{"id":29,"date":"2007-07-10T11:20:50","date_gmt":"2007-07-10T15:20:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp\/2007\/07\/all_jbj_posts_subscribe_in\/"},"modified":"2011-04-28T16:35:09","modified_gmt":"2011-04-28T20:35:09","slug":"all_jbj_posts_subscribe_in","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2007\/07\/all_jbj_posts_subscribe_in.html","title":{"rendered":""},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/archives.html\">All JBJ posts <\/a><\/p>\n<p><a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" rel=\"alternate\" type=\"application\/rss+xml\"><img decoding=\"async\" src=\"http:\/\/www.feedburner.com\/fb\/images\/pub\/feed-icon16x16.png\" alt=\"\" style=\"vertical-align:middle;border:0\"\/><\/a>&nbsp;<a href=\"http:\/\/feeds.feedburner.com\/JazzBeyondJazz\" rel=\"alternate\" type=\"application\/rss+xml\">Subscribe in a reader<\/a><\/p>\n<form style=\"border:1px solid #ccc;padding:3px;text-align:center;\" action=\"http:\/\/www.feedburner.com\/fb\/a\/emailverify\" method=\"post\" target=\"popupwindow\" onsubmit=\"window.open('http:\/\/www.feedburner.com\/fb\/a\/emailverifySubmit?feedId=1102712', 'popupwindow', 'scrollbars=yes,width=550,height=520');return true\">\n<p>Get new posts by email. <\/br> Enter your address:<\/p>\n<p><input type=\"text\" style=\"width:140px\" name=\"email\"\/><\/p>\n<p><input type=\"hidden\" value=\"http:\/\/feeds.feedburner.com\/~e?ffid=1102712\" name=\"url\"\/><input type=\"hidden\" value=\"Jazz Beyond Jazz\" name=\"title\"\/><input type=\"hidden\" name=\"loc\" value=\"en_US\"\/><input type=\"submit\" value=\"Subscribe\" \/><\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>All JBJ posts &nbsp;Subscribe in a reader Get new posts by email. Enter your address:<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-29","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-about","7":"entry"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1i3CL-t","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":282,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/tesser_on_top_10s.html","url_meta":{"origin":29,"position":0},"title":"Tesser on top 10s","author":"Howard Mandel","date":"January 1, 2010","format":false,"excerpt":"Neil Tesser blogs about best of the year roundups on\u00a0Chicago Music Examiner.com\u00a0-- and is added to the blogroll. A gifted writer and broadcaster, an incisive cultural critic, Neil has been a close colleague of mine starting in Chicago in the '70s (remember them? Most readers, maybe not). We've worked simultaneously\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":373,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2011\/01\/how_does_keith_jarrett_get_to.html","url_meta":{"origin":29,"position":1},"title":"How does Keith Jarrett come to Carnegie Hall? Alone.","author":"Howard Mandel","date":"January 13, 2011","format":false,"excerpt":"In my latest column in City Arts - New York, I share a few thoughts about the solo piano improvisations of Keith Jarrett. The headline's not mine, I don't get it -- but the music he performs at Carnegie Hall Jan. 16 may be transcendent, as far beyond jazz as\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":290,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2010\/01\/predictions_dreams_fears_fanci.html","url_meta":{"origin":29,"position":2},"title":"Predictions, dreams, fears &#038; fancies for music 2010","author":"Howard Mandel","date":"January 19, 2010","format":false,"excerpt":"What might happen in jazz and new music this year? I've no idea but speculate anyway in my CityArts column . . . And I never posted\u00a0this column,\u00a0about the presents you might have considered giving last month. Well, generosity never arrives to late (i.e., file for next year) -- or\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"boswell.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/boswell.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":208,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/happy_and_sad_news_updates.html","url_meta":{"origin":29,"position":3},"title":"Happy and sad news updates","author":"Howard Mandel","date":"June 18, 2009","format":false,"excerpt":"Jazz Beyond Jazz was named Blog of the Year by the Jazz Journalists Association at the Jazz Awards on Tuesday -- and Tina Marsh, driving force of Austin creative music, died that day, too.I'm immersed in follow-up on both these and related issues, but details and new posts are guaranteed.\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"EnidFarberFoto_20090616_dsc_6217.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/EnidFarberFoto_20090616_dsc_6217.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/EnidFarberFoto_20090616_dsc_6217.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/EnidFarberFoto_20090616_dsc_6217.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/EnidFarberFoto_20090616_dsc_6217.jpg?resize=700%2C400 2x"},"classes":[]},{"id":207,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/2008_jja_award_winners.html","url_meta":{"origin":29,"position":4},"title":"2009 JJA Jazz Award Winners","author":"Howard Mandel","date":"June 18, 2009","format":false,"excerpt":"The whole list is posted at http:\/\/www.jazzhouse.org, along with photos of the Jazz Journalists Association's 13th Annual Jazz Awards presentation, held Tuesday in New York City.A full report, with video, very soon. howardmandel.com Subscribe by Email | Subscribe by RSS | Follow on Twitter All JBJ posts |","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/06\/2008_jja_award_winners.html#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":280,"url":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/12\/city_beyond_lights_jazz.html","url_meta":{"origin":29,"position":5},"title":"City Beyond Jazz Lights","author":"Howard Mandel","date":"December 24, 2009","format":false,"excerpt":"Here's to urban music, transformative perspectives and the new year --image: JA Kawell\u00a0\u00a0 \u00a0howardmandel.com Subscribe by Email or RSS All JBJ posts","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/category\/main"},"img":{"alt_text":"holiday09.trafficlites.500x.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/jazzbeyondjazz\/holiday09.trafficlites\/holiday09.trafficlites.500x.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/posts\/29\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/media?parent=29"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/categories?post=29"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/jazzbeyondjazz\/wp-json\/wp\/v2\/tags?post=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}