{"id":293,"date":"2010-02-01T13:01:49","date_gmt":"2010-02-01T18:01:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2010\/02\/nea_jazz_masters_as_new_yorker\/"},"modified":"2011-04-28T16:33:21","modified_gmt":"2011-04-28T20:33:21","slug":"nea_jazz_masters_as_new_yorker","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/02\/nea_jazz_masters_as_new_yorker.html","title":{"rendered":"NEA Jazz Masters as New Yorkers"},"content":{"rendered":"<p>Are all Jazz Masters in\/of NYC? Most, yes &#8212; but can that last? My new City Arts column.&nbsp;See photos that demonstrate the thesis.<\/p>\n<p><!--more--><\/p>\n<div style=\"text-align: center;\"><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/02\/NEA 2010 Jazz Masters Photo by Tom Pich-12894.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/02\/NEA 2010 Jazz Masters Photo by Tom Pich-12894.html','popup','width=1000,height=664,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/02\/NEA 2010 Jazz Masters Photo by Tom Pich-thumb-420x278-12894.jpg\" width=\"420\" height=\"278\" alt=\"NEA 2010 Jazz Masters Photo by Tom Pich.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/a><\/div>\n<div style=\"text-align: left;\">photo by Tom Pich:&nbsp;back row, l to r: Rocco Landesman (NEA Chairman, NYC), Cedar Walton (NYC), Bobby Hutcherson, Bill Holman, Kenny Barron (NYC), Wayne Brown (NEA Director of Music and Opera); front row:&nbsp;Yusef Lateef, George Avakian (NYC), Muhal Richard Abrams (NYC), Annie Ross (NYCP<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div><\/div>\n<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/02\/NEA Jazz Masters Group Photo Jan. 13 2010. Credit Frank Stewart for Jazz at Lincoln Center-1-12897.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/02\/NEA Jazz Masters Group Photo Jan. 13 2010. Credit Frank Stewart for Jazz at Lincoln Center-1-12897.html','popup','width=4256,height=2832,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/assets_c\/2010\/02\/NEA Jazz Masters Group Photo Jan. 13 2010. Credit Frank Stewart for Jazz at Lincoln Center-1-thumb-420x279-12897.jpg\" width=\"420\" height=\"279\" alt=\"NEA Jazz Masters Group Photo Jan. 13 2010. Credit Frank Stewart for Jazz at Lincoln Center-1.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0 auto 20px;\" \/><\/a><\/p>\n<div>photo by Tom Pich &#8212; Assembled NEA Jazz Masters at Jazz at Lincoln Center Jan. 12 2010: from back row, l &#8211; r: Gunther Schuller, Yusef Lateef, Dan Morgenstern (NYC), Paquito D&#8217;Rivera (North Bergen NJ), Buddy DeFranco, Bill Holman, Lee Konitz (NYC), Bobby Hutcherson, Jimmy Cobb (NYC), Randy Weston (NYC); middle row: Cedar Walton (NYC), Toshiko Akiyosh (NYC), Muhal Richard Abrams (NYC), Dr. Billy Taylor, Kenny Barron (NYC), Ramsey Lewis, George Wein (NYC), Tom McIntosh, Frank Wess (NYC), Annie Ross (NYC); front row: George Avakian (NYC), James Moody, Gerald Wilson, Candido Camero (NYC), Frank Foster (NYC), Jimmy Heath (NYC), Joe Wilder (NYC), Chico Hamilton (NYC), Roy Haynes (NYC).<\/div>\n<div><\/div>\n<div><a href=\"http:\/\/www.howardmandel.com\" target=\"blank\" style=\"text-decoration: underline; \">howardmandel.com<\/a>&nbsp;<br \/><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" target=\"_blank\" style=\"text-decoration: underline; \">Subscribe by Email or RSS<\/a>&nbsp;<br \/><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\" target=\"_blank\" style=\"text-decoration: underline; \">All JBJ posts&nbsp;<\/a><\/div>\n<p><script type=\"text\/javascript\" src=\"http:\/\/w.sharethis.com\/widget\/?tabs=web%2Cpost%2Cemail&amp;charset=utf-8&amp;style=default&amp;publisher=6ed88875-2235-4b29-aaa3-60183b0bcbcc\"><\/script> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Are all Jazz Masters in\/of NYC? Most, yes &#8212; but can that last? My new City Arts column.&nbsp;See photos that demonstrate the thesis.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[116,678,677,679],"class_list":{"0":"post-293","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-jazz-at-lincoln-center","8":"tag-jazz-new-york-city","9":"tag-national-endowment-for-the-arts-jazz-masters","10":"tag-nyc","11":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-4J","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":283,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/arts_presenters_meet_jazz_jour.html","url_meta":{"origin":293,"position":0},"title":"Arts Presenters meet Jazz Journalists","author":"Howard Mandel","date":"January 3, 2010","format":false,"excerpt":"The Jazz Journalists Association has scheduled a multi-faceted professional conference for Jan 8 - 12 in NYC, concurrent with the Association of Performing Arts Presenters annual conference (which is producing a Special Focus on Jazz), the two-night multi-venue\u00a0Winter Jazzfest, one-night but multi-stage\u00a0globalFEST, and the Nat'l Endowment of the Arts's presentation\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":363,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/01\/jazz_conventions_conferences.html","url_meta":{"origin":293,"position":1},"title":"Jazz conventions, conferences, celebrations, memorial Jan 6 &#8211; 11","author":"Howard Mandel","date":"January 5, 2011","format":false,"excerpt":"The jazz world convenes in two U.S. cities this weekend, as high school and college bands + directors gather at the JEN Conference in New Orleans, jazz presenters focus themselves at the APAP convention in New York City and jazz journalists get together on topics vital to better and continued\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":122,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/09\/who_decides_whos_a_jazz_master.html","url_meta":{"origin":293,"position":2},"title":"Who decides who&#8217;s an NEA Jazz Master","author":"Howard Mandel","date":"September 5, 2008","format":false,"excerpt":"The National Endowment of the Arts panel determining recipients of the annual Jazz Masters Fellowships is a small one. In the interest of transparency, the NEA has supplied the names of panelists who chose the class of '09. It comprises five previously named Fellows, one \"layperson,\" one independent record producer,\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":132,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/10\/jazz_masters_in_the_azores.html","url_meta":{"origin":293,"position":3},"title":"Jazz masters in the Azores","author":"Howard Mandel","date":"October 21, 2008","format":false,"excerpt":"My focus shifts to the mid-Atlantic: for the next week I'll be hearing newly honored NEA Jazz Master Lee Konitz, pianist Joachim Kuhn, the Hot Club of Portugal Septet, reedist Marty Ehrlich's Rites Quartet and a band led by NYC multi-instrumentalist Daniel Carter at the 10th annual Festival de Jazz\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":63,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2008\/01\/international_jazz_at_iaje.html","url_meta":{"origin":293,"position":4},"title":"International Jazz at IAJE","author":"Howard Mandel","date":"January 14, 2008","format":false,"excerpt":"\"Everywhere I've been in in the past couple of years - and I've been everywhere -- young people have put aside their indigenous musics and adopted jazz and blues as their Esperanto,\" said Quincy Jones, most famous of the 2008 NEA Jazz Masters at the 35th annual International Association for\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":762,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2012\/01\/who-should-the-next-nea-jazz-masters-be.html","url_meta":{"origin":293,"position":5},"title":"Who should the next NEA Jazz Masters be?","author":"Howard Mandel","date":"January 11, 2012","format":false,"excerpt":"Who should be the next NEA Jazz Masters? With last night's triumphant and deeply moving webcast of the NEA's 2012 Jazz Masters induction ceremonies came welcome news the annual fellowships for these major American artists will continue -- at least the financial awards of $25,000 per Master. More significant to\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/wp\/wp-content\/uploads\/2012\/01\/2012-jazz-masters.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=293"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/293\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}