{"id":300,"date":"2010-02-27T16:29:44","date_gmt":"2010-02-27T21:29:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2010\/02\/piano_love_nyc_edition\/"},"modified":"2011-04-28T16:33:21","modified_gmt":"2011-04-28T20:33:21","slug":"piano_love_nyc_edition","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/piano_love_nyc_edition.html","title":{"rendered":"Piano love, NYC edition"},"content":{"rendered":"<p>Under-sung, mid-career jazz pianists of innovative distinction in New York City &#8212; the topic of my <a href=\"http:\/\/cityarts.info\/2010\/02\/23\/i-love-a-piano-new-york-edition\/\">new column<\/a> in&nbsp;<i>City Arts &#8211; New York&#8217;s Review of Culture <\/i>&#8212; considerations prompted by<a href=\"http:\/\/www.amazon.com\/Heroes-Villains-Essays-Movies-Culture\/dp\/B00375LKH2\/?tag=howardmacom-20\">&nbsp;David Hajdu<\/a>&#8216;s <a href=\"http:\/\/www.nytimes.com\/2010\/01\/31\/magazine\/31Hersch-t.html?scp=1&amp;sq=Fred%20Hersch&amp;st=cse\">NYT magazine feature<\/a> on <a href=\"http:\/\/www.fredhersch.com\">Fred Hersch<\/a>. Who&#8217;d I leave out?<\/p>\n<p><!--more--><br \/>\nHere I&#8217;ve looked back at the magnificant piano legacy of Manhattan + boroughs, and noted that <b>Matt Shipp, Geri Allen, Armen Donelian, Connie Crothers, Frank Kimbrough<\/b> and <b>Arturo O&#8217;Farrill<\/b> are well worth hearing (as well as Hersch and others mentioned in Hajdu&#8217;s piece: <b>Vijay Iyer, Jason Moran, Brad Meldau, Robert Glasper, Ethan Iverson<\/b>).<\/p>\n<div><\/div>\n<div>And I refer without much detail to <b>Craig Taborn, Marc Cary, Cyrus Chestnut, Steve Colson, Bill Charlap, Jason Lindner, John Blum<\/b>. But I didn&#8217;t mention some worthy players who I&#8217;ve written press bios or liner notes for, or just didn&#8217;t fit in that column &#8212; so here with full disclosure I can sincerely recommend the music of &#8212;<\/div>\n<div><\/div>\n<div>\n<ul>\n<li><b>Billy Lester<\/b>, a fascinating improviser among those partaking of the Lennie Tristano and Sal Mosca lineage &#8212; performing tomorrow Sun Feb 28 in alto saxophonist Gary Levy&#8217;s quartet at 5C (Ave. C and 5th St., East Village) &#8212; 8 to 11 pm, $10;&nbsp;<\/li>\n<li><b>Daniel Kelly<\/b>, classically-trained and jazz-inspired (but not limited by either), who performs an improvised piano suite at the Stone, (Ave. C and 2nd St) 8 p.m., March 15 (also $10);<\/li>\n<li><b>Eli Yamin<\/b>, notoriously upbeat and a recent workshop leader on &#8220;The Blues is the Roots and Everything Else is the Roots,&#8221; presents &#8220;jazz and blues for kids,&#8221; a benefit for the Bank Street Family Center, with vocalist Meryl Zimmerman, March 6 at Tabas auditorium, Bank St. College, 610 W. 112th St., $5 kids and $10 adults, 10:45 -11:30 pm it says in the email I got but you&#8217;d better check by calling 212-875-4412;<\/li>\n<li><b>Michael Wolff<\/b>, a genuine hipster, with his trio at the Knickerbocker Bar &amp; Grill, 33 University Place, on March 5 and 6, 12 and 13, 19th and 20, starting at 9:45&nbsp;pm<\/li>\n<li><b>Jonathan Baptiste<\/b>, young N&#8217;Orleansian verging on huge discovery, at the Blue Note on 3rd St. near 6th Ave., March 9 &#8211; 14 (hmmm seems to be booked on the 10th at NJPAC, too, how&#8217;s that gonna work?)&nbsp;<\/li>\n<li>A<b>ntonio Ciacca<\/b>, director of jazz programming at Jazz at Lincoln Center, premieres his new cd <i>Lagos Blues<\/i> with a quintet featuring saxophonist Grant Stewart and vibist Joe Locke at Dizzy&#8217;s Club Coca-Cola in Jazz at Lincoln Center facilities, Columbus Circle, 7:30 and 9:30, March 15<\/li>\n<li><b>Andrew Bemkey<\/b>, in Billy Bang&#8217;s quartet at Sista&#8217;s Place, 456 Nostrand Ave at Jefferson, Bed-Stuy Brooklyn, April 24 (details tba)<\/li>\n<li><b>Elio Villafranca<\/b> (on tour of Italy w\/Francesco Mela and Cuban Safari this month, next in NYC with Pleneros de la 21 at the American Museum of Natural History, March 20 and 21, &nbsp;11:30 am to 12:30 pm.&nbsp;<\/li>\n<\/ul>\n<div>And I know there are many more. What is it about pianos? Soooo many keys. . .&nbsp;<\/div>\n<div><\/div>\n<\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Under-sung, mid-career jazz pianists of innovative distinction in New York City &#8212; the topic of my new column in&nbsp;City Arts &#8211; New York&#8217;s Review of Culture &#8212; considerations prompted by&nbsp;David Hajdu&#8216;s NYT magazine feature on Fred Hersch. Who&#8217;d I leave out?<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[719,717,713,659,714,715,720,718,716,712],"class_list":{"0":"post-300","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-andrew-bemkey","8":"tag-antonio-ciacca","9":"tag-billy-lester","10":"tag-city-arts-new-yorks-review-of-culture","11":"tag-daniel-kelly","12":"tag-eli-yamin","13":"tag-elio-villafranca","14":"tag-jonathan-baptiste","15":"tag-michael-wolff","16":"tag-piano-jazz","17":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4Q","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":250,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/09\/city_arts_my_jazz-in-the-city.html","url_meta":{"origin":300,"position":0},"title":"City Arts, my jazz-in-the-City column","author":"Howard Mandel","date":"September 23, 2009","format":false,"excerpt":"Welcome to City Arts, which bucks a trend by evolving from being a monthly section in NYPress and other Manhattan neighborhood free papers to becoming New York's Review of Culture,\u00c2\u00a0a new twice-monthly stand-alone print edition and website. Beside my column, there are season previews of\u00c2\u00a0classical\u00c2\u00a0music, mustn't miss museums exhibits (Kandinsky!\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":290,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/predictions_dreams_fears_fanci.html","url_meta":{"origin":300,"position":1},"title":"Predictions, dreams, fears &#038; fancies for music 2010","author":"Howard Mandel","date":"January 19, 2010","format":false,"excerpt":"What might happen in jazz and new music this year? I've no idea but speculate anyway in my CityArts column . . . And I never posted\u00a0this column,\u00a0about the presents you might have considered giving last month. Well, generosity never arrives to late (i.e., file for next year) -- or\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"boswell.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/boswell.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":304,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/03\/she_plays_like_a_girl_great.html","url_meta":{"origin":300,"position":2},"title":"She plays like a girl? That&#8217;s hot &#8212; and cool!","author":"Howard Mandel","date":"March 12, 2010","format":false,"excerpt":"Women are making future jazz history -- despite seldom showing up in top high school band competitions. My new\u00c2\u00a0column\u00c2\u00a0in City Arts - New York's Review of Culture, has local names and immediate dates; jazz gender parity is a slow movement but my bet is it's irreversible. Having heard Cassandra Wilson\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2771,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2020\/07\/four-months-of-jazz-adaptation-resilience-response-to-epidemic.html","url_meta":{"origin":300,"position":3},"title":"Four months of jazz adaptation, resilience, response to epidemic","author":"Howard Mandel","date":"July 2, 2020","format":false,"excerpt":"In early March - only four months ago - I flew between two of the largest U.S. airports, O'Hare and JFK, to visit New York City. I stayed in an East Village apt. with my daughter and a nephew crashing on her couch. The Jazz Standard (DoNYC) We ate barbecue\u2026","rel":"","context":"In \"#TheNewGig\"","block_context":{"text":"#TheNewGig","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/tag\/thenewgig"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/06\/green-mill-street-opening-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/06\/green-mill-street-opening-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/06\/green-mill-street-opening-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/06\/green-mill-street-opening-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/06\/green-mill-street-opening-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/06\/green-mill-street-opening-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":31,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/10\/monk_at_90_monk_forever.html","url_meta":{"origin":300,"position":4},"title":"Monk at 90, Monk Forever","author":"Howard Mandel","date":"October 9, 2007","format":false,"excerpt":"Thelonious Sphere Monk (Oct. 10, 1917 - Feb. 17, 1982) should be celebrated today on the occasion of his 90th birthday, and always for the indestructible resonance of his compositions, pianism and performance style. He is an authentic icon of the American alternative, the possibility of us each becoming, and\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2747,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2020\/03\/jazzonlockdown-musicians-venues-orgs-turn-to-live-streaming.html","url_meta":{"origin":300,"position":5},"title":"JazzOnLockdown: Musicians, venues, .orgs &#8212; writers? &#8212; turn to live-streaming","author":"Howard Mandel","date":"March 22, 2020","format":false,"excerpt":"It's the most obvious, available and so far low-cost option for anyone who can cast a performance online for public consumption -- jazz musicians specifically included: Live-streaming. Fred Hersch has been first out of the box, committing to live-streaming daily mini concerts from his living room, 1pm Eastern Daily Time\u00a0\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2020\/03\/Jazz-on-Lockdown-logo-scaled.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=300"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/300\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}