","10":"tag-blue-note-at-sea-23","11":"tag-carol-friedman","12":"tag-charles-lloyd-and-the-marvels","13":"tag-deanna-witkowski","14":"tag-greg-bryant","15":"tag-james-brandon-lewis","16":"tag-james-francies","17":"tag-jane-ira-bloom","18":"tag-jazz-journalists-association","19":"tag-jazzbash","20":"tag-jja-jazz-awards-online","21":"tag-jon-batiste","22":"tag-jon-faddis","23":"tag-kenny-garrett","24":"tag-lewis-achenbach","25":"tag-louis-valenzuela","26":"tag-melissa-aldana","27":"tag-neil-tesser","28":"tag-nicole-mitchell","29":"tag-sheila-jordan","30":"tag-syncspace-live","31":"tag-terri-lyne-carrington","32":"tag-vijay-iyer","33":"tag-willard-jenkins","34":"tag-yngvil-vatn-guttu","35":"entry"},"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2022\/09\/JazzBash_A_1-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-MC","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1813,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2015\/04\/guggenheim-fellows-include-jazz-beyond-jazz-creators.html","url_meta":{"origin":3014,"position":0},"title":"Guggenheim fellows include jazz-beyond-jazz creators","author":"Howard Mandel","date":"April 10, 2015","format":false,"excerpt":"Four stellar jazz-beyond-jazz musicians -- orchestra composer-leader Darcy James Argue, trumpeter Etienne Charles, saxophonist Steve Lehman and scholar-composer\/improviser-electronics innovator-trombonist George E. Lewis, all practiced stretching the definition of \"jazz\"without breaking it\u00c2\u00a0-- have been\u00c2\u00a0named 2015 fellows of the John Simon Guggenheim Foundation, among 175 \"scholars, artists, and scientists [a]ppointed on the\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/04\/etienne.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":259,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/10\/soupy_sales_friend_to_jazz.html","url_meta":{"origin":3014,"position":1},"title":"Soupy Sales, 1926-2009, friend to jazz","author":"Howard Mandel","date":"October 23, 2009","format":false,"excerpt":"The silliest pie-in-the-face TV comic of the '50s had trumpeter Clifford Brown with drummer Max Roach on his kiddie show. Soupy Sales loved jazz -- how cool is that?\u00c2\u00a0photo courtesy of Craig Marin, www.Flexitoon.com\u00c2\u00a0-- more pix there \u00c2\u00a0 This featured performance was unusual, but of a piece with Soupy's musical\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"Soupy in Sepia.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2009\/10\/Soupy%20in%20Sepia-thumb-388x400-10914.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":953,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/06\/proudly-2012-jja-jazz-awards-nyc-and-auckland-videos-photos.html","url_meta":{"origin":3014,"position":2},"title":"Proudly: 2012 JJA Jazz Awards NYC and Auckland videos, photos","author":"Howard Mandel","date":"June 30, 2012","format":false,"excerpt":"The 16th annual Jazz Journalists Association Jazz Awards gala party in NYC is well reported in this video\u00c2\u00a0by Michal Shapiro, Huffpo vlogger (her specialty: World Music -- isn't jazz \"world music\"?): Here's how they celebrated the Jazz Awards in Auckland -- and\u00c2\u00a0photos\u00c2\u00a0from NYC, Atlanta, San Francisco, among other scenes. howardmandel.com\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":95,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/05\/whats_in_a_jazz_award.html","url_meta":{"origin":3014,"position":3},"title":"What&#8217;s in a Jazz Award?","author":"Howard Mandel","date":"May 27, 2008","format":false,"excerpt":"Why don't jazz journalists care about the biggest names in jazz?\u00c2\u00a0When Awards are given for jazz excellence, why don't in-the-know critics applaud the popular musicians, top record sellers and radio playlist stars?\u00c2\u00a0Two upcoming Awards presentations highlight these questions. The\u00c2\u00a0Jazz Journalists Association\u00c2\u00a0with a cocktail barbeque buffet on Wednesday June 18 at\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":320,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/06\/_why_give_jazz_awards.html","url_meta":{"origin":3014,"position":4},"title":"Why of the Jazz Journalists Assn&#8217;s Jazz Awards","author":"Howard Mandel","date":"June 11, 2010","format":false,"excerpt":"Why give Jazz Awards? See my new column in City Arts re the event Monday 6\/14 at City Winery in NYC, produced by the Jazz Journalists Assoc.\u00c2\u00a0 (Full disclosure: I'm deeply involved -- as left, last year presenting Kurt Elling his statuette for Best Male Vocalist, photo by Enid Farber.\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"HM-and-Kurt-Elling-jazz-awa.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/HM-and-Kurt-Elling-jazz-awa.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":312,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/04\/whats_in_a_jazz_award_1.html","url_meta":{"origin":3014,"position":5},"title":"What&#8217;s in a Jazz Award?","author":"Howard Mandel","date":"April 14, 2010","format":false,"excerpt":"Finalists for the 14th annual Jazz Awards presented by the Jazz Journalists Association are up at JJAJazzAwards.org. See and hear who critics like. These are our Pulitzer Prizes. There's a lot of excellence represented by 187 nominees in 41 categories of achievement in music-making and music documentation -- the JJA\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/3014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=3014"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/3014\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media\/3020"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=3014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=3014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=3014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}