{"id":299,"date":"2010-02-24T16:23:43","date_gmt":"2010-02-24T21:23:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2010\/02\/threadgill_talks_zooid_photod\/"},"modified":"2011-04-28T16:33:21","modified_gmt":"2011-04-28T20:33:21","slug":"threadgill_talks_zooid_photod","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/threadgill_talks_zooid_photod.html","title":{"rendered":"Threadgill talks, Zooid photo&#8217;d"},"content":{"rendered":"<p>Composer-saxophonist Henry Threadgill performed his quicksilver music with quintet Zooid at the Jazz Gallery a few days back: here are the photos. He talked at Jazz at Lincoln Center, also: a brief synopsis.<\/p>\n<p><!--more--><br \/>\nI was putting final touches on the article Down Beat commissioned about Threadgill, who I first heard perform live in the early 1970s, when Ken Drucker, general manager of media for Jazz at Lincoln Center, held a rare public discussion with him in JALC&#8217;s Diamond Education Center. Here&#8217;s how Ken described the session:&nbsp;<br \/>\n<!--EndFragment--><\/p>\n<div><\/div>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; \"><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', serif; \"><span style=\"font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); \">Henry is quite talkative but doesn&#8217;t necessarily always speak directly to the questions asked. He spoke about the nature of his compositions and how they develop once they&#8217;re played by his band. We didn&#8217;t get to the intervallic nature of his music but did get to the opportunities for performing and the nature of his audiences.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', serif; \"><span style=\"font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); \"><o:p>&nbsp;<\/o:p><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', serif; \"><span style=\"font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); \">He did talk about his early days in New York and playing with Howard McGhee, which I found interesting, and also about how he goes about finding young musicians to work with. He has very strong views about music education (and is very well-informed about the conservatory system in Cuba), most of which we talked about backstage before the event and which I think only came out a bit in the public portion.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', serif; \"><span style=\"font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); \"><o:p>&nbsp;<\/o:p><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', serif; \"><span style=\"font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); \">The crowd was kind of interesting, as well, as Liberty Ellman, Steve Coleman and JD Parran were all there.&nbsp;Once the video&#8217;s edited, we&#8217;ll put it up here:&nbsp;<a href=\"http:\/\/www.jalc.org\/jazzED\/streamin\/index09.asp\" style=\"color: blue; text-decoration: underline; \">http:\/\/www.jalc.org\/jazzED\/streamin\/index09.asp<\/a>.<\/span><\/p>\n<p><\/span><\/p><\/blockquote>\n<div><\/div>\n<div>I&#8217;m eager to see it &#8212; and also the promised 4-camera shoot of Zooid&#8217;s concert (with guest cellist Chris Hoffman) at Roulette last fall, which will eventually be online at <a href=\"http:\/\/www.roulette.org\/rtv.php\">Roulette TV<\/a>. Until then, enjoy this series shot by <a href=\"http:\/\/www.flickr.com\/photos\/37531245@N08\/4370862203\/\">Robert Klurfield<\/a> at the Jazz Gallery, where Threadgill and Zooid performed to another SRO (though small) crowd, with utter confidence regarding its fast-moving, uniquely structured repertoire:&nbsp;<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"4370862203_2617a3c6cc-1.jpg\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/4370862203_2617a3c6cc-1.jpg\" width=\"500\" height=\"312\" class=\"mt-image-none\" style=\"\" \/><\/div>\n<div>photo c 2010 Robert Klurfield<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"4370862467_8970987f08.jpg\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/4370862467_8970987f08.jpg\" width=\"500\" height=\"318\" class=\"mt-image-none\" style=\"\" \/><\/div>\n<div>photo c 2010 Robert Klurfield<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"4371612940_d3e3f81f8a.jpg\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/4371612940_d3e3f81f8a.jpg\" width=\"500\" height=\"313\" class=\"mt-image-none\" style=\"\" \/><\/div>\n<div>photo c 2010 Robert Klurfield<\/div>\n<div><\/div>\n<div>Until then, recommended listening: <a href=\"http:\/\/www.amazon.com\/This-Brings-Us-I\/dp\/B002R9AQD8\/?tag=howardmacom-20\">This Brings Us To, Vol. 1<\/a>. And when is Vol. 2 due?&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"4352441557_28546e9bc3.jpg\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/4352441557_28546e9bc3.jpg\" width=\"500\" height=\"333\" class=\"mt-image-none\" style=\"\" \/><\/div>\n<div>photo c 2010 Robert Klurfield<\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.howardmandel.com\/\" target=\"blank\">howardmandel.com<\/a> <br \/>\n<a href=\"http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712&amp;loc=en_US\" target=\"_blank\">Subscribe by Email <\/a>  |<br \/>\n<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\">Subscribe by  RSS<\/a> |<br \/>\n<a href=\"http:\/\/twitter.com\/jazzbeyondjazz\" target=\"_blank\">Follow on Twitter <\/a><br \/>\n<a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\"> All JBJ posts <\/a> |<br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composer-saxophonist Henry Threadgill performed his quicksilver music with quintet Zooid at the Jazz Gallery a few days back: here are the photos. He talked at Jazz at Lincoln Center, also: a brief synopsis.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[83,116,510,710,711,563,562,709],"class_list":{"0":"post-299","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-henry-threadgill","8":"tag-jazz-at-lincoln-center","9":"tag-jazz-gallery","10":"tag-ken-druker","11":"tag-robert-klurfield","12":"tag-roulette-tv","13":"tag-this-brings-us-to-vol-1","14":"tag-zooid","15":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4P","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2025,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/04\/threadgill-wins-pulitzer-for-zooid-and-cheers-for-his-career.html","url_meta":{"origin":299,"position":0},"title":"Threadgill wins Pulitzer for Zooid and cheers for his career","author":"Howard Mandel","date":"April 18, 2016","format":false,"excerpt":"The Pulitzer Prize for Music\u00c2\u00a0has been earned by Henry Threadgill, composer, bandleader and reedist, for his expansive and in-depth explorations of polyphonic improvisation with his quintet Zooid, the suite stretching over\u00c2\u00a0two cds\u00c2\u00a0In for a Penny, In for a Pound. Big time congratulations! And encouragement listening to all and any of\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"ornette and threadgill","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2015\/06\/ornette-and-threadgill-300x297.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":263,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/11\/henry_threadgill_seer_beyond_j.html","url_meta":{"origin":299,"position":1},"title":"Henry Threadgill, seer beyond &#8216;jazz&#8217;","author":"Howard Mandel","date":"November 5, 2009","format":false,"excerpt":"In my City Arts column: a new album and Roulette concert with commissioned work from a worldly-wise 65 yr-old NYC\/East Village-based composer-bandleader who keeps looking at music -- Varese's and Wagner's, Scott Joplin's and Ornette Coleman's -- to find something new. I call Henry Threadgill a prophet in the wilderness,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":386,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/03\/unsafe_concert_threadgill_la_b.html","url_meta":{"origin":299,"position":2},"title":"UNsafe concert: Threadgill, La Barbara, ACO dare to fail","author":"Howard Mandel","date":"March 4, 2011","format":false,"excerpt":"\"Playing It UNsafe\" is how the American Composers Orchestra characterizes tonight's concert of works by Henry Threadgill, Joan La Barbara,\u00a0Sean Friar and\u00a0Laura Schwendinger\u00a0at Zankel Hall, NYC. Afraid of classical musicians improvising? Multi-layered \"sound paintings\" of multi-tracked voice, electronic ambiance and instrumentalists sitting in the audience? Symphonic and light collaborations? Then\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":312,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/04\/whats_in_a_jazz_award_1.html","url_meta":{"origin":299,"position":3},"title":"What&#8217;s in a Jazz Award?","author":"Howard Mandel","date":"April 14, 2010","format":false,"excerpt":"Finalists for the 14th annual Jazz Awards presented by the Jazz Journalists Association are up at JJAJazzAwards.org. See and hear who critics like. These are our Pulitzer Prizes. There's a lot of excellence represented by 187 nominees in 41 categories of achievement in music-making and music documentation -- the JJA\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1504,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2014\/01\/henry-threadgills-tribute-to-butch-morris-winterjazz-fest-10.html","url_meta":{"origin":299,"position":4},"title":"Henry Threadgill&#8217;s tribute to Butch Morris @ WinterJazz Fest 10","author":"Howard Mandel","date":"January 12, 2014","format":false,"excerpt":"Composer-reedist Henry Threadgill created a stunning tribute at WinterJazz Fest 10 in New York City last night to honor his great friend Lawrence Douglas \"Butch\" Morris, who died just short of his 66th birthday on January 29, 2013. The nearly hour-long piece had two movements -- a long, complex, multi-layered\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"butch and henry","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2014\/01\/butch-and-henry.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2037,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2016\/04\/pulitzer-winner-threadgill-what-is-harmony.html","url_meta":{"origin":299,"position":5},"title":"Pulitzer winner Threadgill: &#8220;What is harmony?&#8221;","author":"Howard Mandel","date":"April 19, 2016","format":false,"excerpt":"My\u00c2\u00a0profile of Pulitzer Prize winner Henry Threadgill, commissioned by and\u00c2\u00a0published in DownBeat in 2010: Henry Threadgill exuded confidence and impatience when facing four video cameras and a standing-room-only gallery of serious listeners at the Manhattan new music performance space Roulette last October. With his flute, bass flute, alto saxophone and\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"41iy0G53C6L._SX425_","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2016\/04\/41iy0G53C6L._SX425_-300x267.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=299"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/299\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}